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DTSTART;VALUE=DATE:20200109
DTEND;VALUE=DATE:20200224
DTSTAMP:20260606T135353
CREATED:20191211T212934Z
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SUMMARY:Jane Dickson: HOT\, HOT\, HOT
DESCRIPTION:Opening Reception: Thursday\, January 9th / 6-8 PM \nHowl! Happening: An Arturo Vega Project is pleased to present Jane Dickson’s Hot\, Hot\, Hot\, a series of rarely seen and moody paintings of Times Square peep shows from the 1980s. Dickson’s history and legacy are rooted in Times Square. She worked and lived there from 1978 to 2008 documenting her daily lived experiences and observations as a young woman. In photos\, drawings\, and paintings that utilize unconventional industrial and domestic materials as surfaces—including carpet\, sandpaper\, and black plastic bags—she captured a time and place that was notoriously lawless\, squalid\, and vibrantly alive. \n \nIn her essay for the exhibition catalog\, art historian Deborah Frizzell places Dickson as a critical witness and commentator on the effects of mass media on “perception and desire”: \nRooted in the street as a site for public intervention\, as a place to seek out alternative stories and ways of being\, Dickson works with the existing repertory of cultural imagery and reveals the slippage or difference prompted in the interplay of power and illusion in contemporary America\, particularly from a feminist perspective that has been ignored and erased from view. Rather than a smoothly polished verisimilitude or a crafted collage of fragments\, Dickson’s rough-cut method often disorients\, jars our senses\, and doubles the vertigo induced by obliquely angled perspectives or alternatively\, flattened peepholes and cubicles. \nWhile the specifics of live peep shows flaunting the broad spectrum of unenhanced bodies accepted in a pre-cosmetic-surgery era are now exotic\, and the live peeps are a historic artifact of the pre-internet universe\, the underlying dynamics of power and vulnerability and the stark divide between who works and who pays remain as relevant as ever. \nThe exhibition follows the success of the Anthology Press monograph Jane Dickson in Times Square\, published in 2019; the exhibition All That Is Solid Melts into Air at James Fuentes Gallery; and the Whitney Museum’s purchase of Dobbs Hats\, one of her key early Times Square paintings. To further contextualize her work\, the exhibition includes a fully illustrated catalog with essays by Sara Rosen\, Deborah Frizzell\, Carlo McCormick\, and David Kiehl. \n \nA part of the politically charged 80s scene of artists working at the intersection of street art\, hip hop\, film\, and installation—like David Wojnarowicz\, Keith Haring\, Jenny Holzer\, and her filmmaker husband Charlie Ahearn—Dickson was a member of the influential artist collectives Colab (Collaborative Projects) and Fashion Moda in the South Bronx. She was one of the organizers of the now legendary Times Square Show\, for which she created the poster with Charlie Ahearn and a and digital animation that ran hourly on the Spectacolor sign at 1 Times Square\, the first computerized lightboard in New York. This groundbreaking digital installation led Dickson to initiate the Messages to the Public series in 1981 with the Public Art Fund\, presenting a series of animated artworks on the billboards of Times Square and bringing first public attention to her friends Keith Haring\, Jenny Holzer\, David Hammons\, and Crash among others. \nIn 1980 Dickson created City Maze\, an installation designed for school children at Fashion Moda\, the art space in the South Bronx founded by Stefan Eins\, which became a platform for the burgeoning hip-hop and graffiti movements. https://youtu.be/OmN4f2_Lmvc \nBeyond Times Square\, Dickson’s focus has encompassed other facets of the contemporary architecture of distraction: demolition derbies\, carnivals\, casinos\, strip malls\, and highways\, utilizing industrial materials such as AstroTurf\, sandpaper\, vinyl\, and felt\, for both their tactile qualities and their associations. \nIn 2008 Dickson created a beloved series of 68 life-size mosaic figures of New Year’s Eve revelers installed in the Times Square subway station. Dickson’s work has been widely exhibited nationally and internationally\, and is included in the collections of more than 30 museums including