BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Howl! Arts - ECPv6.17.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.howlarts.org X-WR-CALDESC:Events for Howl! Arts REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20210314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20211107T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20220313T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20221106T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20230312T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20231105T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20220226 DTEND;VALUE=DATE:20220411 DTSTAMP:20220611T172918Z CREATED:20220106T201510Z LAST-MODIFIED:20220611T172918Z UID:10000632-1645833600-1649635199@www.howlarts.org SUMMARY:Mark Cooper Unbounded: Angels in the Nursery DESCRIPTION:►\n Explore 3D Space \n \n \n \n Mark Cooper Unbounded: Angels in the Nursery\n \n \n \n\nHowl! Happening is pleased to present Mark Cooper’s fantastical and ornate mixed-media installation Unbounded: Angels in the Nursery. The installation uses visual signifiers to suggest multiple subtexts—from the importance of experiencing boundless joy to addressing the many issues that challenge our present and our future.  \nThe wildly diverse elements of this immersive experiential artwork are composed of an equally colorful array of materials that create the gestalt of the installation. The component parts reference the beauty and unpredictability of nature and reflect Cooper’s diverse influences\, from art and cultural history to biology\, architecture\, and cross-cultural exchange. \nThe biomorphic wooden sculptural forms suggest curio cabinets gone wild. The same shapes and images reappear in the quirky ceramic vessels and figures\, and in the paintings and rice-paper relief forms on the wall that incorporate photographic and printed imagery tucked into their many layers. Considering this riot of shapes and colors and materials in relationship to each other\, the notion of a singular genius moment is called into question\, and the viewer experiences a series of moments and events that form the foundation for bringing new ideas to the conversation and questioning the hierarchy of value. \n“I am interested in the conversation between the parts serving as triggers for individual viewer associations rather than presenting a linear narrative\,” says Cooper. “My work is based on collaboration and the idea that ‘the whole is greater than the sum of its parts’—using collage\, assemblage\, and installation as a metaphor for working together in a complex world.” \nIn creating the individual components in collaboration with others and in collaboration with the materials themselves—responding to how they bend and fold—unexpected outcomes arise in the same way that bringing individuals from different disciplines together can lead to solutions beyond one specific approach. \n“It is like an improvisational jazz piece\,” says Cate McQuaid\, writing in the Boston Globe. The conceptual framework brings individual voices together and references cultures and philosophies that allude to unbounded possibilities\, joy\, and love. A place of wonder and humanity\, the installation is a reminder for all of us to be our best selves and to work together to heal our planet.   \nCooper is an internationally recognized artist known for large-scale and site-specific installations and public commissions. His commissions include works for the Boston Children’s Hospital\, Boston Medical Center\, and Massachusetts Cultural Council; he has received a Gund Grant\, Daynard Grant\, and an Open Society Fellowship. In July 2020\, Cooper completed three permanent large-scale marble sculptures for the Da Nang Fine Arts Museum in Vietnam. In 2006\, he authored Making Art Together through Beacon Press. \nCooper’s major exhibitions include shows at the Vietnam National Fine Arts Museum; Vietnam University of Fine Arts; Da Nang Fine Arts Museum; Rough Point Museum—Doris Duke Mansion; Yuandian Art Museum; Kemper Museum of Contemporary Art\, Kansas City; Lesley University\, Cambridge\, MA; Street Museum\, Seoul\, Korea; Whitney Museum at Philip Morris; Museum of Fine Arts\, Boston; ICA Boston; Corcoran Gallery of Art; The Butler Institute of American Art; Peabody Essex Museum; DeCordova Sculpture Park and Museum; City Museum of Paris; and WestLicht Museum\, Vienna. The artist has had more than 100 solo and group shows combined. \nVisitation Guidelines \n  URL:https://www.howlarts.org/event/mark-cooper-unbounded-angels-in-the-nursery/ LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States CATEGORIES:Exhibition,Gallery,Happening Soon ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2022/01/IMG_2164-scaled.jpg GEO:40.7248189;-73.991658 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Howl! Happening 6 East 1st Street New York City NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=6 East 1st Street:geo:-73.991658,40.7248189 END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20220416 