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SUMMARY:Masao Gozu Time Frame
DESCRIPTION:Opening Party: Friday\, October 13th\, 6pm\nHowl! Happening: An Arturo Vega Project is pleased to present Time Frame\, a selection of sculptures and photographs by artist Masao Gozu. Born in Japan in 1946\, Gozu moved to New York in 1970 to attend the Brooklyn Museum Art School\, where he began an artistic practice of structuring a body of work over time that literally “frames” the people and architecture of downtown New York. \nFrom 1971–1990\, Gozu single-mindedly photographed New York City residents in their tenement apartment windows. An unsung gem of urban documentary\, the Windows series is evocative of the work of Robert Frank\, Berenice Abbott\, and Garry Winogrand in its penetrating look at a segment of American culture\, specifically portraits of the denizens of the Lower East Side. \nActively soliciting attention or simply captured musing in the frame\, his subjects are the focus of his humanist exploration. The architecture of the building facades gives these portraits a carefully considered perspective and compositional harmony. As Gozu says\, “For me the window is a mirror\, a mirror in which I see myself through time.” \nSo interested has Gozu been in the material and spatial qualities of these windows\, that he went on to produce large scale sculptural representations of them—many on view at the gallery. An evolving aspect of the same aesthetic as the Windows series\, he has taken the idea one step further\, making full-size windows themselves the subject of a series. These monumental sculptures are created from the brick facades and window frames of demolished buildings. Bringing the city’s vanishing neighborhoods into the gallery\, this scavenged and reconstituted detritus spotlights the site-specific nature of his work. \nSerial imagery\, time\, and spatial exploration are at the core of Gozu’s aesthetic—a common link in his commentary on life in the city. His Harry’s Bar photographs are like a time lapse “moving picture\,” tracing the fluorescence and decay of one specific neighborhood landmark. Through serial images of the front window\, we watch the passage of time—plants appear and then die; barflies come and go; an improvised attempt to change Harry’s to Harold’s signals a change in ownership; and a “Going Out of Business” sign\, the bar’s demise\, is the final visual echo\, concluding the story of one place that stands in for the loss and gentrification of the city. \nAbout Masao Gozu \nMasao Gozu was born in Nagano\, Japan in 1946. He graduated from the Tokyo Fine Arts School in 1970. In 1971\, he was awarded the Max Beckmann scholarship to the Brooklyn Museum Art School\, where he studied from 1971–1973. In 1990\, he won the special Jury Prize at Le Mois de Photo in Paris.                                                                         Masao Gozu’s work has been displayed internationally from New York to Paris and Japan\, including shows at the legendary SoHo gallery OK Harris. His work is included in the collections of the New Orleans Museum of Art; the Margulies Collection\, and Lowe Art Museum\, in Miami; the Musée National d’Art Moderne in the Centre Pompidou\, Paris; and the Tokyo Metropolitan Museum of Photography. He lives in the East Village\, New York City. \n  \n  \n 
URL:https://www.howlarts.org/event/masao-gozu-time-frame/
LOCATION:NY
CATEGORIES:Events,Exhibition,Gallery
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DTSTART;TZID=America/New_York:20171107T200000
DTEND;TZID=America/New_York:20171107T220000
DTSTAMP:20171030T144745Z
CREATED:20171030T144745Z
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SUMMARY:Joni Mitchell The Birthday Concert
DESCRIPTION:A Tribute and Benefit Concert Featuring Stars of the Downtown Music and Alt Cabaret Scene\nJoni Mitchell—arguably one of the greatest songwriters of her generation—will be honored on her birthday at a special benefit concert showcasing songs from her prolific\, multidecade career. Produced by TWEED TheaterWorks (Kevin Malony\, artistic director) and Howl! Arts Inc.\, the tribute is curated by Carol Lipnik and Malony. Musical director Tony Conniff leads a six-piece band; more than 20 of the finest singers and musicians of the downtown music and alt cabaret scenes will perform.\n100% of the proceeds go to Howl! HELP\, administered by the Actors Fund. \nCharles Busch\, Melissa Errico\, David Cale\, Michael Cavadias\, Natalie Douglas\, Julian Fleisher\, Rachelle Garniez\, Annie Golden\, Tom Judson\, John Kelly\, Storm Lee\, Carol Lipnik\, David Ilku\, Matthew Dean Marsh\, Tracy Stark\, Amber Martin\, Nellie McKay\, Sidney Meyer\, Michael Musto\, Poor Baby Bree\, Molly Pope\, Iris Rose\, Dudley Saunders and surprise guests! \nMitchell’s influence on contemporary singers and songwriters—from Prince to Melissa Etheridge to James Blake and Thom Yorke—is legendary. Her impact on folk\, pop\, rock\, jazz\, and the standard American song canon is peerless. Mitchell’s musical tastes and interests have covered numerous genres. Throughout her career\, she