BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Howl! Arts - ECPv6.16.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.howlarts.org
X-WR-CALDESC:Events for Howl! Arts
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200109
DTEND;VALUE=DATE:20200224
DTSTAMP:20260606T003202
CREATED:20191211T212934Z
LAST-MODIFIED:20201004T165652Z
UID:10000299-1578528000-1582502399@www.howlarts.org
SUMMARY:Jane Dickson: HOT\, HOT\, HOT
DESCRIPTION:Opening Reception: Thursday\, January 9th / 6-8 PM \nHowl! Happening: An Arturo Vega Project is pleased to present Jane Dickson’s Hot\, Hot\, Hot\, a series of rarely seen and moody paintings of Times Square peep shows from the 1980s. Dickson’s history and legacy are rooted in Times Square. She worked and lived there from 1978 to 2008 documenting her daily lived experiences and observations as a young woman. In photos\, drawings\, and paintings that utilize unconventional industrial and domestic materials as surfaces—including carpet\, sandpaper\, and black plastic bags—she captured a time and place that was notoriously lawless\, squalid\, and vibrantly alive. \n \nIn her essay for the exhibition catalog\, art historian Deborah Frizzell places Dickson as a critical witness and commentator on the effects of mass media on “perception and desire”: \nRooted in the street as a site for public intervention\, as a place to seek out alternative stories and ways of being\, Dickson works with the existing repertory of cultural imagery and reveals the slippage or difference prompted in the interplay of power and illusion in contemporary America\, particularly from a feminist perspective that has been ignored and erased from view. Rather than a smoothly polished verisimilitude or a crafted collage of fragments\, Dickson’s rough-cut method often disorients\, jars our senses\, and doubles the vertigo induced by obliquely angled perspectives or alternatively\, flattened peepholes and cubicles. \nWhile the specifics of live peep shows flaunting the broad spectrum of unenhanced bodies accepted in a pre-cosmetic-surgery era are now exotic\, and the live peeps are a historic artifact of the pre-internet universe\, the underlying dynamics of power and vulnerability and the stark divide between who works and who pays remain as relevant as ever. \nThe exhibition follows the success of the Anthology Press monograph Jane Dickson in Times Square\, published in 2019; the exhibition All That Is Solid Melts into Air at James Fuentes Gallery; and the Whitney Museum’s purchase of Dobbs Hats\, one of her key early Times Square paintings. To further contextualize her work\, the exhibition includes a fully illustrated catalog with essays by Sara Rosen\, Deborah Frizzell\, Carlo McCormick\, and David Kiehl. \n \nA part of the politically charged 80s scene of artists working at the intersection of street art\, hip hop\, film\, and installation—like David Wojnarowicz\, Keith Haring\, Jenny Holzer\, and her filmmaker husband Charlie Ahearn—Dickson was a member of the influential artist collectives Colab (Collaborative Projects) and Fashion Moda in the South Bronx. She was one of the organizers of the now legendary Times Square Show\, for which she created the poster with Charlie Ahearn and a and digital animation that ran hourly on the Spectacolor sign at 1 Times Square\, the first computerized lightboard in New York. This groundbreaking digital installation led Dickson to initiate the Messages to the Public series in 1981 with the Public Art Fund\, presenting a series of animated artworks on the billboards of Times Square and bringing first public attention to her friends Keith Haring\, Jenny Holzer\, David Hammons\, and Crash among others. \nIn 1980 Dickson created City Maze\, an installation designed for school children at Fashion Moda\, the art space in the South Bronx founded by Stefan Eins\, which became a platform for the burgeoning hip-hop and graffiti movements. https://youtu.be/OmN4f2_Lmvc \nBeyond Times Square\, Dickson’s focus has encompassed other facets of the contemporary architecture of distraction: demolition derbies\, carnivals\, casinos\, strip