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DTSTART;VALUE=DATE:20170621
DTEND;VALUE=DATE:20170801
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CREATED:20170519T172611Z
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SUMMARY:I ♥ John Giorno: Pierre Huyghe Sleeptalking
DESCRIPTION:Ugo Rondinone: I ♥ John Giorno\nOpening Reception: June 21\, 5pm \nHowl! Happening is pleased to present Pierre Huyghe’s Sleeptalking (d’après Sleep)\, \nin the heart of the neighborhood that spawned the revolutionary spirit and vanguard cultural figures who populate Giorno’s Sleeptalking narrative: Ginsberg\, Warhol\, Burroughs\, Cage\, et al. By celebrating the poet who is an inspirational and influential part of the Howl! community\, we also commemorate the tumultuous changes instigated in the 60s and 70s\, which live on and frame Howl’s mission to view contemporary culture through the lens of these groundbreaking artists. We salute John’s contributions and voice in this recontextualized tribute to Warhol’s Sleep and its dormant lead actor. \nPierre Huyghe’s 1998 work Sleeptalking (d’après Sleep) reconsiders the depiction of John Giorno in Andy Warhol’s Sleep\, 35 years after its premiere. Huyghe visited the poet in his loft at 222 Bowery\, intending to recreate Warhol’s film and have a conversation with Giorno about his life. The artist spent five days interviewing Giorno for over eight hours a day. On their final day together\, Huyghe filmed Giorno sleeping on the same bed featured in Warhol’s Sleep. \nIn the final work\, Huyghe overlaid his footage of Giorno with Warhol’s\, and through subtle shifts\, Giorno’s time-marked face imperceptibly changes and rejuvenates. This return to the original\, revealed in the film by a slow fade-out\, is accompanied by the poet’s voice. Giorno describes the context of the creation of the film Sleep and his memories of working with Warhol. As part of a series of works about the notion of interpretation\, Huyghe associates Warhol’s Sleep with the dreams and utopias of the 60s. Awoken from his long slumber\, the sleeper now speaks and becomes an actor in a different reality\, evoking the time he lived and its history. \nUgo Rondinone: I ♥ John Giorno is a sprawling\, multipart exhibition which presents the extraordinary life and work of the poet\, artist\, activist and muse John Giorno. Encompassing 13 venues around Manhattan—and featuring paintings\, films\, sound installations\, drawings\, archival presentations\, and a video environment—this retrospective includes Giorno’s own work\, as well as work inspired by him. \nI ♥ John Giorno is also a work of art by Giorno’s husband\, the Swiss artist Ugo Rondinone\, who has been creating sculptures\, paintings\, drawings\, and multimedia installations for almost three decades. With this project\, Rondinone presents a prismatic portrait\, assembled from the thoughtful arrangement of materials\, experiences\, and relationships that have defined Giorno’s astonishingly wide-ranging artistic career. Foremost\, the project is a joyous celebration of the poet’s ubiquitous presence in contemporary culture\, and his myriad contributions to it. \nRondinone’s homage to his life partner\, Ugo Rondinone: I ♥ John Giorno\, is the latest and by far most ambitious collaboration of Giorno’s career. The project unfolds in 18 chapters\, each a distinct exhibition sited in a non-profit or alternative space in Manhattan. Every chapter takes the form of an immersive installation\, designed by Rondinone and dedicated to a body of work\, an interest\, a relationship or a collaboration that has marked Giorno’s life. This includes his poetry\, painting\, sound work and performance; his recording projects and the founding of Giorno Poetry Systems; his AIDS activism; his Tibetan Buddhism; and his vast personal archive that comprises a history of radical art and poetry in New York during the second half of the 20th century. Several installations feature portraits of Giorno by different generations of filmmakers\, painters\, videographers and musicians. One consists of a single