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DTSTART;VALUE=DATE:20171221
DTEND;VALUE=DATE:20180110
DTSTAMP:20260607T135153
CREATED:20171119T143252Z
LAST-MODIFIED:20171119T143252Z
UID:10000449-1513814400-1515542399@www.howlarts.org
SUMMARY:Howl! Is Closed - Have a Great Holiday
DESCRIPTION:
URL:https://www.howlarts.org/event/howl-is-closed-have-a-great-holiday/
LOCATION:NY
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2017/10/Harris-bar-2-scaled.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180110
DTEND;VALUE=DATE:20180212
DTSTAMP:20260607T135153
CREATED:20171205T180059Z
LAST-MODIFIED:20180121T182644Z
UID:10000451-1515542400-1518393599@www.howlarts.org
SUMMARY:Samoa Candy Coated Evil
DESCRIPTION:An Exhibition Curated by Kembra Pfahler\nOpening Reception: Wednesday\, January 10\, 6–8 PM \nIn a poisoned\, jaded world\, this show is a limitless panacea. Samoa’s vocabulary is so innately understandable by anyone with a heart that still beats. And loved by those of us who understand that art and music and performance can create change\, rather than just swell our pockets or decorate our rooms. It’s art that serves a purpose\, and Samoa’s work does just that—one show at a time.  —Kembra Pfahler \nHowl! Happening is pleased to present Candy Coated Evil\, a solo exhibition by the multifaceted Samoa\, curated by artist and performer Kembra Pfahler. The exhibition encompasses the full range of Samoa’s diverse art forms—an installation recreating his now-legendary Candy Coated Evil store\, which opened in 1996 within East Village landmark The Pink Pony; costumes and props from his performances and music groups; and paintings that capture his deep experience of living in New York City. \nA major element of the artist’s show are live events—performances by Samoa and Kembra Pfahler\, as well as a panel discussion\, and an evening of video and film. (See dates below.) \nBorn in Hiroshima\, Japan\, he formed his first rock band\, Johnny\, while still in high school and curated numerous music events before moving to Tokyo\, where he acted in underground theater and TV dramas. Doing extreme performance in Tokyo in the late 70s\, he invented his name—imagining Samoa as an idyllic paradise where he’d someday live. It was in Japan that he began creating his flamboyant costumes. He won a grand prize in 1978 at a popular disco in Tokyo\, dressed as a large can of roach spray while surrounded by a coterie of friends in cockroach costumes. He moved to New York in 1980. \nIn the Candy Coated Evil exhibition\, Samoa constructs his experiences of coming to the dystopic landscape of the Lower East Side. As Pfahler puts it\, he’s “a heroic artist and immigrant without the word ‘fear’ in his vocabulary.” The complex emotions he expresses about this experience can be seen throughout his work. \nRadical and outrageous\, he has been an active participant in extreme alternative interdisciplinary art culture for decades. He was one of the first performers at the Pyramid Cocktail Lounge—where he learned English by performing with friends Tanya Ransom and Frederic\, and watching early performances by legends like Ethyl Eichelberger and John Sex—a first wave of punk performance heroes that are historicized widely in the art world today. He stood out singing and playing his original music on his signature Gibson guitar at Wigstock in the early 80s; in 1984\, his rock opera\, Under the Bad Star\, premiered at La MaMa. The opera featured his over-the-top sets and costumes; the backing band included members of the alternative post-punk band Jawbreaker. Many of his wildly eccentric costumes and other DIY artifacts from this period will be on display. \nIn 1990—with Pfahler—he founded the legendary theatrical shock rock band The Voluptuous Horror of Karen Black. Samoa was responsible for writing all the music for the band\, which continues to wreak havoc wherever they perform today. As much a theatrical troupe as a band\, New York’s TVHKB (named in homage to the B-movie scream queen) mixes their punk roots with elements of vaudeville\, psychotronic films\, and futuristic burlesque to arrive at their signature identity. \nIn his paintings\, the subjects he chooses to portray—James Baldwin\, Nina Simone\, First Nation Chief Wolf Robe\, Ken Takakura (a Yakuza movie star)\, and many more—draw attention to racial and social issues in vivid color\, with bold images that capture the hopes\, fears\, wonder\, and pain of his American experience. \nIn curator Pfahler’s words: “The oddness that emerges…his particular type of rage at the injustice that inhabits our world sneaks beautifully into every crevice of his canvases. Not unlike his songwriting and costume making…it’s all Samoa…part prophetic soothsaying and part gilded advertisement for a new world….” \nPERFORMANCES AND LIVE EVENTS\nSaturday\, January 13: Performance by Kembra Pfahler and a performance by Samoa\nSunday\, January 14: Panel discussion\nThursday\, January 18: Video/film screening\nThursday\, February 8: Samoa performance\nSunday\, February 11: Closing night ceremony \nAbout Samoa \nAbout Kembra Pfahler
URL:https://www.howlarts.org/event/samoa-candy-coated-evil/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2017/12/Picture1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180113T190000
DTEND;TZID=America/New_York:20180113T210000
DTSTAMP:20260607T135153
CREATED:20180105T191028Z
LAST-MODIFIED:20180105T191028Z
UID:10000176-1515870000-1515877200@www.howlarts.org
SUMMARY:Samoa and Kembra Pfahler Living Will
DESCRIPTION:An Evening of Performances\nLiving Will brings Samoa and Kembra together to present their “unbrandable brand of performance”—sharing stories and surprising new identities and characters with memorable gravity—while remaining uniquely and inimitably themselves! Samoa and Kembra first met and performed together in the early 80’s at the Pyramid\, Danceteria\, Limbo\, ABC No Rio\, and other legendary clubs. \nTo celebrate the opening of Samoa’s exhibition Candy Coated Evil\, the artist will present Pornocchio 2017\, an updated version of a piece he performed throughout the 80s and 90s on the club circuit. A strange and disturbing tale of love between Diet Pepsi and a little doll called Linda\, Pornocchio showcases Samoa’s multivalent talents. \nKembra revises Ghost Having a Ghost\, her first performance at ABC No Rio. She will also perform two classic numbers—Bowling Ball Piece and 917-803-7178. The costumes\, music\, and props for these pieces were all created by Samoa and Kembra. \nFor the climax of this epic night\, the two will present Living Will\, a piece that delivers the surprise and shock that Karen Black enthusiasts crave\, with new text by Kembra\, and music and props by Samoa. As the title suggests\, the finale is a moving\, poignant\, and poetic rumination on life and death. Not to be missed! \nYou know when you’re stricken\, you’re stricken quickly\,\nSo we not die like you lived\nRi tu al is tic al leeeeeee\nShrink and freeze my head\nTurn it into a cane\nBurn my body\nScatter the remains\nTake my ashes to Bali\nI can’t afford to go now\nRi tu al is tic ah leeeeee\n—Lyrics from Living Will \n 
URL:https://www.howlarts.org/event/samoa-and-kembra-pfahler-living-will/
LOCATION:NY
CATEGORIES:Events,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/01/livingwill.jpg
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