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DTSTART;VALUE=DATE:20191017
DTEND;VALUE=DATE:20191118
DTSTAMP:20260605T155406
CREATED:20190717T212003Z
LAST-MODIFIED:20191208T190256Z
UID:10000284-1571270400-1574035199@www.howlarts.org
SUMMARY:Tessa Hughes-Freeland: Passed and Present
DESCRIPTION:Opening Reception: Thursday\, October 17 / 6 PM / Free \nHowl! Happening: An Arturo Vega Project is pleased to present Passed and Present\, an exhibition and installation by Tessa Hughes-Freeland comprising a variety of cinematic elements. Known for her contributions to the Cinema of Transgression movement\, the exhibition includes single-channel and multiple projections\, an interactive kaleidoscope\, sculptural fans\, and a series of special screenings including the premiere of her recently completed Lost Movie/The Bug. \nConfrontational\, transgressive\, provocative\, and poetic\, Hughes-Freeland approaches filmmaking from a multiplicity of styles. Her work includes underground films\, classic narrative\, expanded cinematic performances\, experimental “automatic” films assembled entirely from found footage\, and delicate fans made from film of all gauges.  \nIn live-action films\, as well as collaged films from found footage\, Hughes-Freeland taps into the sophisticated emotional filters we erect to deal with uncomfortable feelings. Images crash into one another in disorienting ways. Drawing upon the mind-altering potential of spontaneous transformation and the power of myth\, her films are essentially “psychedelic”—conjuring ineffable experiences beyond the commonplace. \n“My films are ritualistic and atavistic—inspired by dreams\, visions\, and imagination. Sometimes the nucleus of an idea for a film starts with an object. The original idea for Hireath came from the top of the Christmas cake\, which my mother made every year\,” the artist says. \nHiraeth\, a Welsh concept expressing a deep longing for home\, is based on memory and loss. Drawing loosely on paganism and the mythology of female archetypes as seers\, the film evokes an arc of Hughes-Freeland’s experience as a woman over time.  \nOther Wise\, a large multiple projection\, extends the sentiment of loss present in Hiraeth. Working directly with wide-ranging sources—film made from Letraset\, handmade slides\, and original ethereal imagery—the work includes a poetic secret message to the departed based on imagery from a dream. The naturally transmutable iconography and romantic framework of the piece create a visual poem expressing the metaphysical poles of connection and otherness\, and the beauty of transformation. The projection screen is formally linked to the film fans by its concertina-like shape.  \nIn turn\, the kaleidoscope uses Other Wise to create further fragmentation within a circular form. A primitive cinematic device devoid of technology\, it is fashioned from a camera tripod and case. Interactive and fun\, this piece invites the viewer to see the world and the exhibition in a magical state.  \n“Found footage is the basis of much of my films. Similarly\, a found object can inspire an entire film. I see these as signifiers or emotional triggers that become a part of my own symbolic language. The fans consist of found film in all gauges—home movies; Hollywood studio films; pornographic films; or random footage found in thrift stores\, yard sales\, or just lying on the street\,” Hughes-Freeland explains.  \nAs part of the public programs in conjunction with the show\, Howl! will screen a selection of Hughes-Freeland’s films including Baby Doll (1981)\, a docu-portrait of go-go dancers\, and Nymphomania (1994)\, a brutal and a comedic critique of the dialectic of male/female sexuality.  \n  \nABOUT TESSA HUGHES-FREELAND \nTessa Hughes-Freeland has been making films since the 1980s and is considered a member of the Cinema of Transgression movement. Her films have been screened internationally in museums\, galleries\, and seedy bars\, including MoMA\, MOCA\, Whitney Museum of American Art\, New Museum\, and KW Institute for Contemporary Art. Currently\, five of her films are featured in an exhibition touring museums throughout Asia\, including Seoul\, South Korea. She has been a juror for numerous festivals and programmed extensively\, most recently for the Club 57: Film\, Performance\, and Art in the East Village\, 1978-1983 exhibition at MoMA\, and for Punk Lust: Raw Provocation 1971-85 at the Museum of Sex.  Hughes-Freeland was president of the board of directors of the New York-based Film–Makers‘ Cooperative for several years. \nImage: Mirror Mirror: Daylight Cinema\, 2017\, Tessa Hughes-Freeland.