work: a multichannel video installation by Rondinone\, consisting of multiple images of Giorno performing one of his recent epic poems. \nUgo Rondinone: I ♥ John Giorno is a unique artistic and curatorial experiment. The cooperation between so many disparate nonprofit and alternative institutions in New York in the presentation of a single project is similarly unprecedented. The singularity of this monumental hybrid of artwork and exhibition is testament to the breadth\, variation\, and longevity of Giorno’s ongoing career\, as well as Rondinone’s artistic vision. Those lucky or stalwart enough to visit all 18 chapters of the exhibition will come away with an idea of both of these artists’ achievements. In its size and ambition\, I ♥ John Giorno can be seen as a citywide work of public art. At the same time\, it is an intimate expression of love and inspiration between two artist partners. It is an astonishing gesture of love on Giorno’s part to give the sum total of his life’s work to Rondinone as material for his own artwork. Perhaps\, in equal response\, Rondinone has conceived a work of art as big as Manhattan itself —Laura Hoptman \nABOUT UGO RONDINONE  \nUgo Rondinone (b. 1964\, Brunnen\, Switzerland) is a renowned mixed-media artist who lives and works in New York. Recent solo shows include: your age my age and the age of the rainbow\, The Garage Museum of Contemporary Art\, Moscow; let’s start this day again\, Contemporary Arts Center\, Cincinnati; every time the sun comes up\, Place Vendome\, Paris; girono d’oro + notti d’argento\, Mercati die Traiano\, Rome; becoming soil\, Carre d’Art\, Nîmes; seven magic mountains\, Art Production Fund and Nevada Museum of Art/Desert of Nevada; vocabulary of solitude\, Museum Boijmans Van Beuningen\, Rotterdam; Ugo Rondinone: I ♥︎ John Giorno\, Palais de Tokyo\, Paris; golden days and silver nights\, Art Gallery of New South Wales\, Sydney; and artists and poets\, Secession\, Vienna. His work is in the collections of the Museum of Modern Art\, New York\, the Institute of Contemporary Art\, Boston\, the San Francisco Museum of Modern Art\, the Walker Art Center\, Minneapolis\, and the Dallas Museum of Art\, among others. Upcoming shows include the world just makes me laugh at Berkeley Art Museum and Pacific Film Archive\, Berkeley; and good evening beautiful blue at Bass Museum of Art\, Miami. \nABOUT PIERRE HUYGHE \nABOUT JOHN GIORNO \nJohn Giorno (b. 1936\, New York City\, USA) is an artistic innovator who has been defying conventional definitions of poet\, performer\, political activist\, Tibetan Buddhist\, and visual artist since he emerged upon the New York art scene during the late 1950s. In the 1960s\, he began producing multi-media\, multi-sensory events concurrent with Warhol’s Exploding Plastic Inevitable. He worked with Rauschenberg’s Experiments in Art and Technology (E.A.T) in 1966\, and with Bob Moog in 1967-68. His breakthroughs in this area include Dial-A-Poem\, which was first presented in 1968 at the Architectural Society of New York\, and was later included in the MoMA’s Information exhibition in 1970. His contributions are significant to many culturally defining moments: the Beat generation\, Pop Art\, Punk\, the Pictures Generation\, and the hip-hop era. His work is included in the collections of the Museum of Modern Art\, New York; Centre Georges Pompidou\, Paris; Musée National d´Art Moderne\, Paris; and Queensland Art Gallery/Gallery of Modern Art\, Brisbane; among others. \nUgo Rondinone: I ♥ John Giorno is made possible in part by public funds from the Swiss Arts Council Pro Helvetia. The I ♥ John Giorno organizing committee gratefully acknowledges generous support from Van Cleef & Arpels\, the Andy Warhol Foundation for the Visual Arts and LUMA Foundation. Thanks to Almine Rech Gallery\, Brussels\, London\, New York and Paris; Elizabeth Dee Gallery\, New York; Esther Schipper\, Berlin; Galerie Eva Presenhuber\, New York and Zürich; Gladstone Gallery\, Brussels and New York; Galerie Kamel Mennour\, London and Paris; Kukje Gallery\, Seoul; and Sadie Coles\, London for production support. Additional thanks to Ophelia and Bill Rudin as well as the General Consulate of Switzerland in New York for their gracious contribution\, and to agnès b. for in kind support. \nInstallation View of Sleeptalking (1998) by Pierre Huyghe at Palais de Tokyo\, 2015\, © Pierre Huyghe\, Courtesy of Palais de Tokyo\, Photo: Andre Morin. \n  \n 