has stayed true to her multiple artistic passions and never failed to speak her mind\, both in her work and personal life. These qualities have made her a favorite among aspiring musicians. \nAmong the singers and musicians featured in the concert\, “every single person declared varying degrees of love for Joni\, some verging on obsession\,” says director Malony. John Kelly\, who is featured in the lineup\, developed a renowned identity as Mitchell early on in his career—singing her songs in his lilting soprano. Joe’s Pub regular Julian Fleisher mastered 90% of the entire Mitchell song list. Downtown alt cabaret chanteuse and songwriter Carol Lipnik cites Mitchell as one her foremost inspirations. \nWe are pleased to feature this brilliant lineup of singers and musicians\, honoring the consummate artist’s work and raising funds for Howl! HELP in the process. \nTickets\n$60 Best seats\, center theater\n$40 side of theater\, some seats have partially obstructed views\n$20 standing room in the bar area and balcony \nAbout Howl! Emergency Life Project (HELP)\nIn Partnership with the Actors Fund\nA safety net for artists\, HOWL! HELP provides emergency financial assistance and social service support to artists who have participated in the annual HOWL! Festival or who made or make their careers in New York City’s East Village and Lower East Side arts communities. Services include counseling and referrals for personal\, family\, or work-related problems and linkage to community resources for such needs as medical care\, legal services\, public benefits or elder care. Workshops are offered on a variety of topics and include: affordable housing\, financial education\, and health insurance options. Financial assistance is available for rent\, utilities\, mental health\, and medical care\, as well as other basic living expenses. Grants are approved on a case-by-case basis based on need. \nFor information on sponsorship contact:\nKevin Malony: 212-741-0812 or tweedinc@gmail.com \nAbout TWEED TheaterWorks \nAbout Howl! Happening    
URL:https://www.howlarts.org/event/joni-mitchell-the-birthday-concert/
LOCATION:The Cutting Room\, 44 East 32nd Street\, New York City\, NY\, United States
CATEGORIES:Special Event
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DTSTART;TZID=America/New_York:20171110T180000
DTEND;TZID=America/New_York:20171110T210000
DTSTAMP:20171027T153432Z
CREATED:20171025T000750Z
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SUMMARY:Robert Carrithers and Louis Armand present City Primeval: New York\, Berlin\, Prague
DESCRIPTION:Book Signing\, Performances and Projections \nThis book perfectly captures the unique personalities of the many artists\, musicians\, writers\, performers\, and just plain kooks who made the 80s zeitgeist rock! —Ann Magnuson \nHowl! Happening is pleased to present an evening with Robert Carrithers and friends celebrating the publication of City Primeval: New York\, Berlin\, Prague.  Master of ceremonies Penny Arcade is joined by a host of artists\, poets and musicians including: the music and poetry of Puma Perl with Walter Steding (violin)\, and Joff Wilson (guitar); the inimitable Tish and Snooky; Steve Dalichinsky reading his work from the book; Performer Gaby Bila-Günther aka Lady Gaby from Berlin; musician Mark Steiner from Oslo; Gary Ray reading his work; and a short music video performance by Julius Klein. \nCity Primeval: New York\, Berlin\, Prague is an anthology written and curated by New York photographer and Club 57 aficionado Robert Carrithers\, and writer and critical theorist Louis Armand. The book documents the zeitgeist of art and culture of the New York\, Berlin\, and Prague underground scenes from the late 70s to the present: from New York post-punk and No Wave to the fall of the Berlin Wall to the Velvet Revolution and the Prague Renaissance.  Howl! Happening is pleased to host a book release party that brings these stories to life and showcases contributing artists’ work through performance\, music\, and video. \nThe book is a constellation of personal documentaries of place and time by key contemporary writers\, poets\, musicians\, designers\, filmmakers\, photographers\, artists\, editors\, and performers. Key artists offer a unique glimpse into their exceptional universe and moments from their lives\, including Lydia Lunch\, Iggy Pop\, Jean-Michel Basquiat\, Penny Arcade\, Mark Reeder\, David Černý\, and others who shaped the spirit of the time. \nTimes were pretty crazy back then. Bob [Carrithers] used to be a regular in all my clubs and witnessed a lot of the goings on. If you don’t believe what you read\, just ask him! —Rudolf Piper\, NYC club owner and entrepreneur. \nContributors: Bruno Adams\, Penny Arcade\, Louis Armand\, Dale Ashmun\, J.Jackie Baier\, Markéta Baňková\, Varhan Orchestrovič Bauer\, Lina Bertucci\, Gaby Bila-Günther\, Mykel Board\, Victor Bockris\, Christoph Brandl\, Gary Ray Bugarcic\, Robert Carrithers\, David Černý\, Roman Černý\, Michal Cihlář\, Antonio Cossa\, William Coupon\, Max Dax\, Christoph Dreher\, Sara Driver\, Glen Emery\, Vincent Farnsworth\, Nat