The Whitney Museum of American Art\, The Metropolitan Museum of Art and The Museum of Modern Art. In 2016\, The National Portrait Gallery–Smithsonian Institution acquired her portrait of Fab 5 Freddy from 1983\, where it is currently on display. In 2018\, the Whitney acquired Dobb’s Hats (1981)\, a historically essential example of the female gaze in New York City—the city at night and the sex trade. \nImages(top to bottom) \nJane Dickson\, “Live Girls 2” 2001\, Oil stick on Emory Cloth\, 18 x 18 in. \nJane Dickson\, “Chippendales”\, 1993\, Oil and rol-a-tex on canvas\, 69 x 123 in \nJane Dickson\, “Peep Couple”\, 1994\, Oil stick on emory cloth on wood\, 8 x 8 in
URL:https://www.howlarts.org/event/jane-dickson-hot-hot-hot/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200223T190000
DTEND;TZID=America/New_York:20200223T210000
DTSTAMP:20260606T135353
CREATED:20200219T224259Z
LAST-MODIFIED:20200219T224259Z
UID:10000541-1582484400-1582491600@www.howlarts.org
SUMMARY:Gang of Four by Merrill Aldighieri
DESCRIPTION:Howl! Happening is pleased to present the film Gang of Four by Merrill Aldighieri In honor of the passing of Andy Gill (Jan 1\, 1956 – Feb 1\, 2020) – a founding member and guitarist of the iconic band Gang of Four.\n\n\nAldighieri recorded more than 200 hours of live music performances during a year at Hurrah (1980-1981). Gang of Four is a never before seen rough cut of their full concert\, live at Hurrah on January 1\, 1980\, featuring an encore with British-American rock band\, The Mekons. Running Time 70 min.\n\nClick HERE for a preview
URL:https://www.howlarts.org/event/gang-of-four-by-merrill-aldighieri/
LOCATION:NY
CATEGORIES:Happening Soon,Special Event
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200229
DTEND;VALUE=DATE:20200413
DTSTAMP:20260606T135353
CREATED:20191211T212816Z
LAST-MODIFIED:20220214T182135Z
UID:10000297-1582934400-1586735999@www.howlarts.org
SUMMARY:Helen Oliver: The Road
DESCRIPTION:Helen Oliver…embodies those values of individuality grounded in an uncompromising intelligence. —Penny Arcade \nPraise for Helen Oliver’s The Road: \nTOP 10 NEW YORK GALLERY EXHIBITIONS CAUGHT IN THE COVID-19 SHUTDOWN\, By David Ebony\, Snap Editions \nHowl! Happening: An Arturo Vega Project is pleased to present The Road\, paintings by Helen Oliver. Known for her large-scale portraits and landscapes in oil\, and for her stage and set designs for her brother\, Edgar Oliver\, Adelson delves below the surface of her subjects to uncover inner mysteries and tensions. “Places\, people\, spirits—things real and imagined—that I find along the road\,” she says. \nAdelson’s blithe\, bohemian character imbues her paintings with an imaginative inner narrative and style that goes beyond any affiliations to contemporary art trends\, schools\, or movements. An air of whimsy permeates the portrait of her brother Edgar as harlequin\, while languid nudes stare frankly at the viewer. New paintings of mountains\, piazzas\, wood nymphs\, sirens\, and architecture the artist encounters on her daily excursions from her house in the Italian countryside embody a vision and a life lived consummately on her own terms. \nSince the late 70s\, Helen Oliver has been an integral part of the artistic and performance-art scene of the Lower East Side\, tapping into the personalities of the vanguard and rendering oil paintings of artists\, musicians\, filmmakers\, and writers including Penny Arcade\, Lenny Kaye\, Mary Lou Wittmer\, Louie Cartwright\, Kembra Pfahler\, Samoa\, and Brian Damage. She is also well known for her stage-set design\, especially for her brother Edgar Oliver’s plays\, many of which premiered at La MaMa E.T.C. \nShe was a founder of Pompeii Gallery on 10th Street (and later Forsyth Street) in New York City in the mid 80s. She has exhibited in New York\, Paris\, and Lucerne\, and has painted three rooms at the Carlton Arms Hotel. Originally from Savannah\, Georgia\, she moved to New York City in the late 70s after studying in Paris and receiving a B.A. from The George Washington University in Washington\, D.C. She now divides her time between New York and Tarquinia\, Italy\, where she makes her home. \nImage: Helen Oliver\, “The Wood Nymph”\, 2019.
URL:https://www.howlarts.org/event/helen-oliver-adelson-the-road/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
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