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DTSTART;VALUE=DATE:20180228
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SUMMARY:John Kelly Sideways into the Shadows
DESCRIPTION:An Exhibition in Conjunction with Kelly’s Performance Time No Line at La MaMa\nOpening Reception: February 28\, 6–8 PM\nHowl! Happening is pleased to present a rare look into the heart and art of a consummate creator: John Kelly’s Sideways into the Shadows. Resonating and in conversation with Kelly’s major new performance work Time No Line at La MaMa (February 22–March 11\, 2018)\, Sideways into the Shadows is a journey through Kelly’s creative life that exposes both the unfolding of his artistic process and the generational rupture and emotional cost of the AIDS pandemic. \nThe exhibition consists of intimate and revealing journal entries\, rendered by hand on various sized panels\, and a memorial wall of lovingly-drawn portraits of friends and loved ones Kelly lost to AIDS. “Beginning in 1982\, my friends and colleagues were dying\,” says Kelly. “AIDS has framed my story to an unavoidable degree. Their absence remains part of my work.” \nThe 70 hand-rendered transcriptions of dated journal entries are drawings on paper\, mounted on panels installed as a horizontal timeline. Alternating raw and honest\, funny\, provocative\, and deeply felt\, the drawings illuminate his artistic trajectory and reveal the intertwined worlds of clubs\, drag\, gender\, sex\, and Kelly’s own creative and personal process of navigating incomprehensible loss. Filled with ideas\, sketches\, poems\, and plans for performances\, the pages—going back to 1976—are also full of humor\, gossip\, observation\, and cultural commentary as he witnessed the world around him transform. \nThe memorial wall of portraits is comprised of 40 graphite drawings on paper mounted on panels—renderings of gifted individuals that were part of Kelly’s life and creative circles—including such cultural luminaries as Sam Wagstaff\, Hugh Steers\, Peter Hujar\, Cookie Mueller\, Charles Ludlam\, and Ethyl Eichelberger\, as well as other individuals whose legacies have received less attention. The impulse behind these portraits stems from Kelly’s habit (as a survivor of the AIDS epidemic) of pondering a scenario where his generation had not been lost to the epidemic\, a world in which they would be flourishing and in their prime. As a balm to this tantalizing but painful fantasy\, Kelly pays tribute to the men\, women\, and trans folk who held crucial and supportive roles in his life and work as it unfolded over the past 36 years. \nTogether with the performances at La MaMa\, this exhibition displays one artist’s personal journey—his choices\, doubts\, creative processes\, and triumphs—making art that consciously tells stories\, witnesses\, and demonstrates a unique activism and commitment in the face of absolute catastrophe. \nAs Kelly explains\, “From this vantage point\, it was a challenging time. It’s still hard to get my head around it. This exhibition and Time No Line are my way to process the entire range of how my personal experiences and the arc of my artistic career intertwined into a coherent whole during a time that was both exhilarating and tragic.” \nLeaving behind his early focus as a dancer\, Kelly attended the Parsons School of Design in the 70s\, eventually immersing himself in the thriving Downtown and East Village scene\, including his debut at the Anvil in 1979 and subsequent creative development in clubs such as Club 57\, the Pyramid\, 8BC\, and Danceteria. He has had an extensive career as a performance and visual artist\, musician\, and poet. His visual art has been exhibited at Alexander Gray Associates\, New York; The Arts Center at Governors Island\, New York; Institute of Contemporary Art\, Philadelphia; The Kitchen\, New York; MACRO Museo d’Arte Contemporanea di Roma\, Rome; MIT List Visual Arts Center\, Cambridge\, MA; the Museum of Modern Art\, New York; and the New Museum\, New York\, among other venues. \nThe Museum of Modern Art acquired two filmed versions of Kelly’s early performance works\, created in collaboration with filmmaker Anthony Chase\, in 2017. \nResidencies include The American Academy in Rome\, The Radcliffe Institute for Advanced Study at Harvard\, Bard College\, Lower Manhattan Cultural Council\, MacDowell Colony\, MASS MoCA\, Park Avenue Armory\, Yaddo\, Civitella Ranieri\, the Bogliasco Foundation\, and the Sundance Institute Theatre Lab. \nABOUT JOHN KELLY
