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DTSTART;VALUE=DATE:20181116
DTEND;VALUE=DATE:20181220
DTSTAMP:20260606T114646
CREATED:20181027T170102Z
LAST-MODIFIED:20181201T161004Z
UID:10000466-1542326400-1545263999@www.howlarts.org
SUMMARY:Thomas Lanigan-Schmidt: Tenemental (With Sighs Too Deep for Words)
DESCRIPTION:Opening Reception: Friday\, November 16\, 6–9 PM \nHowl! Happening: An Arturo Vega Project in cooperation with Pavel Zoubok Fine Art is pleased to present Tenemental (With Sighs Too Deep for Words)\, a survey of works by pioneering artist and Stonewall veteran Thomas Lanigan-Schmidt (b. 1948). Enduring some five decades—and continuing to influence subsequent generations of artists—Lanigan-Schmidt has evolved a wholly unique visual language of reflection and refraction. With sources ranging from Byzantine iconography to contemporary kitsch\, he incorporates dazzling alternative materials such as tinsel\, Mylar\, foil\, cellophane\, plastic wrap\, household staples\, and glitter into densely layered mixed media constructions and environments. \nBeyond their glitzy surfaces\, his works point knowingly to the complex intersections of sexuality\, class\, and religion. Featured in the exhibition is his poignant autobiographical installation Mysterium Tremendum (late 1980s)\, consisting of 125 baking pans adorned with paintings and the handwritten tale of an altar boy named Willie—who falls in love with a boy\, is then bullied and beaten to near death\, contemplates suicide\, and finally finds the strength to live through artmaking. Interwoven throughout the exhibition will be his luminous towers\, homoerotic Knick Knacks\, and intricate Venetian Glass works\, along with timeless ephemera in the form of handwritten flyers\, photo-booth portraits\, and direct source materials\, illuminating the breath of his work and life. \nIn anticipation of the 50th anniversary of the 1969 Stonewall rebellion\, Tenemental honors Lanigan-Schmidt’s unique contribution to both the language of art and continued struggle for LGBTQ liberation. The exhibition is accompanied by a full-color catalog with essays by Dan Cameron\, Carlo McCormick\, Agosto Machado\, and Roger Wieck\, and well as an interview with Jonathan Weinberg \nThomas Lanigan-Schmidt is represented in the collections of the Metropolitan Museum of Art\, Whitney Museum of American Art\, MoMA\, Brooklyn Museum\, Ludwig Forum für Internationale Kunst\, Ackland Art Museum\, and Wadsworth Atheneum Museum of Art\, among others. He has exhibited extensively throughout the United States and Europe\, including the 1980 and 1984 Venice Biennales\, the 1991 Whitney Biennial\, and the 1999 exhibition The American Century at the Whitney Museum. \nLanigan-Schmidt has been an instructor in the MFA program of the School of Visual Arts in New York City since the mid 80s and has served on the governing board of the Skowhegan School of Painting & Sculpture in Maine since 1992. In 2011\, he was the recipient of the Louis Comfort Tiffany Foundation Biennial grant and in 2017 received awards from the American Academy of Arts and Letters\, and the National Academy of Design. In June 2009\, Lanigan-Schmidt was honored at the White House by President Barack Obama for his courageous participation in the 1969 Stonewall rebellion\, and in 2016 he was the keynote speaker when the Stonewall Inn became a national monument. Lanigan-Schmidt was the subject of the critically acclaimed 2012 retrospective Tender Love Among the Junk at MoMA PS1\, curated by Peter Eleey. \n  \nTHOMAS LANIGAN-SCHMIDT\nDay Time\, Nite Light\, Solitary Drinker (detail)\, c. 1975\nFoil\, plastic\, plastic wrap\, light bulb\, Magic Marker\, wood\, and staples\n39 x 28 x 18 inches \nCollection of Anita Grossman Solomon \n  \nTHOMAS LANIGAN-SCHMIDT\nMysterium Tremendum (detail)\, late 1980s\n125 pans: mixed media on aluminum trays
URL:https://www.howlarts.org/event/tenemental-with-sighs-too-deep-for-words/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
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DTSTART;TZID=America/New_York:20181118T160000
DTEND;TZID=America/New_York:20181118T163000
DTSTAMP:20260606T114646
CREATED:20160911T175832Z
LAST-MODIFIED:20181116T210216Z
UID:10000393-1542556800-1542558600@www.howlarts.org
SUMMARY:The Full Moon Show: Do I Live Inside a Miracle?
