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DTSTART;TZID=America/New_York:20160610T190000
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UID:10000273-1465585200-1465747200@www.howlarts.org
SUMMARY:RIP: A Performance by Kestutis Nakas
DESCRIPTION:Friday June 10—Sunday\, June 12\, 2016 / FREE\nFriday and Saturday: 7 PM\nSunday Matinee: 2 PM \nWith Guest Stars Nicky Paraiso\, Brian Butterick\, and Joseph Keckler \nExperience this bizarre retelling of Washington Irving’s RIP VAN WINKLE set in downtown New York. Fleeing domestic strife\, RIP seeks the wilderness play-land of 1980’s East Village. \nA good deed takes him into the Pyramid Club\, a famed 80s nightclub and the epicenter of an artistic community that sparked a cultural revolution. And then it really gets weird. \nA mashup of myth\, history and autobiography told in Nakas’ trademark “iambic funtameter” style\, RIP is a meditation on life\, aging and collective memory. Featuring Jesse Kegan on keyboard and percussion. Music by Jesse Kegan and Andrew Taylor. \nSpecial Guest “TALENT STARS” will appear in every performance:\nFriday: HATTIE HATHAWAY\nSaturday: JOSEPH KECKLER\nSunday: NICKY PARAISO
URL:https://www.howlarts.org/event/rip-a-performance-by-kestutis-nakas/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
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DTSTART;TZID=America/New_York:20160612T160000
DTEND;TZID=America/New_York:20160612T180000
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CREATED:20160601T204845Z
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SUMMARY:SPARKLE STREET SOCIAL & ATHLETIC CLUB\, Part 3
DESCRIPTION:Readings by Mike DeCapite\, Vincent Katz\, and Luc Sante\nShort Films by Ted Barron\nJune 12th\, 2016 / 4 PM / FREE\nJoin us for the final installment of Sparkle Street Social & Athletic Club’s acclaimed spring series featuring four artists whose work resonates with the beat of the city: writers Mike DeCapite\, Vincent Katz\, and Luc Sante\, and photographer/filmmaker Ted Barron. \nTed Barron is a photographer and filmmaker. He has exhibited his work extensively in the U.S.\, and his photographs have been seen in numerous publications\, including The New York Times Sunday Magazine\, Rolling Stone\, Bald Ego and Yeti. He’s shot cover art for albums by Steve Earle\, Amy Rigby\, and Laura Cantrell. In 2011 he collaborated with writer Drew Hubner on the book East of Bowery. He has written about music and edited the website Boogie Woogie Flu\, and he is a DJ at WFMU. \nMike DeCapite’s published work includes the novel Through the Windshield\, the chapbooks Sitting Pretty and Creamsicle Blue\, and the short-prose collection Radiant Fog. His work has found many other outlets\, including the magazines 3:AM\, CUZ\, Evergreen Review\, and Vanitas\, and numerous public readings. \nVincent Katz is a poet\, translator\, critic\, and curator. He is the author of 12 books of poems\, including Swimming Home (Nightboat Books\, 2015) and Southness (Lunar Chandelier Press\, 2016). He collaborated with photographer Rudy Burckhardt on two books about New York City\, and curated several Burckhardt exhibitions\, including Street Dance: The New York Photographs of Rudy Burckhardt\, for the Museum of the City of New York. He teaches at the Yale School of Art and lives in New York City\, where he curates the Readings in Contemporary Poetry series at Dia: Chelsea. \nLuc Sante’s books include Low Life: Lures and Snares of Old New York\, The Factory of Facts\, Kill All Your Darlings: Pieces 1990–2005\, and The Other Paris. He has lectured on four continents and contributed to many publications\, from ephemeral zines to ornamental coffee-table anvils. \n  \nphoto: Ted Barron\, J Train Rails\, 2008
URL:https://www.howlarts.org/event/sparkle-street-social-athletic-club-part-3/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
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DTSTART;TZID=America/New_York:20160618T180000
DTEND;TZID=America/New_York:20160731T180000
DTSTAMP:20170510T161039Z
CREATED:20160301T200258Z
LAST-MODIFIED:20170510T161039Z
UID:10000010-1466272800-1469988000@www.howlarts.org