URL:https://www.howlarts.org/event/i-heart-john-giorno/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170709T160000
DTEND;TZID=America/New_York:20170709T163000
DTSTAMP:20210321T184932Z
CREATED:20160911T175832Z
LAST-MODIFIED:20210321T184932Z
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SUMMARY:Atomic Moon with Cornelius Loy
DESCRIPTION:The Full Moon Show: A Tom Murrin/Alien Comic Invention\nEvery Month on the Full Moon\nAt 4pm sharp\nThe monthly full moon crew\, Salley May and Tony Stinkmetal\, are flying us to the moon in this modern day sci-fi adventure\, set in a not-too-distant future on Moon Base Ladyhead\, where sightings of lunar moths are on the rise. \nMeanwhile\, back on Earth\, ecological disaster has been averted and everything has turned out just great: The earth has glaciers and ozone again\, and totally nice world leaders for the first time ever! Flying cars and plenty of Soylent Green keep the multitudes fat and happy. “Paradise has been rectified\,” as George Orwell would say. \nThis off-Earth mimoplastic (think mime) fumetti (think word bubbles in old comic books) is accompanied by a live theremin score (think soundtracks of 50s sci-fi movies like The Day the Earth Stood Still) performed by composer\, spiritualist\, and independent artist Cornelius Loy.  \nSo\, strap on your air tanks and fishbowl helmets\, we’re shooting for the moon! \n \nphoto: Copyright 2013 Jim R Moore/Vaudevisuals.com \nAbout Tom Murrin and the Full Moon Show \nHowl! Happening houses the archives of Tom Murrin. Murrin\, aka the Alien Comic\, is known as the Godfather of Performance Art. Every full moon\, Tom performed the Full Moon Show in honor of his moon goddess\, Luna Macaroona. When he had a club date that fell on the full moon\, he’d wrangle his friends to perform as his guests—pushing the careers of such groundbreaking performers as David Cale\, David Sedaris\, Amy Sedaris\, Blue Man Group\, Ethyl Eichelberger\, Lisa Kron and many others. If not\, he performed on the street for passersby\, transforming the pedestrian atmosphere with his madness and magic. Howl! Happening’s monthly series continues that tradition\, with performances in the gallery and surprise pop up performances on the street. \nAbout The Tom Murrin Archive \nHowl! Happening is the repository of the Tom Murrin Archive comprising masks\, costumes\, scripts\, correspondence\, photographs\, and tapes of performances going back to the early 70s. Murrin (February 8\, 1939 – March 12\, 2012) also known as The Alien Comic and Jack Bump\, was a performance pioneer whose life and work inspired both artists and audiences for over 40 years. He was a member of the first generation of La MaMa playwrights. Tom wrote four plays performed through La MaMa and produced by John Vacarro’s Play-House of the Ridiculous\, including the offbeat hit\, Cock Strong\, which toured with Ellen Stewart’s La MaMa Troupe to Paris\, Amsterdam and Brussels. \nUnder the guidance of rock manager Jane Friedman\, Tom began to perform under the name Alien Comic\, opening for acclaimed punk bands in rock clubs such as CBGBs and Max’s Kansas City. As Alien Comic he performed in such venues as The Pyramid\, 8BC\, King Tut’s Wah Wah Hut\, Performance Space 122\, Dixon Place\, La MaMa\, and more. Since the mid 80s\, he’s created\, performed\, and curated a series of variety nights at Performance Space 122\, and La Mama Experimental Theatre Club and Dixon Place\, called The Full Moon Show. His plays Sport-Fuckers and Butt-Crack Bingo were produced at Theater for the New City and La MaMa and directed by David Levine. Tom was the first performance artist to appear on stage at the original Dixon Place location at 37 East First Street in 1986.
