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X-WR-CALDESC:Events for Howl! Arts
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DTSTART;VALUE=DATE:20191017
DTEND;VALUE=DATE:20191118
DTSTAMP:20260605T170716
CREATED:20190717T212003Z
LAST-MODIFIED:20191208T190256Z
UID:10000284-1571270400-1574035199@www.howlarts.org
SUMMARY:Tessa Hughes-Freeland: Passed and Present
DESCRIPTION:Opening Reception: Thursday\, October 17 / 6 PM / Free \nHowl! Happening: An Arturo Vega Project is pleased to present Passed and Present\, an exhibition and installation by Tessa Hughes-Freeland comprising a variety of cinematic elements. Known for her contributions to the Cinema of Transgression movement\, the exhibition includes single-channel and multiple projections\, an interactive kaleidoscope\, sculptural fans\, and a series of special screenings including the premiere of her recently completed Lost Movie/The Bug. \nConfrontational\, transgressive\, provocative\, and poetic\, Hughes-Freeland approaches filmmaking from a multiplicity of styles. Her work includes underground films\, classic narrative\, expanded cinematic performances\, experimental “automatic” films assembled entirely from found footage\, and delicate fans made from film of all gauges.  \nIn live-action films\, as well as collaged films from found footage\, Hughes-Freeland taps into the sophisticated emotional filters we erect to deal with uncomfortable feelings. Images crash into one another in disorienting ways. Drawing upon the mind-altering potential of spontaneous transformation and the power of myth\, her films are essentially “psychedelic”—conjuring ineffable experiences beyond the commonplace. \n“My films are ritualistic and atavistic—inspired by dreams\, visions\, and imagination. Sometimes the nucleus of an idea for a film starts with an object. The original idea for Hireath came from the top of the Christmas cake\, which my mother made every year\,” the artist says. \nHiraeth\, a Welsh concept expressing a deep longing for home\, is based on memory and loss. Drawing loosely on paganism and the mythology of female archetypes as seers\, the film evokes an arc of Hughes-Freeland’s experience as a woman over time.  \nOther Wise\, a large multiple projection\, extends the sentiment of loss present in Hiraeth. Working directly with wide-ranging sources—film made from Letraset\, handmade slides\, and original ethereal imagery—the work includes a poetic secret message to the departed based on imagery from a dream. The naturally transmutable iconography and romantic framework of the piece create a visual poem expressing the metaphysical poles of connection and otherness\, and the beauty of transformation. The projection screen is formally linked to the film fans by its concertina-like shape.  \nIn turn\, the kaleidoscope uses Other Wise to create further fragmentation within a circular form. A primitive cinematic device devoid of technology\, it is fashioned from a camera tripod and case. Interactive and fun\, this piece invites the viewer to see the world and the exhibition in a magical state.  \n“Found footage is the basis of much of my films. Similarly\, a found object can inspire an entire film. I see these as signifiers or emotional triggers that become a part of my own symbolic language. The fans consist of found film in all gauges—home movies; Hollywood studio films; pornographic films; or random footage found in thrift stores\, yard sales\, or just lying on the street\,” Hughes-Freeland explains.  \nAs part of the public programs in conjunction with the show\, Howl! will screen a selection of Hughes-Freeland’s films including Baby Doll (1981)\, a docu-portrait of go-go dancers\, and Nymphomania (1994)\, a brutal and a comedic critique of the dialectic of male/female sexuality.  \n  \nABOUT TESSA HUGHES-FREELAND \nTessa Hughes-Freeland has been making films since the 1980s and is considered a member of the Cinema of Transgression movement. Her films have been screened internationally in museums\, galleries\, and seedy bars\, including MoMA\, MOCA\, Whitney Museum of American Art\, New Museum\, and KW Institute for Contemporary Art. Currently\, five of her films are featured in an exhibition touring museums throughout Asia\, including Seoul\, South Korea. She has been a juror for numerous festivals and programmed extensively\, most recently for the Club 57: Film\, Performance\, and Art in the East Village\, 1978-1983 exhibition at MoMA\, and for Punk Lust: Raw Provocation 1971-85 at the Museum of Sex.  Hughes-Freeland was president of the board of directors of the New York-based Film–Makers‘ Cooperative for several years. \nImage: Mirror Mirror: Daylight Cinema\, 2017\, Tessa Hughes-Freeland.
