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DTSTART;TZID=America/New_York:20161112T180000
DTEND;TZID=America/New_York:20161217T180000
DTSTAMP:20170116T083347Z
CREATED:20161112T193708Z
LAST-MODIFIED:20170116T083347Z
UID:10000350-1478973600-1481997600@www.howlarts.org
SUMMARY:Empire: An Arturo Vega Retrospective at the Bob Rauschenberg Gallery FSW
DESCRIPTION:Empire: An Arturo Vega Retrospective\nBob Rauschenberg Gallery at FSW \nNovember 4 – December 17\, 2016 \nOpening Reception: Friday\, November 4 from 6-8pm \nPanel Discussion with special guests Carlo McCormick\, Anthony Haden-Guest\, and Adam Lehrer on Saturday\, November 5 at 1pm\nFort Myers\, FLORIDA: Florida SouthWestern State College is delighted to announce Empire: An Arturo Vega Retrospective at the Bob Rauschenberg Gallery (located on FSW’s Lee County campus). Opening with a public reception on Friday\, November 4th from 6-8pm\, this ambitious survey runs through December 17th and will include guest lectures\, performances and a panel discussion exploring Arturo Vega’s broader impact on popular culture and contextualizing his work as a visual artist. A collaboration with The Arturo Vega Foundation in NYC\, Empire: An Arturo Vega Retrospective is the late Mexican-born artist’s first solo U.S. museum retrospective and features photography\, collage and a number of iconic canvases from the artist’s Supermarket and Silver Dollar series (begun in the 1970s); his Flags and so-called “word paintings” from Insults and other series produced during the 1980s\, ‘90s and aughts. \n  \nEscaping the repressive violence of an authoritarian regime under Mexico’s “perfect dictatorship” in the late ‘60s\, Arturo Vega made his way to New York City to study English\, philosophy and photography at the New School for Social Research in the early 1970’s. Having discovered Elvis as a child and later co-directing a touring production of The Who’s “Tommy” at the National University in Mexico City\, Vega understood the revolutionary and transformative power of music\, theatre/performance and art. While working on his first painting series of supermarket signs\, he befriended members of The Ramones\, a rock & roll band that would soon play their first show (and would decades later be inducted into the Rock n’ Roll Hall of Fame). Designing the Ramones’ ubiquitous logo based on the Great Seal of the United States\, painting backdrops for their stage and creating a lighting scheme loosely adapted from Albert Speer’s Lichtdom to enhance their effect\, Vega created visual imagery that defined the transgressive aesthetic of punk rock by co-opting and questioning symbols of power. \n  \nIn numerous group shows since the 1970’s\, Vega’s work has more recently been the subject of one-person exhibitions at CB’s 313 Gallery/New York City (1992)\, Raleigh Studios/Miami Beach (Curated by Sandra Schulman in 1994)\, Galería OMR/México\, D.F. (2011)\, Casa Redonda\, Chihuahua/Mexico (2012) and at Howl! Happening in NYC in 2015 and 2016. As Vega once said: “Art connects to the eternal – demanding fast changes and a reckless appetite for truth\, justice and a better way of life.” Empire: An Arturo Vega Retrospective at the Bob Rauschenberg Gallery will draw parallels and explore interests shared by Arturo Vega and our gallery namesake. For Rauschenberg\, “(Art was) a means to function thoroughly and passionately in a world that has a lot more to it than paint.” \n  \nMore about us: The Bob Rauschenberg Gallery was founded as The Gallery of Fine Art in 1979 on the Lee County campus of Florida SouthWestern State College/FSW (then Edison Community College). On June 4th 2004\, the Gallery of Fine Art was renamed the Bob Rauschenberg Gallery to honor and commemorate our long time association and friendship with the artist. Over more than three decades until his death\, the Gallery worked closely with Rauschenberg to present world premiere exhibitions including multiple installations of the ¼ Mile or Two Furlong Piece. The artist insisted on naming the space the Bob Rauschenberg Gallery (versus the “Robert Rauschenberg Gallery”) as it was consistent with the intimate\, informal relationship he maintained with both our local Southwest Florida community and FSW. \n These events are open to the public\, free of charge.  \n Gallery Hours: Monday – Friday 10 am – 4 pm and Saturday 11 am – 3 pm \nClosed Sundays and Holidays \n Tel: (239) 489-9313 \nWeb: www.RauschenbergGallery.com \n  \n 
