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DTSTART;TZID=America/New_York:20191013T160000
DTEND;TZID=America/New_York:20191013T170000
DTSTAMP:20260605T124349
CREATED:20191009T182449Z
LAST-MODIFIED:20191012T213730Z
UID:10000531-1570982400-1570986000@www.howlarts.org
SUMMARY:John Pizza in Why's the Room Purple? 'Cause the Moon's Purple
DESCRIPTION:The Full Moon Show: A Tom Murrin/Alien Comic Invention \nJohn Pizza is a performer\, builder\, and drawer. He uses trash and thrift-store detritus scrounged in his Brooklyn neighborhood to tell stories and make his shows. He loves the macabre and the mushy sweet. His sculptures are performative\, and his performances involve sculptures—an object theatre of weird surprises. \nAbout Tom Murrin and the Full Moon Show \nPerformance is anything done with purpose and style—Tom Murrin \nHowl! Happening houses the collection of Tom Murrin. Tom\, aka the Alien Comic\, is known as the “Godfather of Performance Art.” Every full moon—without fail\, paid booking or not\, in all seasons and whatever the weather—he performed his Luna Macaroona Full Moon Show. When he had a club date that fell on the full moon\, he’d wrangle his friends to perform as guests—pushing the careers of such groundbreaking performers as David Cale\, David Sedaris\, Amy Sedaris\, Blue Man Group\, Ethyl Eichelberger\, Lisa Kron\, and many others. When he didn’t have a club date\, he performed on the street for passersby\, transforming the pedestrian atmosphere with his madness and magic. \nThe Full Moon Show is made possible in part with public funds from Creative Engagement/Creative Learning\, supported by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature\, and administered by the Lower Manhattan Cultural Council. LMCC.net
URL:https://www.howlarts.org/event/john-pizza-in-whys-the-room-purple-cause-the-moons-purple/
LOCATION:NY
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DTSTART;TZID=America/New_York:20191015T190000
DTEND;TZID=America/New_York:20191015T210000
DTSTAMP:20260605T124349
CREATED:20191009T180947Z
LAST-MODIFIED:20191023T220043Z
UID:10000530-1571166000-1571173200@www.howlarts.org
SUMMARY:Manic Panic Living in Color: A Rebellious Guide to Hair Color and Life
DESCRIPTION:Book Launch \nHowl! Happening celebrates the release of the legendary East Village duo Tish and Snooky Bellomo’s new book Manic Panic Living in Color. Reveal your inner Aurora Borealis with the audacious beauty-and-lifestyle handbook from punk rock pioneers and founders of the iconic hair color and make-up brand. \nWith a colorful foreword by RuPaul—a customer/fan/friend and dye-hard for decades—Manic Panic Living in Color is both the rollicking origin story of the sister’s punk rock roots combined with a fearless guide to finding your color in the rainbow. \nStarting their performing career as backup vocalists for Blondie from 1974 to 1975\, they formed their own punk band\, The Sic Fucks. They opened and operated the original Manic Panic boutique in the East Village from 1977 until its closure in 1999. Both sisters continue to play music as members of supergroup Blue Coupe alongside original members of Blue Oyster Cult and original Alice Cooper bassist Dennis Dunaway \nWith hundreds of inspiring photographs\, Tish and Snooky continue to inspire a unique sense of style whether its Red Passion\, Bad Boy Blue\, Electric Banana—or all three! \nImages: Photography by Bob Krasner
URL:https://www.howlarts.org/event/manic-panic-living-in-color-a-rebellious-guide-to-hair-color-and-life/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/10/manicbook.jpeg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20191017
DTEND;VALUE=DATE:20191118
DTSTAMP:20260605T124349
CREATED:20190717T212003Z
LAST-MODIFIED:20191208T190256Z
UID:10000284-1571270400-1574035199@www.howlarts.org
SUMMARY:Tessa Hughes-Freeland: Passed and Present
DESCRIPTION:Opening Reception: Thursday\, October 17 / 6 PM / Free \nHowl! Happening: An Arturo Vega Project is pleased to present Passed and Present\, an exhibition and installation by Tessa Hughes-Freeland comprising a variety of cinematic elements. Known for her contributions to the Cinema of Transgression movement\, the exhibition includes single-channel and multiple projections\, an interactive kaleidoscope\, sculptural fans\, and a series of special screenings including the premiere of her recently completed Lost Movie/The Bug. \nConfrontational\, transgressive\, provocative\, and poetic\, Hughes-Freeland approaches filmmaking from a multiplicity of styles. Her work includes underground films\, classic narrative\, expanded cinematic performances\, experimental “automatic” films assembled entirely from found footage\, and delicate fans made from film of all gauges.  \nIn live-action films\, as well as collaged films from found footage\, Hughes-Freeland taps into the sophisticated emotional filters we erect to deal with uncomfortable feelings. Images crash into one another in disorienting ways. Drawing upon the mind-altering potential of spontaneous transformation and the power of myth\, her films are essentially “psychedelic”—conjuring ineffable experiences beyond the commonplace. \n“My films are ritualistic and atavistic—inspired by dreams\, visions\, and imagination. Sometimes the nucleus of an idea for a film starts with an object. The original idea for Hireath came from the top of the Christmas cake\, which my mother made every year\,” the artist says. \nHiraeth\, a Welsh concept expressing a deep longing for home\, is based on memory and loss. Drawing loosely on paganism and the mythology of female archetypes as seers\, the film evokes an arc of Hughes-Freeland’s experience as a woman over time.  \nOther Wise\, a large multiple projection\, extends the sentiment of loss present in Hiraeth. Working directly with wide-ranging sources—film made from Letraset\, handmade slides\, and original ethereal imagery—the work includes a poetic secret message to the departed based on imagery from a dream. The naturally transmutable iconography and romantic framework of the piece create a visual poem expressing the metaphysical poles of connection and otherness\, and the beauty of transformation. The projection screen is formally linked to the film fans by its concertina-like shape.  \nIn turn\, the kaleidoscope uses Other Wise to create further fragmentation within a circular form. A primitive cinematic device devoid of technology\, it is fashioned from a camera tripod and case. Interactive and fun\, this piece invites the viewer to see the world and the exhibition in a magical state.  \n“Found footage is the basis of much of my films. Similarly\, a found object can inspire an entire film. I see these as signifiers or emotional triggers that become a part of my own symbolic language. The fans consist of found film in all gauges—home movies; Hollywood studio films; pornographic films; or random footage found in thrift stores\, yard sales\, or just lying on the street\,” Hughes-Freeland explains.  \nAs part of the public programs in conjunction with the show\, Howl! will screen a selection of Hughes-Freeland’s films including Baby Doll (1981)\, a docu-portrait of go-go dancers\, and Nymphomania (1994)\, a brutal and a comedic critique of the dialectic of male/female sexuality.  \n  \nABOUT TESSA HUGHES-FREELAND \nTessa Hughes-Freeland has been making films since the 1980s and is considered a member of the Cinema of Transgression movement. Her films have been screened internationally in museums\, galleries\, and seedy bars\, including MoMA\, MOCA\, Whitney Museum of American Art\, New Museum\, and KW Institute for Contemporary Art. Currently\, five of her films are featured in an exhibition touring museums throughout Asia\, including Seoul\, South Korea. She has been a juror for numerous festivals and programmed extensively\, most recently for the Club 57: Film\, Performance\, and Art in the East Village\, 1978-1983 exhibition at MoMA\, and for Punk Lust: Raw Provocation 1971-85 at the Museum of Sex.  Hughes-Freeland was president of the board of directors of the New York-based Film–Makers‘ Cooperative for several years. \nImage: Mirror Mirror: Daylight Cinema\, 2017\, Tessa Hughes-Freeland.
URL:https://www.howlarts.org/event/tessa-hughes-freeland-passed-and-present/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
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DTSTART;TZID=America/New_York:20191018T190000
DTEND;TZID=America/New_York:20191018T210000
DTSTAMP:20260605T124349
CREATED:20190928T154605Z
LAST-MODIFIED:20191003T194644Z
UID:10000553-1571425200-1571432400@www.howlarts.org
SUMMARY:Jed Davis' Rise and Shine: Day 1
DESCRIPTION:Performance and Album Release \nHowl! Happening: An Arturo Vega Project is pleased to present a live performance of songs from Rise and Shine\, Jed Davis’ musical theater collaboration with Arturo Vega. The evening celebrates the release of Rise and Shine: Day 1\, an album of songs from the play. Joined by a full band and vocal cast\, Davis previews selections from the new recording. \nThe play\, which focuses on a group of friends who come together at a Lower East Side nightclub in the summer and fall of 2001\, was written by Davis and Vega over a 13-year period and completed by Davis after Vega’s untimely passing in 2013. In tribute to Vega\, Davis has recorded all 41 songs with a full vocal cast and is releasing the material in chapters—one for each of the five days represented in the musical’s timeline. \nThe cast of the Rise and Shine recording\, several members of which will be