An Arturo Vega Project
Icons, Iconoclasts, and Outsiders
September 19, 2021September 19, 2021 – March 6, 2022 Inaugural Exhibition at Howl! Arts/Howl! Archive (HA/HA) Grand Opening: Sunday, September 19 / 11 AM–6 PM Howl Arts is pleased to announce the inaugural exhibition at its new space, Howl! Arts/Howl! Archive (HA/HA). Icons, Iconoclasts, and Outsiders presents works by artists, writers, musicians, scenesters, performers, icons, iconoclasts, outsiders and other…
ContinuedIcons, Iconoclasts, and Outsiders
January 2, 2022September 19, 2021 – March 20, 2022 Inaugural Exhibition at Howl! Arts/Howl! Archive (HA/HA) Grand Opening: Sunday, September 19 / 11 AM–6 PM Howl Arts is pleased to announce the inaugural exhibition at its new space, Howl! Arts/Howl! Archive (HA/HA). Icons, Iconoclasts, and Outsiders presents works by artists, writers, musicians, scenesters, performers, icons, iconoclasts, outsiders and other…
Continued99 Nights by Carlo McCormick
April 18, 2024The following is an excerpt from Carlo McCormick’s catalogue essay for Toyo Tsuchiya’s Invisible Underground exhibition at Howl! Happening. It is easy to obsess on the infamous and important artists who populate the photographs of Toyo Tsuchiya, to be impressed as we can be when encountering the likes of Tehching Hsieh, Kembra Pfahler, Stelarc, Jackie…
ContinuedKathleen Fox / Exhibition Photographs
April 18, 2024The best part about my role as social networks manager at Howl! Happening is seeing the exhibitions through the eyes of our visitors. Our mission at Howl! is community based. We are a nonprofit dedicated to preserving the past and celebrating the contemporary culture of the East Village and Lower East Side. The content we…
ContinuedArturo Vega Insults
March 5, 2016A series of paintings created by the late Arturo Vega imprinted with irrelevant and honest text fragments in a cocktail of insults and mystic thoughts. Painted in primary colors as a way to ponder the crudeness of the society he was a part of, they poke fun at the uncertainty and ambivalence of the artist in the face of the cultural climate of his adopted city.
Continued