URL:https://www.howlarts.org/event/empire-an-arturo-vega-retrospective-at-the-bob-rauschenberg-gallery-fsw/
LOCATION:Bob Rauschenberg Gallery\, 8099 College Pkwy SW\, Building L\, Ft. Myers\, FL\, 33919\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20161118T180000
DTEND;TZID=America/New_York:20161219T180000
DTSTAMP:20170322T013820Z
CREATED:20161107T215925Z
LAST-MODIFIED:20170322T013820Z
UID:10000381-1479492000-1482170400@www.howlarts.org
SUMMARY:TOYO TSUCHIYA Invisible Underground
DESCRIPTION:[Tsuchiya’s images] feel like reports of life on another\, hipper planet\, of which little trace would remain were it not for his persistent and attentive recording eye.\n—Holland Cotter\, “Six O’Clock Observed\,” New York Times\, 1999 \nHowl! Happening is pleased to present a survey of the work Toyo Tsuchiya\, including photographs from the 99 nights at No Se No\, a ten foot print of his iconic image of a garden party in full swing amidst the rubble and ruin or a tenement building\, and other series that capture the Lower East Side during its heyday in the 1980s. His photographs embody Toyo’s search for human connection and identity. \nAlso featured will be a large-scale\, life-sized installation depicting workers in Chinatown on their lunch break with the pathos and presence reminiscent of Ed Kienholz\, as well as new\, colorful paintings inspired by 30 years of shooting in New York City. \nTsuchiya is best known for his photographs of NYC’s Lower East Side art scene in the 1980’s and as an originator of the legendary Rivington School. In these highly personalized images of New York’s Lower East Side since 1980\, Tsuchiya documented what was happening around him—the people\, performance art\, and the Lower East Side art scene—and especially the legendary underground movement of the collaborative Rivington School. \nBorn near Mt. Fuji in Japan\, Tsuchiya grew up in Kyushu and Yokohama. After graduating from the Kanagawa Ken Technical High School for Industrial Design he began his career as an artist. Living in Osaka\, Yokohama\, and Tokyo\, he studied and exhibited paintings\, drawings and collage within a small circle of the 1970’s art world in Tokyo. In the late 70’s he turned to photography\, and soon moved to New York City. \nTsuchiya was a creative force behind the No Se No Social Club\, the stage for many art happenings\, including the 99 Nights\, a marathon of free performances and exhibitions. In his photographs\, Tsuchiya captures the style\, energy\, and free-spirited creativity of the time\, and contextualized these happenings in a fine-art lineage. \nTsuchiya photographed the great performers of the era\, including Stelarc\, Jack Smith\, Tehching Hsieh\, Monty Cantsin and Karen Black\, to name a few. He also curated shows with now notable artists like Ai Weiwei. His work has\, as Tsuchiya acknowledges\, “become part of the underground history of the Lower East Side art and life of the 80s. All of my intention and passion of the 80s remains in those images.” \nIconoclastic and against the grain\, Holland Cotter says in his review: His subject wasn’t the professionalized East Village gallery phenomenon but the fringe activity taking place in the working class\, primarily Hispanic neighborhood centered below Houston Street on Rivington Street. There\, art\, music and performance intermingled; graffiti and Neo-Expression held their own after their vogue had passed elsewhere. The atmosphere was squatter-anarchic; artists\, collectively referred to as the Rivington School\, met in clubs and worked in the street. \nIn recent years\, Tsuchiya has turned to collage\, drawing\, sculpture and mixed media and continues to explore new media and outlets for his relentless creativity.
