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DTSTART;VALUE=DATE:20170323
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SUMMARY:Empire: An Arturo Vega Retrospective
DESCRIPTION:Opening Reception: March 23\, 2017 / 6 PM \nI want my paintings to look like what’s going on outside my window…\n—Robert Rauschenberg \n My ideas come from the streets. —Arturo Vega \nHowl! Happening is delighted to announce Empire: An Arturo Vega Retrospective—originally curated by Jade Dellinger for the Bob Rauschenberg Gallery of Florida SouthWestern State College—opening in New York with a public reception on March 23\, 2017 at 6 PM. This ambitious survey runs through April 20 and will include guest lectures\, performances and a panel discussion exploring Arturo Vega’s broader impact on popular culture while contextualizing his work as a visual artist. \nHowl! Happening was established to honor Vega\, his life and work\, and his support for East Village artists\, and we are particularly proud to be the second stop for the late Mexican-born artist’s U.S. museum retrospective. The exhibition features photography\, collage and a number of iconic canvases from the artist’s Supermarket and Silver Dollar series (begun in the 70s); his Flags and so-called “word paintings” from Insults; and other series produced during the 80s\, 90s and aughts. Of special note is his last major work\, Life isn’t tragic\, love is just being ignored\, a mural commissioned in 2013 that hung on the corner of Prince and Elizabeth streets. \nIt is particularly fitting that the Empire retrospective should be initiated by the Bob Rauschenberg Gallery\, as Dellinger notes their inspirational parallels. For although the two artists may never have met\, he says in his catalog introduction\, “Vega and Rauschenberg understood that art had the power to permeate borders and bring revolutionary change. They were born and raised on opposite sides of the Tex-Mex divide\, but were citizens of the world with global ambition to engage in a dialogue about the sociopolitical\, humanitarian and monetary impact of nations.” \nEscaping the repressive violence of an authoritarian regime under Mexico’s “perfect dictatorship” in the late 60s\, Arturo Vega made his way to New York City to study English\, philosophy\, and photography at the New School for Social Research in the early 70s. Having discovered Elvis as a child and later co-directing a touring production of The Who’s Tommy at the National University in Mexico City\, Vega understood the revolutionary and transformative power of music\, theatre/performance and art. \nWhile working on his first painting series of supermarket signs\, he befriended members of the Ramones\, a rock and roll band that would soon play their first show (and would decades later be inducted into the Rock and Roll Hall of Fame). Designing the Ramones’ ubiquitous logo based on the Great Seal of the United States\, painting backdrops for their stage\, and creating a lighting scheme loosely adapted from Albert Speer’s Lichtdom to enhance their effect\, Vega created visual imagery that defined the transgressive aesthetic of punk rock by co-opting and questioning symbols of power. \nIn numerous group shows since the 70s\, Vega’s work has more recently been the subject of one-person exhibitions at CB’s 313 Gallery\, New York City (1992); Raleigh Studios\, Miami Beach (curated by Sandra Schulman\, 1994); Galería OMR\, Mexico City (2011); Klerkx Art Agency\, Amsterdam (2012); La Estación Arte Contemporáneo\, Chihuahua\, Mexico (2013); Museo Casa Redonda de Chihuahua\, Mexico (2012); and Howl! Happening\, New York City (2015 and 2016). \nAs Vega once said: “Art connects to the eternal—demanding fast changes and a reckless appetite for truth\, justice and a better way of life.” Empire: An Arturo Vega Retrospective\, which premiered at the Bob Rauschenberg Gallery\, draws parallels and explores interests shared by Arturo Vega\, our gallery namesake. For Rauschenberg\, “(Art was) a means to function thoroughly and passionately in a world that has a lot more to it than paint.” \nConcurrent with the exhibition\, curators\, critics\, and dear friends deepen understanding of his life and work\, including a penetrating look at the cultural and political climate in Mexico that nurtured the visual and conceptual framework played out in the studio paintings featured in Empire and his work with the Ramones. \nArturo Vega’s Art and Life with the Ramones\nA presentation by Sandra Schulman and Monte A. Melnick \nMarch 24th / 7pm / Free \nArturo Vega  Above and Beyond\nPanel Discussion with Special Guests Jade Dellinger\, Carlo McCormick\, Anthony Haden-Guest and Adam Lehrer\nMarch 26 / 4 PM / Free \nDan Cameron Mexico City\, Circa 1970\nSlideshow and Lecture \nSunday\, March 26\, 2017 / 7 PM / Free  \nPaul Tschinkel\nAlan Vega: An Artist’s Story\nApril 14 / 7pm / Free \nEmpire Closing Party and The Last Interview by Amon Focus\nApril 20 / 7pm / Free \n  \n 
URL:https://www.howlarts.org/event/empire-an-arturo-vega-retrospective/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Exhibition,Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170410T140000
DTEND;TZID=America/New_York:20170410T170000
DTSTAMP:20170406T155752Z
CREATED:20160706T170758Z
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SUMMARY:Actors Fund Insurance Drop In Workshop
DESCRIPTION:The Insurance Doctor Is In! \nQuestions about a health insurance bill? \nDon’t understand your insurance and can’t get a straight answer? \nNeed some advice on how to negotiate medical debt? \nOur insurance expert will answer your questions during a one-on-one consultation. Vincent Musolino\, Health Benefits Specialist at the Artists Health Insurance Resource Center\, is an unbiased Navigator with the NY State of Health Marketplace and has over 12 years of medical billing and insurance experience. \nConsultations are about 20 minutes and by appointment only. \nPlease RSVP to vmusolino@actorsfund.org \nAlso\, bring any documents in question (bills\, explanations of benefits\, your insurance policy)!