URL:https://www.howlarts.org/event/tessa-hughes-freeland-passed-and-present/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/07/Kaleidoscope-IMG_0710-scaled.jpg
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DTSTART;TZID=America/New_York:20191106T190000
DTEND;TZID=America/New_York:20191106T210000
DTSTAMP:20260605T170716
CREATED:20191009T205750Z
LAST-MODIFIED:20200428T173331Z
UID:10000532-1573066800-1573074000@www.howlarts.org
SUMMARY:Vega Arts Workshop Series:  Mirrored Experiments with Tessa Hughes-Freeland
DESCRIPTION:Vega Arts Workshop Series  \nMirrored Experiments with Tessa Hughes-Freeland \nWe are currently at capacity for the workshop. If you would like to be added to the waiting list click the link at the bottom of this page to register. \nSurrealist filmmaker and multimedia artist Tessa Hughes-Freeland shares some of her key techniques with workshop participants. In this two-part workshop\, the first half focuses on kaleidoscope-making using cardboard tubes and mirrored plastic. During the second half\, participants will use smartphones to record a mini-film made from their handmade slides projected through a slide projector with a kaleidoscope eyepiece. \nAll materials are provided. No previous experience in film or photography is required. Seating is limited so register early to reserve your spot by completing the form below. Workshop confirmations will be sent via email by the Education Director. Due to limits on space and resources\, walk-ups or unconfirmed participants cannot be accommodated the day of the workshop. \nThe Tessa Hughes-Freeland exhibition\, Passed and Present\, continues through November 17 at Howl! Happening. \nClick HERE to register for Mirrored Experiments. \nImage: Mirror Mirror: Daylight Cinema Installation at the Shul For Social Sculpture.
URL:https://www.howlarts.org/event/vega-arts-workshop-series-mirrored-experiments-with-tessa-hughes-freeland/
LOCATION:NY
CATEGORIES:Education,Vega Arts Workshops Series
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/10/IMG_0650-scaled.jpg
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DTSTART;TZID=America/New_York:20191107T190000
DTEND;TZID=America/New_York:20191107T210000
DTSTAMP:20260605T170716
CREATED:20191011T163044Z
LAST-MODIFIED:20200102T192109Z
UID:10000533-1573153200-1573160400@www.howlarts.org
SUMMARY:Celebrating Bob Kaufman
DESCRIPTION:Raymond Foye Hosts an Evening of Poetry\, Film\, and Music \nBob Kaufman’s life is written on mirrors in smoke. —Jack Kerouac \nSo much did he embody a French tradition of the poet as outsider\, madman\, and outcast\, that in France\, Kaufman was called the Black Rimbaud. —David Henderson\, poet \nHowl! Happening is pleased to announce the launch of the City Lights publication of the Collected Poems of Bob Kaufman (1925-1986) with an evening hosted by Raymond Foye. The celebration features poet David Henderson performing with bassist William Parker and trumpet\, flute\, and reed player Daniel Carter. The program also includes poets Maria Damon\, Patricia Spears Jones\, Kaye McDonough\, Uche Nduka\, Anne Waldman\, and others. \nBob Kaufman was an important figure in the poetry of the Beat Generation. Born in New Orleans of African American\, Creole\, Jewish\, and Native American heritage\, Kaufman embraced jazz\, surrealism\, and the poetry of Lorca and the Harlem Renaissance. He had a significant career as a merchant seaman and labor organizer before appearing on the Beat scene in San Francisco in 1958. His books include Solitudes Crowded with Loneliness (New Directions\, 1965)\, Golden Sardine (City Lights\, 1967)\, and The Ancient Rain (New Directions\, 1981)\, as well as two broadsides from City Lights\, Second April (1958) and Does the Secret Mind Whisper (1959). \nThe Collected Poems of Bob Kaufman brings together his complete surviving works\, including a significant body of unpublished poems and work written in the final years of his life. Edited by Neeli Cherkovski\, Raymond Foye\, and Tate Swindell\, the anthology was published by City Lights Books in 2019. \nBIOGRAPHIES \nFeatured reader David Henderson is a poet and writer who co-founded the Black Arts Movement in New York in the early 60s. He co-published Umbra magazine\, an important literary journal of the 60s\, which featured Bob Kaufman. He has published numerous books of poetry and has taught at schools and universities throughout the United States\, including the University of California\, Berkeley. His biography of Jimi Hendrix\, ‘Scuse Me While I Kiss the Sky\, is in its third edition\, and his collaborations with Ornette Coleman and Sun Ra have recently been re-released in deluxe packages from Columbia Legacy\, and Evidence. \nDavid Henderson will be accompanied by bassist and composer William Parker\, and trumpet\, flute\, and reeds virtuoso Daniel Carter. William Parker has been the organizer and guiding light behind New York’s Vision Festival\, which he founded in 1996. He has over 50 releases and has appeared as sideman and collaborator with Cecil Taylor\, Charles Gayle\, John Zorn\, and many others. He is also an author and publisher. Daniel Carter has been a vital member of the free-jazz scene in New York since the 70s. His collective groups include Test\, Other Dimensions in Music\, Ghost Moth\, and Dissipated Face. \nRead the Brooklyn Rail article HERE
URL:https://www.howlarts.org/event/celebrating-bob-kaufman/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/10/Book-Jacket.jpeg
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