URL:https://www.howlarts.org/event/toyo-tsuchiya-invisible-underground/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Exhibition,Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20161204T070000
DTEND;TZID=America/New_York:20161204T210000
DTSTAMP:20160902T181957Z
CREATED:20160902T181957Z
LAST-MODIFIED:20160902T181957Z
UID:10000338-1480834800-1480885200@www.howlarts.org
SUMMARY:Third Eye Film Festival
DESCRIPTION:December 2 – December 4 / 6 PM / $5 \nHowl! Happening presents…\nThird Eye Film Festival \nFounded by Darian Brenner & Namrata Desai \nSkip the line and buy tickets in advance here \nThe 1st Annual Third Eye Film Festival (TEFF) will showcase 36 films in horror\, fantasy\, and spiritual genres from 13 different countries!  \nThe festival celebrates that over half of this year’s selected films were created by women. Through the Female Eye category\, TEFF supports female filmmakers by offering discounted submission fees and highlighting their work. The goal of this category is to break stigmas and feature powerful female-driven content in genre filmmaking\, ultimately opening doors to social change. \nTEFF also encourages unconventional storytelling through its Spiritual/Mysticism category. This category provides a home for genre-fluid films about humanity\, the intangible\, and what lies beyond. TEFF believes magic can mean anything from astrology\, to higher powers\, to meditation. With this category\, the festival proudly supports the marriage of art & personal truths. \nMore about Third Eye Film Festival 
URL:https://www.howlarts.org/event/third-eye-film-festival/2016-12-04/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Special Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20161205T140000
DTEND;TZID=America/New_York:20161205T170000
DTSTAMP:20160706T170758Z
CREATED:20160706T170758Z
LAST-MODIFIED:20160706T170758Z
UID:10000259-1480946400-1480957200@www.howlarts.org
SUMMARY:Actors Fund Insurance Drop In Workshop
DESCRIPTION:The Insurance Doctor Is In! \nMonday\, December 5th\, 2-4pm\nQuestions about a health insurance bill? \nDon’t understand your insurance and can’t get a straight answer? \nNeed some advice on how to negotiate medical debt? \n Our insurance expert will answer your questions during a one-on-one consultation.  Renata Marinaro\, LMSW\, Director of the Artists Health Insurance Resource Center\, is an unbiased Navigator with 10 years of experience counseling consumers on insurance. \nConsultations by appointment only. \nPlease RSVP to rmarinaro@actorsfund.org . \nAlso\, bring any documents in question (bills\, explanations of benefits\, your insurance policy)! \n 
URL:https://www.howlarts.org/event/actors-fund-insurance-drop-in-workshop-3-2016-12-19/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20161206T140000
DTEND;TZID=America/New_York:20161206T170000
DTSTAMP:20160706T170122Z
CREATED:20160706T170122Z
LAST-MODIFIED:20160706T170122Z
UID:10000226-1481032800-1481043600@www.howlarts.org
SUMMARY:Actors Fund Affordable Housing Workshop
DESCRIPTION:Tuesday December 6th / 2 PM / Free\nDid you know that New York City is planning to build or preserve 200\,000 units of affordable housing over the next ten years? This two-hour seminar for performing-arts and entertainment professionals provides an overview of government-subsidized housing in New York City\, which is available for both low- and middle-income households. Complex information is broken down into simple\, straightforward steps. While demand for these affordable units exceeds the supply\, this seminar will help you avoid common mistakes and get organized and prepared to take advantage of opportunities to apply. The following questions will be addressed: \nHow do you find and apply for affordable housing? \nWhat are the eligibility requirements? (Income\, household size\, credit\, housing history\, etc.) \nHow does a housing lottery work? \nCan you get on a waiting list? \nHow do you document your income if it fluctuates year to year? \nHow can you best prepare yourself for an interview? \nWhat are your options if you are denied?
URL:https://www.howlarts.org/event/2565-2016-12-20/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20161207T190000
DTEND;TZID=America/New_York:20161207T210000
DTSTAMP:20161129T145439Z
CREATED:20161129T145439Z
LAST-MODIFIED:20161129T145439Z
UID:10000387-1481137200-1481144400@www.howlarts.org
SUMMARY:Fence 32: The new normal isn't normal
DESCRIPTION:December 7th / 7pm / Free\nIn the midst of this American chaos\, a new issue of Fence emerges from the swamp. Issue #32 is chock full of work that takes the First Amendment as literature’s first step and sprints. In collaboration with Howl! Arts\, Fence invites you to a launch party. Raise a glass or a fist\, stick out your tongue\, and join us in bringing this newest outpouring of words and weirdness into the world. \nWith readings from: Kyle Booten\, Iris Cushing\, Elizabeth Fodaski\, Megan Milks\, Davy Knittle\, Daniel Poppick\, and more. \nFence 32 features new writing from: Samuel Ace\, Steven Alvarez\, Kathryn Davis\, Angel Dominguez\, Anaïs Duplan\, Brenda Iijima\, Aisha Sasha John\, Ed Bok Lee\, Nathaniel Mackey\, Amanda Nadelberg\, Eugene Ostashevsky\, Daniel Poppick\, Khadijah Queen\, Elizabeth Robinson\, Metta Sáma\, Cole Swensen\, & Co. \nCan’t make it? Celebrate privately with your own issue. You can subscribe here
URL:https://www.howlarts.org/event/fence-32-the-new-normal-isnt-normal/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Book Signing