URL:https://www.howlarts.org/event/tessa-hughes-freeland-passed-and-present/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/07/Kaleidoscope-IMG_0710-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191112T140000
DTEND;TZID=America/New_York:20191112T160000
DTSTAMP:20260605T155406
CREATED:20160706T170122Z
LAST-MODIFIED:20190925T180309Z
UID:10000051-1573567200-1573574400@www.howlarts.org
SUMMARY:Actors Fund Affordable Housing Workshop
DESCRIPTION:Did you know that New York City is planning to build or preserve 300\,000 units of affordable housing by 2026? This two-hour seminar for performing-arts and entertainment professionals provides an overview of government-subsidized housing in New York City\, which is available for both low- and middle-income households. Complex information is broken down into simple\, straightforward steps. While the applicant pool for these affordable units is highly competitive\, this seminar will help you avoid common mistakes and get organized and prepared to apply. The following questions will be addressed: \nHow do you find and apply for affordable housing? \nWhat are the eligibility requirements? (Income\, household size\, credit\, housing history\, etc.) \nHow does a housing lottery work? \nCan you get on a waiting list? \nHow do you document your income if it fluctuates year to year? \nHow can you best prepare yourself for an interview? \nWhat are your options if you are denied? \n 
URL:https://www.howlarts.org/event/2565-2016-12-20-2017-06-06-2017-12-12-2019-11-19/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
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DTSTART;TZID=America/New_York:20191112T160000
DTEND;TZID=America/New_York:20191112T180000
DTSTAMP:20260605T155406
CREATED:20160706T170758Z
LAST-MODIFIED:20190925T180348Z
UID:10000070-1573574400-1573581600@www.howlarts.org
SUMMARY:Insurance Doctor Is In
DESCRIPTION:The Insurance Doctor Is In! \nQuestions about a health insurance bill? \nDon’t understand your insurance and can’t get a straight answer? \nNeed some advice on how to negotiate medical debt? \nOur insurance expert will answer your questions during a one-on-one consultation. Vincent Musolino\, Health Benefits Specialist at the Artists Health Insurance Resource Center\, is an unbiased Navigator with the NY State of Health Marketplace and has over 12 years of medical billing and insurance experience. \nConsultations are about 20 minutes and by appointment only. \nPlease RSVP to vmusolino@actorsfund.org with Subject: Insurance Doctor Is In \nAlso\, bring any documents in question (bills\, explanations of benefits\, your insurance policy)! \n 
URL:https://www.howlarts.org/event/actors-fund-insurance-drop-in-workshop-3-2016-12-19-2017-07-05-2017-12-11-2018-12-18-2019-01-15-2019-11-19/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191115T190000
DTEND;TZID=America/New_York:20191115T210000
DTSTAMP:20260605T155406
CREATED:20191004T192127Z
LAST-MODIFIED:20200428T161338Z
UID:10000551-1573844400-1573851600@www.howlarts.org
SUMMARY:Tessa Hughes-Freeland: Girls on Film
DESCRIPTION:Film Screening \nLooking deeper into her filmmaking\, Hughes-Freeland shows work made from the 1990s to the present\, including the premiere of the recently completed film Lost Movie/The Bug\, a cautionary tale of sexual exploits. Also on view will be Dirty—a collaboration with Annabel Lee loosely based on Georges Battaille’s Blue of Noon—and Nymphomania\, a depiction of an Arcadian myth gone awry\, made in collaboration with Holly Adams. Total Running time: 53 minutes \nDirty 1993\, Made in collaboration with Annabel Lee\nNymphomania 1994\, Made in collaboration with Holly Adams\nInstinct 2007\nGift 2010\nThe Bug/Lost Movie 1998-2018 \nQ&A to follow with the artist and Charlie Ahearn. \nCharlie Ahearn is an American film director and artist living in New York City. Predominantly involved in film and video production\, he is also known for his work as an author\, freelance writer\, and radio host. His film Wild Style was first screened in 1982 and went on to become the classic Hip Hop movie. After directing other films such as Fear of Fiction and artist documentaries Ahearn co-authored book Yes Yes Y’all\, released in 2002; an oral history of the first decade of Hip Hop with many photos by Ahearn. Ahearn has been producing documentaries such as Richard Hunt Sculptor (2010)\, Jamel Shabazz Street Photographer (2011) and Hip Hop musical shorts\, his latest being All City Take It To The Bridge. \nImage: Still from Lost Movie/The Bug\, 1998-2018
URL:https://www.howlarts.org/event/girls-on-film/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/10/THE-BUG_Lost-Movie-scaled.jpg
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