DTEND;VALUE=DATE:20220417 DTSTAMP:20220414T181650Z CREATED:20220414T180445Z LAST-MODIFIED:20220414T181650Z UID:10000623-1650067200-1650153599@www.howlarts.org SUMMARY:The Full Moon Show with John PizzaYou Can't Grow Down DESCRIPTION:Visit Howlarts.org on Saturday\, April 16\, 2022\, from 12 AM to 11:59 PM to watch the Full Moon Show! \nThe Full Moon Show: A Tom Murrin/Alien Comic Invention Presents John Pizza’s You Can’t Grow Down \n  I recently had a big birthday. One of those nice round number ones\, the kind that officially takes you squarely from one decade and tosses you up a bracket to the next age tier. You’ve experienced it. If not you will. Sure as the full moon and the bones in your body\, you will. \nJoin John Pizza for You Cant Grow Down\, a reflection on the universal experience of growing up\, inwards\, diagonalwise\, and all around. \nJohn Pizza is a performer\, builder\, and drawer. He uses trash and thrift-store detritus scrounged in his Brooklyn neighborhood to tell stories and make his shows. He loves the macabre and the mushy sweet. His sculptures are performative\, and his performances involve sculptures—an object theatre of weird surprises. \n\nAbout Tom Murrin and the Full Moon Show \nPerformance is anything done with purpose and style—Tom Murrin \nHowl! Happening is home to the archive of Tom Murrin\, aka the Alien Comic and the Godfather of Performance Art. Every full moon—without fail\, paid booking or not\, in all seasons and whatever the weather—he performed his Luna Macaroona Full Moon Show. When he had a club date that fell on the full moon\, he’d wrangle his friends to perform as guests—pushing the careers of such groundbreaking performers as David Cale\, David Sedaris\, Amy Sedaris\, Blue Man Group\, Ethyl Eichelberger\, Lisa Kron\, and many others. When he didn’t have a club date\, he performed on the street for passersby\, transforming the pedestrian atmosphere with his madness and magic. URL:https://www.howlarts.org/event/the-full-moon-show-with-john-pizzahead-dread-2/ LOCATION:NY CATEGORIES:Happening Soon,Off-site ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2022/04/Full-Moon-Show_Apr-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20220416 DTEND;VALUE=DATE:20220530 DTSTAMP:20220418T204619Z CREATED:20220310T180311Z LAST-MODIFIED:20220418T204619Z UID:10000638-1650067200-1653868799@www.howlarts.org SUMMARY:Bobby Grossman: Low Fidelity DESCRIPTION:►\n Explore 3D Space \n \n \n \n Bobby Grossman: Low Fidelity\n \n \n \n\nBobby Grossman had the foresight to bring his camera to CBGB and to start shooting photos that chronicle those intense and important early days. —Chris Frantz and Tina Weymouth \nHowl! Arts/Howl! Archive (HA/HA) is pleased to present Low Fidelity\, a selection of photographs by Bobby Grossman that documents and sheds new light on icons of New York’s punk-rock scene and the culture that bred other trailblazing artists and musicians of the 70s\, 80s\, and 90s. \nGrossman arrived in New York in 1976 after receiving a BFA from the Rhode Island School of Design (RISD)\, where he studied alongside friends Chris Frantz and David Byrne of Talking Heads. His first job was assisting Richard Bernstein\, the artist responsible for the covers of Andy Warhol’s Interview magazine. At Bernstein’s studio in the legendary Chelsea Hotel\, Grossman found himself at ground zero in the early days of punk and the downtown scene. \nTaking photographs of friends and newfound acquaintances—including Jean-Michel Basquiat\, Debbie Harry\, the Ramones\, David Bowie\, Iggy Pop\, and the milieu around Andy Warhol’s Factory—Grossman became a regular fixture at CBGB\, the Mudd Club\, and other downtown haunts. \nGrossman also served as the official photographer for Glenn O’Brien’s TV Party\, the seminal weekly public-access television show that David Letterman once described as “…the greatest TV show anywhere\, ever!” TV Party ran from 1978–1982 and captured the countless artists and innovators on the scene including Blondie\, George Clinton\, Basquiat\, “Fab 5 Freddy” Brathwaite\, and Klaus Nomi. \nBobby was one of the first serious photographers to capture me in action back then\, and each image brings back valuable memories of a time when we did successfully change and subvert the direction of pop culture. —“Fab 5 Freddy” Brathwaite \nGrossman’s work was included in the groundbreaking 1981 exhibition\, New York/New Wave\, at P.S.1 alongside more than a hundred artists including Kenny Scharf\, Robert Mapplethorpe\, Keith Haring\, Brian Eno\, and Nan Goldin. Grossman’s work has appeared in numerous publications and documentaries\, though the majority of his archive has remained unseen until now. \nThe exhibition includes photos of Andy Warhol\, Talking Heads\, Blondie\, the Ramones\, Lou Reed\, David Bowie\, The B-52’s\, Iggy Pop\, Jean-Michel Basquiat\, Diego Cortez\, Cookie Mueller\, John Waters\, Jackie Curtis\, Anya Phillips\, Lester Bangs\, Nile Rogers\, Robert Fripp\, Anya