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161208
DTEND;VALUE=DATE:20161212
DTSTAMP:20161121T210147Z
CREATED:20161121T210147Z
LAST-MODIFIED:20161121T210147Z
UID:10000349-1481155200-1481500799@www.howlarts.org
SUMMARY:The Rivington School: 80s New York Underground
DESCRIPTION:December 8\, 2016\nIn honor of the exhibition Toyo Tsuchiya Invisible Underground and the publication of Rivington School: 80s New York Underground\, Howl! Happening is pleased to present the launch of a new book celebrating the Rivington School. Iconoclastic and populist\, the Rivington School is an outgrowth of the No Se No social club and gallery founded in 1983 by “Cowboy” Ray Kelly\, a one-time farmer from Texas\, who maintained that “anyone can be an artist\,” that everything is a work of art. The School was also the origin of the Rivington Sculpture Garden\, a guerrilla sculpture space containing the massive\, welded metal junk sculpture that the group has become known for. \nA vortex of creativity\, Rivington School artists devised ways to live\, create art\, and exhibit with very little money and virtually no media attention. As David Dalton says in his essay for Tsuchiya’s catalog\, “It was a scene so underground that it never came up for air.” \nDecember 8\, 2016 / 6 PM\nR.U.O.K. OR WAT?\nRivington School: 80s New York Underground\nPublication Party\nJoin editor Istvan Kantor for an evening celebrating the new tome including a ritual book burning of the first copy by Monty Cantsin accompanied by Angel Eyedealism\, as well as Rivington School contributors\, and Black Dog publisher Duncan McCorquodale from London.\nRivington School: 80s New York Underground documents the work of the Rivington School group of artists that emerged during the turbulent 80s in the heart of the Lower East Side. The RS set an internationally important precedent for contemporary alternative practice. The book explores the underground scene that formed around this group of artists\, named after an abandoned public school building on Rivington Street. Here\, like-minded street artists\, sculptors and performers set about to create works that refuted and challenged an increasingly commercialized art world. \n 
URL:https://www.howlarts.org/event/the-rivington-school-80s-new-york-underground/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performances
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20161208T180000
DTEND;TZID=America/New_York:20161208T200000
DTSTAMP:20161121T211549Z
CREATED:20161121T211549Z
LAST-MODIFIED:20161121T211549Z
UID:10000392-1481220000-1481227200@www.howlarts.org
SUMMARY:R.U.O.K. Or Wat?
DESCRIPTION:December 8\, 2016 / 6 PM / Free\nPublication Party Rivington School: 80s New York Underground \nPart of The Rivington School Performance Series \nIn honor of the exhibition Toyo Tsuchiya Invisible Underground and the publication of Rivington School: 80s New York Underground\, Howl! Happening is pleased to present a series of events that look deeply into the art and practice of the Rivington School. Join editor Istvan Kantor for an evening celebrating the new tome\, including a ritual book burning of first copy by Monty Cantsin accompanied by Angel Eyedealism\, as well as Rivington School contributors\, and Black Dog publisher Duncan McCorquodale from London. \n Rivington School: 80s New York Underground documents the work of the Rivington School group of artists that emerged during the turbulent 80s in the heart of the Lower East Side. The RS set an internationally important precedent for contemporary alternative practice. The book explores the underground scene that formed around this group of artists\, named after an abandoned public school building on Rivington Street. Here\, like-minded street artists\, sculptors and performers set about to create works that refuted and challenged an increasingly commercialized art world. \nSituated across the road from the school\, the No Se No social club—also run by Rivington School founder “Cowboy” Ray Kelly—acted as a meeting and performance space for many of the artists involved\, such as Kembra Pfahler\, Dragan Ilic\, Arleen Schloss\, Taylor Mead\, Michael Carter\, Jack Waters\, and Phoebe Legere\, and was where the renowned 99 Nights of performance took place in 1983\, documented every night by the photographer Toyo Tsuchiya for exhibition the following day. The School was also the origin of the guerrilla sculpture space the Rivington Sculpture Garden\, which opened in 1985 and was destroyed more than once by city authorities. Its construction/destruction is documented in the Super 8 film Anti-Credo by Monty Cantsin aka Istvan Kantor. Formed in a vacant lot next to the No Se No club\, the evolving collective space was the site of the massive\, welded metal junk sculpture that the group has become known for. \nThe Rivington School gave rise to a number of highly regarded artists\, including E.F.Higgins III\, Ray Kelly\, David Mora Catlett\, Shalom Neuman\, Toyo Tsuchiya\, Istvan Kantor\, Linus Coraggio\, Paolo Buggiani\, Tovey Halek\, Jack Vengrow\, Ken Hiratsuka\, Gloria McLean\, FA-Q (Kevin Wendall)\, Julius Klein\, Geoff “Gizmo” Gilmore\, JIM C\, Angela Idealism and Peter Missing. \nAbout the Rivington School \n  \n 
URL:https://www.howlarts.org/event/r-u-o-k-or-wat/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performances
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