URL:https://www.howlarts.org/event/actors-fund-insurance-drop-in-workshop-3-2016-12-19-2017-04-05/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
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DTSTART;TZID=America/New_York:20170411T140000
DTEND;TZID=America/New_York:20170411T170000
DTSTAMP:20170406T160656Z
CREATED:20160706T170122Z
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SUMMARY:Actors Fund Affordable Housing Workshop
DESCRIPTION:Did you know that New York City is planning to build or preserve 200\,000 units of affordable housing over the next ten years? This two-hour seminar for performing-arts and entertainment professionals provides an overview of government-subsidized housing in New York City\, which is available for both low- and middle-income households. Complex information is broken down into simple\, straightforward steps. While demand for these affordable units exceeds the supply\, this seminar will help you avoid common mistakes and get organized and prepared to take advantage of opportunities to apply. The following questions will be addressed: \nHow do you find and apply for affordable housing? \nWhat are the eligibility requirements? (Income\, household size\, credit\, housing history\, etc.) \nHow does a housing lottery work? \nCan you get on a waiting list? \nHow do you document your income if it fluctuates year to year? \nHow can you best prepare yourself for an interview? \nWhat are your options if you are denied?
URL:https://www.howlarts.org/event/2565-2016-12-20-2017-04-06/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
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DTSTART;TZID=America/New_York:20170411T160000
DTEND;TZID=America/New_York:20170411T170000
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SUMMARY:The Full Moon Show With MC Extraordinaire Paul Alexander
DESCRIPTION:A Tom Murrin/Alien Comic Invention\nEvery Month on the Full Moon\nMC Extraordinaire Paul Alexander uses his mic as a divining rod to get to the bottom of  . . . all this. From whirling dervishes to house parties\, big answers have often been found on the dance floor. \nTo celebrate April’s Dancing Moon\, MC Alexander will be laying down the law at Howl! International nightclub royalty\, Alexander has been dubbed Voice Of The Night. \nAs vocalist with The Ones\, and an MC at the legendary Tuesday evening extravaganza\, Jackie 60\, Paul honed his talents. He is currently casting his new Musical Trinket’s (a fairy tale set in a 20th century meat-packing district) at the Gene Frankel Theater. \nHowl!’s bi-coastal Full Moon Show curators and co-hosts Salley May and Tony Stinkmetal perform a long-distance tango via Skype as Salley brings the party to L.A. See you on the dance floor—in this case\, the sidewalk outside Howl! Happening—and let the firm hand of MC Paul Alexander guide you to express your fear and rage and hope and love. \nGet to work\, children! \nAbout Tom Murrin and the Full Moon Show \nHowl! Happening houses the archives of Tom Murrin. Murrin\, aka the Alien Comic\, is known as the Godfather of Performance Art. Every full moon\, Tom performed the Full Moon Show in honor of his moon goddess\, Luna Macaroona. When he had a club date that fell on the full moon\, he’d wrangle his friends to perform as his guests—pushing the careers of such groundbreaking performers as David Cale\, David Sedaris\, Amy Sedaris\, Blue Man Group\, Ethyl Eichelberger\, Lisa Kron and many others. If not\, he performed on the street for passersby\, transforming the pedestrian atmosphere with his madness and magic. Howl! Happening’s monthly series continues that tradition\, with performances in the gallery and surprise pop up performances on the street. \nAbout The Tom Murrin Archive \nHowl! Happening is the repository of the Tom Murrin Archive comprising masks\, costumes\, scripts\, correspondence\, photographs\, and tapes of performances going back to the early 70s. Murrin (February 8\, 1939 – March 12\, 2012) also known as The Alien Comic and Jack Bump\, was a performance pioneer whose life and work inspired both artists and audiences for over 40 years. He was a member of the first generation of La MaMa playwrights. Tom wrote four plays performed through La MaMa and produced by John Vacarro’s Play-House of the Ridiculous\, including the offbeat hit\, Cock Strong\, which toured with Ellen Stewart’s La MaMa Troupe to Paris\, Amsterdam and Brussels. \nUnder the guidance of rock manager