Howler Blog
‘An Interview with Antony Zito’ by Oriah Abera
December 22, 2019What is the concept of this show? My Father Was a Satyr is an autobiographical myth rooted in the universal theme of “the hero’s journey” and other archetypes of mythology described in the work of Joseph Campbell. This is the story of my life, beginning with a childhood steeped in art and nature, where…
Continued‘Antony Zito’s Ancient Recent Past’ By Anthony Haden-Guest
December 16, 2019Art worlds were often rooted in a distinctive milieu, and artworks generated in Montmartre pre-World War I, say, or London’s Chelsea post-World War II, are more likely to clue you in to the time and place of their making than the art produced nowadays, which has become a global industry. Antony Zito’s art does just…
Continued‘Pirate Zito’ By Jim Jarmusch
December 9, 2019I’ve been a fan (and friend) of Zito’s for several decades now. I call him “Pirate Zito,” partly because of his somewhat piratical appearance, but more because of the attitude and approach to his creative expression. (Also, for some years now, Zito and I have been mutually convinced that in previous lives, in a previous…
Continued‘On the Street Named Pedro Pietri’ by Bob Holman
December 6, 2019On the most amazing day you were born and you were died We was waiting for you everywhere and you surprised us By showing up everywhere else Where once were bottles now only bottlecaps hang in mid-joint Waiting for the air to turn into red wine and cheeseburgers And the bottlecaps without bottles will be…
ContinuedInterview with the Artist: Antony Zito
November 23, 2019Antony Zito: My Father Was a Satyr November 22 – December 22, 2019 Antony Zito is a portrait painter and collector of objects, who moved to the Lower East Side from New England in 1992. Zito has spent more than 20 years on New York’s Lower East Side, where he ran a gallery and portrait…
ContinuedTessa Hugues-Freeland Filmography by Charlie Ahearn
November 4, 2019Watching some of Tessa’s hallucinatory classics like Instinct: Bitches Side is my idea of cinematic pleasure: a bizarre mix of Bette Davis, Mae West, a spider, and a sexy seductress, all driven by a score echoing film history. Tessa has been at it since the early 80s, making films for no money…films clearly stamped with…
ContinuedTripping the Light Fantastic By Carlo McCormick
October 29, 2019For some 40 years, Tessa Hughes-Freeland has been, in her own highly idiosyncratic way, carving out an utterly unique place within the realm of art and film. Sometimes it makes sense, corresponding with cultural currents that have placed her work firmly within a recognizable context, allowing us to see her as part of something larger,…
ContinuedTessa Hughes-Freeland By Ed Halter
October 24, 2019The world as seen in Tessa Hughes-Freeland’s early films is one of startling extremities. In movies such as her do-it-yourself go-go dancer documentary Baby Doll (1982), shot at Tribeca’s fabled Baby Doll Lounge, or Dirty (1992), her unrelenting adaptation of George Bataille’s tale of excremental abjection Le Bleu du Ciel (Blue of Noon) made with…
ContinuedThe Third Position: Sculpture at the Extremes by Carlo McCormick
October 8, 2019Click Here to view the catalog for Linus Coraggio’s Ramifications. For all that we spend countless lives and generations just trying to figure things out—as if the folly of understanding the world and universe around us were endemic to the human condition—there is a place where logic ends, and that too constitutes a fundamental place…
ContinuedLinus Coraggio—The Existential Weld by Brad Melamed
October 1, 2019Click Here to view the catalog for Linus Coraggio’s Ramifications. Apocalyptic Now. On the last day of July 2019, a thunderstorm plays soundtrack to the works that line the walls of Linus Coraggioʼs studio. It is an immersive environment, a portal into the apocalyptic subversion that is the “now” of Coraggio’s work. Ranging in scale…
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