Finkelstein\, Roxanne Fontana\, Thor Garcia\, Susanne Glück\, Carola Goellner\, Anthony Haden-Guest\, Carl Haber\, Jere Harshman\, Henry Hills\, Nhoah Hoena\, Michael Holman\, John Hood\, Chris Hughes\, Jolana Izbická\, Timo Jacobs\, Bethany Eden Jacobson\, Tobiáš Jirous\, Bettina Köster\, Julius Klein\, Hubert Kretzschmar\, Jaromír Lelek\, Lydia Lunch\, Rinat Magsumov\, Peter Milne\, Steve Morell\, Mona Mur\, Julia Murakami\, Shalom Neuman\, Paul Pacey\, Puma Perl\, Rudolf Piper\, Rudi Protrudi\, Mark Reeder\, Marcia Resnick\, Ingrid Rudefors\, Ilse Ruppert\, Šimon Šafránek\, Honza Sakař\, Oliver Schütz\, Marcia Schofield\, Tom Scully\, Semra Sevin\, Phil Shoenfelt\, Peter Smith\, Azalea So Sweet\, Mark Steiner\, Kenton Turk\, André Werner\, Ian Wright\, Nick Zedd\, Dave Zijlstra\, Richard and Winter Ave Zoli\, and Miron Zownir. \nEveryone was fucked up\, whether they want to admit it or not. We were all poor. Nobody was eating. Nobody was sleeping. You know\, too much genius in one place…. —Lydia Lunch
URL:https://www.howlarts.org/event/robert-carrithers-city-primeval-new-york-berlin-prague/
LOCATION:NY
CATEGORIES:Book Signing
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DTSTART;TZID=America/New_York:20171111T180000
DTEND;TZID=America/New_York:20171111T200000
DTSTAMP:20171109T234852Z
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SUMMARY:Tessie Chua The Shame of Disco
DESCRIPTION:Performance and Video Screening\nfeaturing Animal X\nComedienne and performance luminary Tessie Chua brings her hilarious take on living in the East Village during the late 70s—its grungiest heyday\, when sharing your apartment with cockroaches was the norm—in this commentary on culture and the times. There’s mohawks\, blazing colored hair\, leather and bondage clothes\, and Roxy\, a very opinionated cockroach with gourmet tastes. No bodega! Yes\, Dean & Deluca! Roxy’s been through the Roach Potential Movement and learned meditation at the Dalai Lama’s knee. As part of the post-punk community\, Tessie and Roxy both vocalized the movement’s collective hatred for disco. \n“I really wasn’t sure why everyone hated disco. Roxy and I liked PIL\, but we also liked disco. I’d be mortified when my friend Animal X or two-thirds of Mission of Burma would go through my record collection and see that it contained Donna Summer\, and worse yet\, Patrick Juvet\,” says Chua. The New Wave Vaudeville Show\, meth and heroin addicts\, Keith Haring\, Club 57\, CBGB and Danceteria\, loser bands\, Manic Panic\, and John Sex’s apartment all are observed through Roxy’s jaundiced and satiric eye. \nThe evening will also feature\, Android X\, a performance by Animal X\, the Ultra Punk fashion designer from the 70’s and 80’s in the East Village.  Her Shows were known for her wild fashion shows that included punk  celebrities\, porn stars and other surprises. The performance will feature a film by Marty Abrahams and animation by Marjan Moghadon \nAlso on view is the short video The Scary Truth About Cockroaches and Landlords which is included in Club 57: Film\, Performance\, and Art in the East Village\, 1978–1983 at the Museum of Modern Art. \nAbout Tessie Chua \nBorn and raised in San Francisco\, California\, home to beatniks and hippies\, she studied art at San Francisco State University and the San Francisco Art Institute. A teenager during the Summer of Love\, she remarks: “People walked down the street happily greeting each other\, ‘Have a nice day!’ I moved to New York in 1974\, people answered back\, ‘Fuck You!’” In New York\, she performed with the New Wave Vaudeville Show that put her smack in the middle of the post-punk Community. The show was an opportunity to write her first comedy sketch—In the Name of God—casting herself as a sadistic nun who accidently beats a schoolgirl to death for taking the name of God in vain one too many times. More opportunities followed at Club 57\, Mudd Club and other downtown clubs. \nIn 2015\, she started working on an ongoing solo performance about her life in the East Village\, spurred in part by meeting young comics who said\, “That must have been a romantic era to have lived through.”  “Romantic? I would call it gritty\,” she says. \nAbout Android X \nAnimal X explores the possibilities of a future when we will be ghosts in the machine\, our minds downloaded into robots. Featuring a film of her work by Martin Abrams and inspired by her participation in the Club 57 exhibit at the MoMA\, and Drawing on her early career\, this multimedia performance combines video\, puppetry and costume. Animal X is an award-winning performance and multidisciplinary artist whose work spans four decades\, including nightclub appearances\, Art Gallery installations\,  theater Productions\, NEA fellowship\, appearing at wild and crazy music festivals\, as well touring the country with her theatrical company “I Believe in Fairies Productions”. Instagram: officialAnimalX\, website : Ibelieveincreating.Com
URL:https://www.howlarts.org/event/tessie-chua-the-shame-of-disco/
LOCATION:NY
CATEGORIES:Performance
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