SUMMARY:Play What You Like: Fluxus\, Music\, and More curated by Jade Dellinger
DESCRIPTION:Play What You Like: Fluxus\, Music & More\, curated by Jade Dellinger \nJohn Cage\, Giuseppe Chiari\, Philip Corner\, Dick Higgins\, Joe Jones\, Milan Knizak\, Charlotte Moorman\, Yoko Ono\, Nam June Paik\, Ben Patterson\, Laurie Anderson\, The Art Guys\, David Byrne\, Keith Edmier\, Christina Kubisch\, Christian Marclay\, Dave Muller\, Al Ruppersberg\, Stephen Vitiello\, and others… \nHowl! Happening is pleased to present Play What You Like: Fluxus\, Music & More curated by Jade Dellinger\, opening Saturday\, June 18th from 6-8 PM and running through July 31st. Drawing its title from an early work by the Italian Fluxus artist/composer Giuseppe Chiari\, Play What You Like: Fluxus Music & More highlights both historical works and the works of those influenced by those historical precedents. \nMost heavily inspired by the ideas of John Cage\, Fluxus art often relied on chance to shape the outcome and actively involved the viewer. Fluxus compositions or scores for performances and events involved simple actions\, ideas\, and objects from everyday life. Incorporating concrete poetry\, visual art and writing\, Fluxus performances were the embodiment of Dick Higgins’ idea of “intermedia”—a dialogue between two or more media to create a third\, entirely new art form. \nYet\, as many of the Fluxus artists had formal training in music\, musical composition and performance (frequently involving the alteration\, misuse or abuse of traditional instruments) became central to their activity. Beginning with a series of festivals featuring concerts of experimental music and other avant-garde performance\, Fluxus artists reacted against the commodification of art\, its commercialization in the gallery system\, and its static presentation in museums. A primary goal of most Fluxus artists was to destroy any boundary between art and life. Founder George Maciunas stated that Fluxus was “anti-art\,” to underscore the revolutionary mode of thinking about the practice and process of art while using humor to mock the elitist world of “high art” and to bring art to the widest possible audience. \nIn addition to the artists listed above\, of particular note will be the interactive installation JOHN CAGE 33 1/3 performed by Howl! gallery-goers. Conceived in 1969 as an “audience participation” work\, John Cage’s original “score” simply stipulated that the gallery be filled with about a dozen record players and two- to three-hundred vinyl records. Visitors to the gallery are encouraged to act as DJs and create a musical mix by playing records freely and thus performing the work. \nAccording to guest curator Jade Dellinger\, “when the work was first installed at the University of California in Davis\, a local record store graciously volunteered the hundreds of necessary records. However\, as Cage never discussed condition or specified titles\, the store promptly sent over the most common and undesirable\, damaged and utterly unsalable records in their inventory.” Dellinger was inspired by a line from a letter he received in the 80s from Cage in which the composer noted that “I am not interested in the names of movements but rather in seeing and making things not seen before.” \nA prominent group of visual artists and performers (even a few Rock & Roll Hall of Famers) have submitted top ten picks or album playlists to fill record bins. The participating visual and performing artists include: \nYoko Ono\, Iggy Pop\, Graham Nash\, David Byrne\, Lee Ranaldo\, Richie Ramone\, Jad Fair\, Alex James\, Meredith Monk\, Terry Allen\, Irwin Chusid\, Arto Lindsay\, Blixa Bargeld\, Mike Kelley\, S.A. Martinez\, David Harrington\, Emil Schult\, Pauline Oliveros\, The Residents\, Vito Acconci\, The Art Guys\, Martin Atkins\, John Baldessari\, Matthew Barney\, Christian Marclay\, Joan La Barbara\, James Rosenquist\, Ed Ruscha\, William Wegman. \n 
URL:https://www.howlarts.org/event/play-what-you-like-fluxus-music-and-more-curated-by-jade-dellinger/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Exhibition,Gallery
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