malls\, and highways\, utilizing industrial materials such as AstroTurf\, sandpaper\, vinyl\, and felt\, for both their tactile qualities and their associations. \nIn 2008 Dickson created a beloved series of 68 life-size mosaic figures of New Year’s Eve revelers installed in the Times Square subway station. Dickson’s work has been widely exhibited nationally and internationally\, and is included in the collections of more than 30 museums including The Whitney Museum of American Art\, The Metropolitan Museum of Art and The Museum of Modern Art. In 2016\, The National Portrait Gallery–Smithsonian Institution acquired her portrait of Fab 5 Freddy from 1983\, where it is currently on display. In 2018\, the Whitney acquired Dobb’s Hats (1981)\, a historically essential example of the female gaze in New York City—the city at night and the sex trade. \nImages(top to bottom) \nJane Dickson\, “Live Girls 2” 2001\, Oil stick on Emory Cloth\, 18 x 18 in. \nJane Dickson\, “Chippendales”\, 1993\, Oil and rol-a-tex on canvas\, 69 x 123 in \nJane Dickson\, “Peep Couple”\, 1994\, Oil stick on emory cloth on wood\, 8 x 8 in
URL:https://www.howlarts.org/event/jane-dickson-hot-hot-hot/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/12/JDickson_2001_LiveGirls02_oilstickonemerycloth_18x18_CF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200118T190000
DTEND;TZID=America/New_York:20200118T210000
DTSTAMP:20260606T003202
CREATED:20200112T223114Z
LAST-MODIFIED:20200428T160753Z
UID:10000545-1579374000-1579381200@www.howlarts.org
SUMMARY:Jane Dickson and Scott Dougan Discuss The Deuce and Times Square
DESCRIPTION:7 PM / Free \nJoin Jane Dickson and Scott Dougan\, production designer of the HBO series The Deuce\, for a conversation about what it means to capture the essence of a particularly infamous time and place in the city—and why we find these visions of New York’s gritty and not-so-distant past so alluring today. \nAlthough virtually undetectable today\, Times Square in the 1970s and 80s was the center of the New York sex industry\, synonymous with prostitution and pornography. The hit HBO series The Deuce\, starring James Franco and Maggie Gyllenhaal\, has resurrected the neighborhood’s dark corners and bright lights as it recounts the pioneering moments of the city’s burgeoning sex business. Looking back\, artist Jane Dickson was there. Beginning in 1978\, Dickson lived\, worked\, and raised a family on 43rd Street and Eighth Avenue\, documenting her chosen “neighborhood” and its denizens in her drawings\, paintings\, and photography. \nJane Dickson’s exhibition Hot Hot Hot: Paintings of Times Square Peep Shows continues at Howl! Happening through February 23. \nJane Dickson is a painter and photographer who documented Times Square from 1978 onward. Today\, Dickson’s work is represented in more than 30 museum collections including the Whitney Museum of American Art and the Metropolitan Museum of Art. Her newest book\, Jane Dickson in Times Square\, was published in October 2018 by Anthology Editions. \nScott Dougan is currently production designer for HBO’s The Deuce. He began his career as a theatrical set designer\, and most recently served as art director for films including Collateral Beauty (2016)\, Allegiant (2016)\, and Bridge of Spies (2015)\, as well as production designer for American Animals (2018) and Monsters and Men (2018). \nAbout The Deuce: \nCreated by George Pelecanos and David Simon (The Wire\, Treme) and starring James Franco and Maggie Gyllenhaal\, The Deuce is a semi-fictional drama series that recounts the launch of the sex-trade industry in the heart of New York City’s Times Square. Now in its second season\, the series traces the shifting porn business from organized crime-backed parlors to a legitimate\, culturally accepted enterprise. \n 
URL:https://www.howlarts.org/event/jane-dickson-and-scott-dougan-discuss-the-deuce-and-times-square/
LOCATION:NY
CATEGORIES:Events,Special Event
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2020/01/JDickson_Photo_BHScan_TimesSquare_PeeplandBurleskXXXStreetSigns-copy-scaled.jpg
END:VEVENT
END:VCALENDAR