URL:https://www.howlarts.org/event/john-kelly-sideways-into-the-shadows/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
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DTSTAMP:20260607T064432
CREATED:20160911T175832Z
LAST-MODIFIED:20180223T201604Z
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SUMMARY:The Full Moon Show: The Worm Moon curated by Rani O'Brien
DESCRIPTION:A Tom Murrin/Alien Comic Invention\nThe goddess Luna Macaroona is back for the Worm Moon\, the first of two full moons in March. For the occasion\, she’s conjured up the spirit of the 1900s by inviting a modern-day vaudevillian hip hop show\, Rebirth of Rabbit’s Foot\, to bring us into a new and brighter 2018. \nRebirth of Rabbit’s Foot uses old-time song and dance numbers\, music\, stand-up\, hip hop\, and dance to examine our presumptions about performance style\, city living\, and race. The show joyfully allows the audience to settle in for a ride that gets you dancing\, laughing\, and thinking.\nCurated by Rani O’Brien.\nCreated by Jordon Waters. With Austin Bower\, Devon Lumar\, Melany Smith\, Stephen Straub\, and Chris Trinidade. \n  \nAbout Tom Murrin and the Full Moon Show \nHowl! Happening houses the archives of Tom Murrin. Murrin\, aka the Alien Comic\, is known as the Godfather of Performance Art. Every full moon\, Tom performed the Full Moon Show in honor of his moon goddess\, Luna Macaroona. When he had a club date that fell on the full moon\, he’d wrangle his friends to perform as his guests—pushing the careers of such groundbreaking performers as David Cale\, David Sedaris\, Amy Sedaris\, Blue Man Group\, Ethyl Eichelberger\, Lisa Kron and many others. If not\, he performed on the street for passersby\, transforming the pedestrian atmosphere with his madness and magic. Howl! Happening’s monthly series continues that tradition\, with performances in the gallery and surprise pop up performances on the street. \nAbout The Tom Murrin Archive \nHowl! Happening is the repository of the Tom Murrin Archive comprising masks\, costumes\, scripts\, correspondence\, photographs\, and tapes of performances going back to the early 70s. Murrin (February 8\, 1939 – March 12\, 2012) also known as The Alien Comic and Jack Bump\, was a performance pioneer whose life and work inspired both artists and audiences for over 40 years. He was a member of the first generation of La MaMa playwrights. Tom wrote four plays performed through La MaMa and produced by John Vacarro’s Play-House of the Ridiculous\, including the offbeat hit\, Cock Strong\, which toured with Ellen Stewart’s La MaMa Troupe to Paris\, Amsterdam and Brussels. \nUnder the guidance of rock manager Jane Friedman\, Tom began to perform under the name Alien Comic\, opening for acclaimed punk bands in rock clubs such as CBGBs and Max’s Kansas City. As Alien Comic he performed in such venues as The Pyramid\, 8BC\, King Tut’s Wah Wah Hut\, Performance Space 122\, Dixon Place\, La MaMa\, and more. Since the mid 80s\, he’s created\, performed\, and curated a series of variety nights at Performance Space 122\, and La Mama Experimental Theatre Club and Dixon Place\, called The Full Moon Show. His plays Sport-Fuckers and Butt-Crack Bingo were produced at Theater for the New City and La MaMa and directed by David Levine. Tom was the first performance artist to appear on stage at the original Dixon Place location at 37 East First Street in 1986. \nPhoto copyright Eric McNatt 2016
URL:https://www.howlarts.org/event/the-full-moon-show-2016-11-16-2017-01-14-2017-07-14-2017-08-07-2017-12-03-2018-01-31-2018-03-01/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
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