Jane Friedman\, Tom began to perform under the name Alien Comic\, opening for acclaimed punk bands in rock clubs such as CBGBs and Max’s Kansas City. As Alien Comic he performed in such venues as The Pyramid\, 8BC\, King Tut’s Wah Wah Hut\, Performance Space 122\, Dixon Place\, La MaMa\, and more. Since the mid 80s\, he’s created\, performed\, and curated a series of variety nights at Performance Space 122\, and La Mama Experimental Theatre Club and Dixon Place\, called The Full Moon Show. His plays Sport-Fuckers and Butt-Crack Bingo were produced at Theater for the New City and La MaMa and directed by David Levine. Tom was the first performance artist to appear on stage at the original Dixon Place location at 37 East First Street in 1986. \nImage: P. Alexander
URL:https://www.howlarts.org/event/the-full-moon-show-2016-11-16-2017-01-14-2017-04-14/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
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DTSTART;TZID=America/New_York:20170413T190000
DTEND;TZID=America/New_York:20170413T210000
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SUMMARY:Dan Cameron: Sexo\, Drogas y Rock ‘n’ Roll
DESCRIPTION:Dan Cameron \nLower East Side curator and critic Dan Cameron\, who organized the exhibition When Jackie Met Ethyl for Howl! Happening in May 2016\, and wrote texts for both our Arturo Vega and Pyramid Lounge publications\, returns to give a talk on a part of Vega’s life and career that until now has been left unexplored: his years as a budding actor and artist in Mexico City. Although no physical artwork by Vega remains from this period\, Cameron has spoken to his friends and acquaintances from that time\, and drawn heavily on the research of contemporary Mexican curators to describe a cultural context in which visual artists were art directing rock bands\, avant-garde filmmakers made TV shows on rock and roll\, and Mexican youth culture seemed as fixated on sex and drugs as its northern neighbor. Special focus is made on the artist Pedro Friedeberg\, whose work and lifestyle had a powerful impact on the young Arturo\, and the disastrous Avándaro rock festival in 1971\, repercussions from which would literally drive the growing Mexican live concert scene underground\, and many of its more ambitious young creative minds into exile.
URL:https://www.howlarts.org/event/empiredan-cameron-mexico-city-circa-1970/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performances
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DTSTART;TZID=America/New_York:20170414T190000
DTEND;TZID=America/New_York:20170414T210000
DTSTAMP:20170405T171525Z
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SUMMARY:Paul Tschinkel Alan Vega: An Artist’s Story
DESCRIPTION:In 1979\, filmmaker/artist Paul Tschinkel videotaped one of Suicide’s earliest performances at Max’s Kansas City in New York. The film starts with a thrilling performance of Ghost Rider and concludes with Vega performing at CBGB in 1983. \nIn 2004\, Alan spoke to Tschinkel frankly and movingly about his roots and life as an artist and performer. The film reveals Alan’s story as he tells it—his early interest in art and studies with such luminaries as Burgoyne Diller and Ad Reinhardt at Brooklyn College\, and his eventual contact with Martin Rev and their journey to gut-wrenching musical performances as electropunk duo Suicide. \nConceived in the early 70s by Vega and Rev\, the band was initially associated with the avant-punk movement of the New York music scene that spawned such groups as Blondie\, The Velvet Underground\, the Ramones\, the New York Dolls\, the Heartbreakers\, and many others. They quickly became a phenomenom—unclassifiable and against the grain of the increasingly “pop” sensibility of punk. Suicide’s hypnotic\, pulsing synth and cheap drum machine sound\, combined with Vega’s eerie\, echoing vocals in primal rockabilly style\, captured the feeling of a crumbling city…the ominous looks…the sound of the microphone slamming against the face…. \nInitially trashed by the music press\, their confrontational live performances are the stuff of legend. Recognized for unique and revolutionary style\, the album Suicide (1977) was recently named by Rolling Stone as one of the 500 best albums of all times.
URL:https://www.howlarts.org/event/paul-tschinkel-alan-vega-an-artists-story/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Special Event
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