URL:https://www.howlarts.org/event/the-full-moon-show-2016-11-16-2017-01-14-2017-07-14/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170710T140000
DTEND;TZID=America/New_York:20170710T160000
DTSTAMP:20170613T202356Z
CREATED:20160706T170758Z
LAST-MODIFIED:20170613T202356Z
UID:10000277-1499695200-1499702400@www.howlarts.org
SUMMARY:Actors Fund Insurance Drop In Workshop
DESCRIPTION:The Insurance Doctor Is In! \nQuestions about a health insurance bill? \nDon’t understand your insurance and can’t get a straight answer? \nNeed some advice on how to negotiate medical debt? \nOur insurance expert will answer your questions during a one-on-one consultation. Vincent Musolino\, Health Benefits Specialist at the Artists Health Insurance Resource Center\, is an unbiased Navigator with the NY State of Health Marketplace and has over 12 years of medical billing and insurance experience. \nConsultations are about 20 minutes and by appointment only. \nPlease RSVP to vmusolino@actorsfund.org \nAlso\, bring any documents in question (bills\, explanations of benefits\, your insurance policy)! \n 
URL:https://www.howlarts.org/event/actors-fund-insurance-drop-in-workshop-3-2016-12-19-2017-07-05/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170712T190000
DTEND;TZID=America/New_York:20170712T210000
DTSTAMP:20170622T193948Z
CREATED:20170622T192244Z
LAST-MODIFIED:20170622T193948Z
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SUMMARY:Kazuo Ohno Dances An Offering to Heaven
DESCRIPTION:Butoh Film Series in Association With Vangeline Theater and New York Butoh Institute\nThe unique art of Butoh originated in post-World War II Japan as a reaction to the loss of identity caused by the westernization of Japanese culture—a realization that ancient Japanese performing traditions no longer spoke to a contemporary audience. One of the major developments in contemporary dance in the latter half of the 20th century\, Butoh combines dance\, theater\, improvisation\, and influences of Japanese traditional performing arts\, to create a unique art form that is both controversial and universal in its expression. \nThe legendary Kazuo Ohno is one of the most significant Butoh performers. He has toured throughout Europe\, North and South America\, Australia\, and Asia; and performed in Hong Kong\, Korea\, Singapore\, Taiwan\, Indonesia\, France\, Spain\, Denmark\, Poland\, Canada\, and the United States. Many students have come to study under him from all over the world. \nI would love to offer you even something as tiny as a grain of sand. If only I could succeed in doing that\, then I might fulfill my longing to share a part of my life with you. Isn’t it worth risking one’s life to offer something as microscopic as that tiny single grain of sand\, chosen from amidst countless millions? Take great care at all times. Even the most infinitesimal detail of the slightest gesture you make should be executed with loving care. It’s never too late to start. —Kazuo Ohno\, from Kazuo Ohno’s World: From Without & Within \nThe New York Butoh Institute is dedicated to sharing information and educating the public\, reaching out to the New York community with public butoh classes\, workshops and performances. The institute collaborates with international and national butoh artists. Their “Dream a Dream Project” has brought butoh lessons to correctional facilities in New York since 2007. This award-winning initiative continues to contribute to the rehabilitation of New York’s incarcerated population. \nwww.vangeline.com \nPhoto: Kazuo Ohno\, October 1986
URL:https://www.howlarts.org/event/kazuo-ohno-dances-an-offering-to-heaven/
LOCATION:NY
CATEGORIES:Events
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DTSTART;TZID=America/New_York:20170713T190000
DTEND;TZID=America/New_York:20170713T210000
DTSTAMP:20170614T182521Z
CREATED:20170613T195640Z
LAST-MODIFIED:20170614T182521Z
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SUMMARY:Christopher Felver Cecil Taylor: All the Notes
