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DTSTART;TZID=America/New_York:20160618T180000
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SUMMARY:Play What You Like: Fluxus\, Music\, and More curated by Jade Dellinger
DESCRIPTION:Play What You Like: Fluxus\, Music & More\, curated by Jade Dellinger \nJohn Cage\, Giuseppe Chiari\, Philip Corner\, Dick Higgins\, Joe Jones\, Milan Knizak\, Charlotte Moorman\, Yoko Ono\, Nam June Paik\, Ben Patterson\, Laurie Anderson\, The Art Guys\, David Byrne\, Keith Edmier\, Christina Kubisch\, Christian Marclay\, Dave Muller\, Al Ruppersberg\, Stephen Vitiello\, and others… \nHowl! Happening is pleased to present Play What You Like: Fluxus\, Music & More curated by Jade Dellinger\, opening Saturday\, June 18th from 6-8 PM and running through July 31st. Drawing its title from an early work by the Italian Fluxus artist/composer Giuseppe Chiari\, Play What You Like: Fluxus Music & More highlights both historical works and the works of those influenced by those historical precedents. \nMost heavily inspired by the ideas of John Cage\, Fluxus art often relied on chance to shape the outcome and actively involved the viewer. Fluxus compositions or scores for performances and events involved simple actions\, ideas\, and objects from everyday life. Incorporating concrete poetry\, visual art and writing\, Fluxus performances were the embodiment of Dick Higgins’ idea of “intermedia”—a dialogue between two or more media to create a third\, entirely new art form. \nYet\, as many of the Fluxus artists had formal training in music\, musical composition and performance (frequently involving the alteration\, misuse or abuse of traditional instruments) became central to their activity. Beginning with a series of festivals featuring concerts of experimental music and other avant-garde performance\, Fluxus artists reacted against the commodification of art\, its commercialization in the gallery system\, and its static presentation in museums. A primary goal of most Fluxus artists was to destroy any boundary between art and life. Founder George Maciunas stated that Fluxus was “anti-art\,” to underscore the revolutionary mode of thinking about the practice and process of art while using humor to mock the elitist world of “high art” and to bring art to the widest possible audience. \nIn addition to the artists listed above\, of particular note will be the interactive installation JOHN CAGE 33 1/3 performed by Howl! gallery-goers. Conceived in 1969 as an “audience participation” work\, John Cage’s original “score” simply stipulated that the gallery be filled with about a dozen record players and two- to three-hundred vinyl records. Visitors to the gallery are encouraged to act as DJs and create a musical mix by playing records freely and thus performing the work. \nAccording to guest curator Jade Dellinger\, “when the work was first installed at the University of California in Davis\, a local record store graciously volunteered the hundreds of necessary records. However\, as Cage never discussed condition or specified titles\, the store promptly sent over the most common and undesirable\, damaged and utterly unsalable records in their inventory.” Dellinger was inspired by a line from a letter he received in the 80s from Cage in which the composer noted that “I am not interested in the names of movements but rather in seeing and making things not seen before.” \nA prominent group of visual artists and performers (even a few Rock & Roll Hall of Famers) have submitted top ten picks or album playlists to fill record bins. The participating visual and performing artists include: \nYoko Ono\, Iggy Pop\, Graham Nash\, David Byrne\, Lee Ranaldo\, Richie Ramone\, Jad Fair\, Alex James\, Meredith Monk\, Terry Allen\, Irwin Chusid\, Arto Lindsay\, Blixa Bargeld\, Mike Kelley\, S.A. Martinez\, David Harrington\, Emil Schult\, Pauline Oliveros\, The Residents\, Vito Acconci\, The Art Guys\, Martin Atkins\, John Baldessari\, Matthew Barney\, Christian Marclay\, Joan La Barbara\, James Rosenquist\, Ed Ruscha\, William Wegman. \n 
URL:https://www.howlarts.org/event/play-what-you-like-fluxus-music-and-more-curated-by-jade-dellinger/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Exhibition,Gallery
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DTSTART;TZID=America/New_York:20160724T170000
DTEND;TZID=America/New_York:20160724T190000
DTSTAMP:20160715T232948Z
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SUMMARY:Bibbe Hansen RestagesCAR BIBBE and Other Fluxus Works
DESCRIPTION:Sunday\, July 24\, 2016 / 5 PM \nA Participatory Evening of Fluxus Performances\nPresented in association with Some Serious Business\nWhat is a Happening? A game\, an adventure\, a number of activities engaged in by participants for the sake of playing. — Artist Alan Kaprow \nInspired by Alan Kaprow\, Al Hansen\, and the Fluxus spirit\, Howl! Happening is pleased to present an evening with artist/writer Bibbe Hansen\, daughter of Al Hansen\, mother of multi-Grammy winning pop musician Beck\, and visual artist Channing Hansen. \nGeorge Maciunas\, one of the primary founders and organizers of Fluxus\, once described the movement as\, “a fusion of Spike Jones\, gags\, games\, vaudeville\, Cage and Duchamp.” Hansen leads our audience on a merry dance of surprises\, chance operations\, and humor in “happenings” that showcase Fluxus’ irreverence for “high art” and the use of the audience as the focus of work\, centering around performances and “disorganized events” that blur the line between art and life. \nBe a part of the action:\n     CAR BIBBE (Al Hansen)\n     Shuffle (Alison Knowles\, 1961)\n     Piece for Any Number of Vocalists (Alison Knowles\, 1962)\n     Bla Bla Bla (Al Hansen)\n     Alice Denham in 48 Seconds (Al Hansen)\n     Elegy for the Fluxus Dead (Al Hansen)
URL:https://www.howlarts.org/event/bibbe-hansen-restagescar-bibbe-and-other-fluxus-works/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
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DTSTART;TZID=America/New_York:20160730T180000
DTEND;TZID=America/New_York:20160730T180000
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SUMMARY:Play What You Like panel discussion and performance
DESCRIPTION:Saturday\, July 30th / 6pm / Free\nA panel discussion celebrating the art and music of Howl! Happening’s exhibition Play What You Like. Curator Jade Dellinger\, director of the Bob Rauschenberg Gallery\, will host the discussion about John Cage\, Fluxus\, music and more. Dellinger will be joined by George Maciunas historian\, Colby Chamberlain\, and the always poignant and witty Anthony Haden-Guest. \nThe event will feature a rare multimedia performance by Howl! Happening’s director Ted Riederer. Riederer will perform a musical score using ten turntables\, his Duchamp/Zappa inspired bicycle wheel harps\, tuning forks\, and the electric guitar\, with psychedelic projections of spin-art paintings made with record players. \nThis is the final weekend of the Jade Dellinger’s Play What You Like\, an exhibition which features a re-staging of John Cage’s 33 1/3 with records selected by: Yoko Ono\, Iggy Pop\, Graham Nash\, David Byrne\, Lee Ranaldo\, Richie Ramone\, Jad Fair\, Alex James\, Meredith Monk\, Terry Allen\, Irwin Chusid\, Arto Lindsay\, Blixa Bargeld\, Mike Kelley\, S.A. Martinez\, David Harrington\, Emil Schult\, Pauline Oliveros\, The Residents\, Vito Acconci\, The Art Guys\, Martin Atkins\, John Baldessari\, Matthew Barney\, Christian Marclay\, Joan La Barbara\, James Rosenquist\, Ed Ruscha\, William Wegman.
URL:https://www.howlarts.org/event/play-what-you-like-panel-discussion-and-performance/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Events
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