in attendance\, includes Davis\, Mike Keaney\, Bryan Thomas\, Heather Maloney\, Matthew Koma\, Avi Buffalo\, Shea Diamond\, CJ Ramone\, Brian Dewan\, Miss Guy\, Lindsey Anderson\, Wendy Ip\, Dicky Barrett\, Bradley Goodrich\, Domenic Maltempi\, Alex Dubovoy\, and Jessy Moss. The album was mixed by Tim Latham (who worked on the Hamilton Original Broadway Cast Recording album). \nJed Davis has released over a dozen albums since the early 90s; toured as keyboardist for diverse artists like Avi Buffalo and Jessica Simpson; produced records by Jobriath and Hand Habits; and written songs that have been recorded and performed by Daniel Johnston\, Matthew Koma\, King Missile\, and several Ramones. As a graphic designer\, he assisted Arturo Vega with Ramones merchandise from 1999 until 2009\, art-directed several magazines\, and has been guiding social-media design for ESPN since 2016. He recently designed and illustrated the packaging for Juliana Hatfield’s LP Weird. \nListen to Jed and Arturo discuss Rise and Shine\, 2006. \nTwitter: @jeddavis \nFacebook: http://facebook.com/jeddavismusic/ \nInstagram: @jeddavis \n 
URL:https://www.howlarts.org/event/jed-davis-rise-and-shine-day-1/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/09/RISE-AND-SHINE_DAY_1_CMYK_6000.jpeg
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DTSTART;TZID=America/New_York:20191019T190000
DTEND;TZID=America/New_York:20191019T210000
DTSTAMP:20260605T124349
CREATED:20191009T171430Z
LAST-MODIFIED:20191018T183312Z
UID:10000549-1571511600-1571518800@www.howlarts.org
SUMMARY:98 Bowery\, 1969-89: View from the Top Floor
DESCRIPTION:Marc H Miller Website Relaunch and Talk \nArtist and curator Marc H Miller talks about his life in downtown New York City and unveils an updated version of his website 98 Bowery\, 1969-89\, a picture memoir of the 20 years he lived in a Bowery loft observing and participating in the genre-changing transformations taking place in art and music. Miller’s presentation at Howl! Happening marks the recent revamping of the 98 Bowery website\, first launched 10 years ago. \nDrawing from the site’s archive of photos and video clips\, Miller recounts stories about Harry’s Bar and CBGB; the seminal 1978 Punk Art show; collaborative work with Bettie Ringma\, Curt Hoppe\, Alan Moore\, and Paul Tschinkel—all residents at 98 Bowery; his year in Amsterdam; and the varied roles he played in the East Village art scene and in the rise of hip-hop culture in the 1980s. The 98 Bowery website has been visited by more than 600\,000 people. \nMiller is well known as the curator of the Hey! Ho! Let’s Go: Ramones and the Birth of Punk exhibition at the Queens Museum (2016)\, and for his video interview with Jean-Michel Basquiat in Paul Tschinkel’s Art/new york series. His online store Gallery 98 has reanimated vintage art ephemera. \nMiller is a scholar (Ph.D.\, Institute of Fine Arts\, NYC) and a counterculture provocateur (his interactive art series Draw a Penis and Vagina is 98 Bowery’s most popular page). Underlying it all is his understanding of the roots of contemporary culture in the 1970s and 80s\, and the direct link between the interactive strategies that emerged in art then and the current world of selfies and reality television. \nAbout Marc H Miller\nMarc H Miller arrived in New York from California in 1968 to pursue a Ph.D. in art history at NYU’s Institute of Fine Arts (1979). Miller is an artist\, curator\, writer\, publisher\, and educator. His multifaceted career is unified by an interest in pictorial images and their inherent ability to tell stories. \nFrom 1981-85\, he worked with Paul Tschinkel on ART/new york\, an educational videotape series. He was a columnist for the East Village Eye (1983-85)\, and the co-editor of ABC No Rio Dinero: The Story of a Lower East Side Art Gallery (1985). In 2001 he founded Ephemera Press\, which published illustrated maps and walking tour guides\, including one of the East Village. \nMiller was a curator at the Queens Museum from 1985 to 1991\, and returned as guest curator for Hey Ho Let’s Go: Ramones and the Birth of Punk (2016). As an artist in collaboration with Bettie Ringma and Curt Hoppe\, he has exhibited at OK Harris Gallery (1974)\, Art Basel (1980)\, the New Museum (2011)\, and Stigter Van Doesberg Gallery in Amsterdam (2018). Miller is the creator of the website 98 Bowery (2009) and its related online store Gallery 98 (2015). He is on the board of advisors for Howl! Happening. \n“Curator Marc H Miller: Pulling the Punk Pieces Together\,” Please Kill Me\, 9/25/19
URL:https://www.howlarts.org/event/98-bowery-1969-89-view-from-the-top-floor/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/10/98-bowery-mailchimp-700x497.jpg
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