DESCRIPTION:Documentary Screening \nCecil Taylor is the grand master of free jazz piano. All the Notes captures\, in breezy fashion\, the unconventional stance of this media-shy modern musical genius\, who is regarded as one of the true giants of post-war music. Taylor is first seen musing over Santiago Calatrava’s fleecy architecture—a typical sign of the pianist’s famed eclectic interests\, which extend from soloing to combo and small orchestra work\, as well as spoken word performance. \nSeated at the beloved and battered piano in his Brooklyn brownstone\, the maestro holds court with frequent stentorian pronouncements on life\, art\, and music\, while demonstrating the technique and views which infuse his super-clustered playing. Students at Mills College\, where Taylor has a regular teaching gig\, devise an avant-garde “free composition” under his generous tutelage. Taylor plays at Yoshi’s in Oakland\, and Lincoln Center and the Iridium in New York\, with his large ensemble Orchestra Humane Big Band. \nSince the 50s\, Taylor has steadfastly represented jazz’s avant-garde\, a fact reinforced by notable commentators Elvin Jones\, Amiri Baraka\, Nathaniel Mackey\, and Al Young. The recording of the UCLA Royce Hall solo performance is an example of his astounding mastery of complex musical constructions. All the Notes is an intimate portrait of a consummate musician and sound thinker in triumphant maturity\, bringing out Taylor’s nobility\, devotion and belief in a truth that can only be found after a lifetime of invention. \nAbout Chris Felver
URL:https://www.howlarts.org/event/christopher-felver-cecil-taylor-all-the-notes/
LOCATION:NY
CATEGORIES:Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170714T190000
DTEND;TZID=America/New_York:20170714T210000
DTSTAMP:20170705T192508Z
CREATED:20170705T172748Z
LAST-MODIFIED:20170705T192508Z
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SUMMARY:3 Teens Kill 4 Listening Party
DESCRIPTION:Celebrate the re-release of 3TK4’s No Motive album\, after 34 years! \nThe new pressing includes the underground hit “Hold Up\,” mixed by Ivan Ivan; three previously unreleased bonus tracks; and a collectable booklet and insert with never-before-seen art by David Wojnarowicz. A video by Pat Ivers and Emily Armstrong\, of Advanced Television\, completes the mix. Copies will be available for sale. The venerable Ted Reiderer will provide a vintage turntable to actually spirit us back to the pre-digital era. \n3 Teens Kill 4 was born in the summer of 1980 in the East Village of New York City. They took their name from a New York Post headline. The group consisted of Doug Bressler\, Brian Butterick\, Julie Hair\, Jesse Hultberg\, and David Wojnarowicz. There was a conscious decision not to have a front person or lead singer. David made cassette tapes with voices and sounds that he held up close to a microphone\, fast-forwarding and rewinding. Julie tried different rhythms on a Korg rhythm machine. Brian played a Casio drum machine\, and Jesse was on bass. Doug joined the group in time to make the debut album. He was a music lover who understood how to avoid covering over the band’s non-musicality. \nBrian says\, “These songs are very deliberately an experiment in postmodernism. Sound bytes were stolen from the airwaves and recorded onto bargain cassette tapes. We were stripping the structure of the popular song to the bone—a sort of sonic Duchamp. And throughout it all runs a childlike sense of play: the judicious use of toys\, the schoolyard chants…. All of this was happening during the dark and soul-numbing Age of Reagan\, with the AIDS crisis looming on the horizon.” \nTheir debut 7-song mini-album No Motive was recorded during the fall of 1982\, and self-released in 1983. Using rhythm boxes\, tapes of news reports\, odd percussion tools\, and snatches of song\, they chanted political narrative ideas about the modern mess at the time. The album is an amalgam of urban life: a twisted\, anti-rhetorical approach to social issues. Songs weave together to create an intelligent\, jarring sound. Razor-sharp guitar licks and hauntingly ominous bass lines create a tense\, oblique abstraction of pain and chaos. \nAll songs have been remastered for vinyl by George Horn at Fantasy Studios. The jacket features a replica of the original front cover\, with a black and white photo by Seiji Kakizaki\, and updated back cover featuring a never-before-seen collage by David Wojnarowicz. Each copy includes a 12-page booklet with liner notes from each band member\, photos\, lyrics\, and press clippings. We’ve also printed a special 12×24” fold out diptych painting by David Wojnarowicz\, to whom this reissue is dedicated.
URL:https://www.howlarts.org/event/3-teens-kill-4-listening-party/
LOCATION:NY
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2017/07/3TK4ve.jpg
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