DESCRIPTION:Every Month on The Full Moon\n4pm Sharp\n  \nWith 2018 approaching her 12th house of endings and another full moon descending\, Amelia Bande offers us a brand-new show\, brand same moon. In her precise\, identifiable consciousness\, she helps us off the moving sidewalk of Scorpio season with a tender hand\, outstretched. Amelia Bande is a Taurus moon\, of course. —Greer Dworman \n  \nHi Moon\,  \nA question: How do you sustain healthy long-lasting relationships with all of us?  \n\nIt’s almost winter\, days are shorter and dark. So we get to see you up there for longer hours! I promise not to exploit your emotional labor. I keep on saying “I love my job” and then I get frustrated and say\, “It’s just a job.” Maybe it’s the same for you? —Amelia Bande \n  \nAbout Amelia Bande  \nAmelia Bande is a Brooklyn-based writer and performer from Chile. Her plays Chueca and Partir y Renunciar were staged and published in Santiago. Amelia has shown her performances at Artists Space\, The Poetry Project\, Pratt Manhattan Gallery\, Storm King Arts Center\, Tang Museum\, Abrons Arts Center\, BOFFO Performance Festival\, Participant Inc. She has been an artist in residence at WORM Filmwerkplaats\, The Shandaken Project and Yaddo. She is co-editor of Critical Correspondence\, an online publication of Movement Research. Her chapbook The Clothes We Wear was published by Belladonna in 2017. \nAbout Greer Dworman \nGreer Dworman is a Brooklyn-based performer and maker. Their work presently and passionately investigates humor and pop culture in performance\, grappling with larger ideas in the world located in personal narrative\, concerning themselves with the ever shifting Right Now. \nDworman has been presented through Movement Research at the Judson Church and the Movement Research Spring Festival\, the CATCH series\, Salonathon Chicago\, Brink! at Dixon Place\, and Brooklyn Studios for Dance. Dworman currently hosts Tight 5\, supported and produced by HOWL! Happening. Tight 5 is a come-as-you-are comedy series billed with performers willing to try stand-up for the first time ever. They received their BFA from the Dance Center of Columbia College Chicago. \n  \nAbout Tom Murrin and the Full Moon Show \nGodfather of performance art\, Tom popularized a hilarious show every full moon in honor of his moon goddess\, Luna Macaroona. Inviting friends to join him on both stage and street\, he pushed the careers of such groundbreaking performers as David Cale\, David Sedaris\, Amy Sedaris\, Blue Man Group\, Ethyl Eichelberger and Lisa Kron among many others. Transforming the atmosphere with madness and magic\, Howl! Happening’s monthly series continues the Murrin tradition with pop-up performances in the gallery and on its sidewalk.  \nAbout The Tom Murrin Archive \nHowl! Happening safeguards the Tom Murrin Archive comprising masks\, costumes\, scripts\, correspondence\, photographs\, and tapes of performances going back to the early 70s. Murrin (February 8\, 1939 – March 12\, 2012) also known as The Alien Comic and Jack Bump\, was a performance pioneer whose life and work inspired both artists and audiences for over 40 years. He was a member of the first generation of La MaMa playwrights he premiered four plays produced by John Vacarro’s Play-House of the Ridiculous\, including the offbeat hit\, Cock Strong\, which toured with Ellen Stewart’s La MaMa Troupe to Paris\, Amsterdam and Brussels. \nAbout Tom \nTom began to perform under the name Alien Comic\, opening for acclaimed punk bands in rock clubs such as CBGBs and Max’s Kansas City. As Alien Comic he performed in such venues as The Pyramid\, 8BC\, King Tut’s Wah Wah Hut\, Performance Space 122\, Dixon Place\, La MaMa\, and more. Since the mid 80s\, he’s created\, performed\, and curated a series of variety nights at Performance Space 122\, and La Mama Experimental Theatre Club and Dixon Place\, called The Full Moon Show. His plays Sport-Fuckers and Butt-Crack Bingo were produced at Theater for the New City and La MaMa and directed by David Levine. Tom was the first performance artist to appear on stage at the original Dixon Place location at 37 East First Street in 1986. \nThe Full Moon Show is made possible in part with public funds from Creative Engagement / Creative Learning\, supported by New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and administered by Lower Manhattan Cultural Council. LMCC.net
URL:https://www.howlarts.org/event/the-full-moon-show-2016-11-16-2017-01-14-2017-07-14-2017-08-07-2017-12-03-2018-01-31-2018-11-23/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
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