Phillips\, Richard Hell\, Grace Jones\, Glenn O’Brien\, William Burroughs\, and countless other cultural icons from the period. \nBobby\, above all an empathetic person\, has the ability to contribute to his subject’s freedom in front of the lens. —Debbie Harry \nThe exhibition also marks the start of a Kickstarter campaign to publish Low Fidelity\, a book that captures personal\, firsthand accounts by personalities including Debbie Harry\, Chris Stein\, Clem Burke\, “Fab 5 Freddy” Brathwaite\, Richard Boch\, Walter Steding\, Sylvia Reed\, Godlis\, Vincent Fremont\, Duncan Hannah\, Victor Bockris\, Tina Weymouth\, Chris Frantz\, Lisa Jane Persky\, Robert Fripp\, Lenny Kaye\, Amos Poe\, Suzanne Mallouk\, Meg Griffin\, Jamie Nares\, Max Blagg\, Kate Simon\, Ed Stasium\, Robyn Geddes\, Guy Furrow\, Julia Gorton\, Hal and Randy Ludacer\, Claudia Summers\, Chocomoo\, and Punk magazine publisher John Holmstrom. With a preface by Lisa Jane Persky\, introduction by Glenn O’Brien\, and afterword by Richard Boch. \n\nABOUT BOBBY GROSSMAN \nBobby Grossman is an artist and photographer. He was born in Manhattan\, grew up in Westchester\, New York\, and earned his BFA at the Rhode Island School of Design. Grossman moved to New York City in 1976\, taking up residency at the Hotel Chelsea. Working as a freelancer by day\, he found his way to Warhol’s Factory on Union Square\, where he was regarded as an insider. During that same period\, he became a regular presence while documenting the scene at CBGB and eventually the Mudd Club. Grossman’s reputation as a contributing photographer to both major publications and underground journals was soon well established. His work has appeared in numerous exhibitions\, catalogs\, and films. His first photo credit was the cover shot for Talking Heads’ 1977 single “Psycho Killer”. \nGroup exhibitions include the legendary 1980 Times Square Show and the 1981 New York/New Wave at P.S.1. Bande a part\, The Cool and the Crazy\, and the 2013 show Just Chaos! Images of Early Punk Style at Bookmarc continued to place his work in the public eye. Grossman’s photographs have been shown in museums and galleries worldwide\, including solo exhibitions in New York\, Boca Raton\, Sarasota\, and the 2016 Low Fidelity show in Providence\, Rhode Island. His earliest contributions to film include The Radiant Child\, about Jean-Michel Basquiat; the William Burroughs documentary A Man Within; and the No-Wave documentary Blank City. Grossman was the official photographer for Glenn O’Brien’s public-access TV Party and made a cameo in the film Downtown 81. His work is included in the documentary Fifteen Minutes Eternal\, celebrating the Andy Warhol Museum’s 20th anniversary; the 2017 award-winning documentary Basquiat: Rage to Riches; and filmmaker Sara Driver’s 2018 release\, Boom for Real: The Late Teenage Years of Jean-Michel Basquiat. Grossman collaborated with Richard Prince on the book Cowboy\, Shepard Fairey on the documentary Obey Giant\, Debbie Harry on her fashion collection with Obey\, and Junya Watanabe for Comme des Garçons. The iconic portrait of Harry shown at Deitch Projects in 2010\, along with the 2017 Blondie wall mural at Bleecker Street and Bowery\, are additional Fairey collaborations. Other photographic contributions include multiple images for Glenn O’Brien’s 2017 book Intelligence for Dummies: Essays and Other Writings\, a 2018 episode of Anthony Bourdain: Parts Unknown\, and Debbie Harry’s 2019 memoir Face It. \n  URL:https://www.howlarts.org/event/bobby-grossmanlow-fidelity/ LOCATION:HA/HA\, 250 Bowery\, 2nd Floor\, New York\, NY\, 10012\, United States CATEGORIES:Exhibition,Gallery,HAHA,Happening Soon ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2022/03/Bobby-Grossman-Portrait_crop.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20220421 DTEND;VALUE=DATE:20220530 DTSTAMP:20230916T212246Z CREATED:20220218T182416Z LAST-MODIFIED:20230916T212246Z UID:10000630-1650499200-1653868799@www.howlarts.org SUMMARY:Christy Rupp Othered DESCRIPTION:An Installation of Sculpture and Works on Paper \n \n \n \n\n \n \n \n \n ►\n Explore 3D Space \n \n \n \n Christy Rupp: Othered\n \n \n \n\nWe live as part of an amazing organism that has the capacity to regenerate\, given a chance. We also live in the waste stream. Garbage is a combat zone where our desire for comfort and function meets the limits of our nest. —Christy Rupp \nPlastic—as both form and content—has figured prominently in her art… It serves as a perfect signifier for the conceptual underpinnings of her work\, its pointed critique\, and subversive humor. —Nina Felshin\, Noisy Autumn: Sculpture and Works on Paper\, 2021 \nHowl! Happening is pleased to present Othered\, a new installation integrating images and objects by artist\, activist\, and thought-leader Christy Rupp. The conceptual underpinnings of her long career have consistently called attention to our interconnectedness with non-humans and habitat—transmuting urban detritus through collage\, sculpture\, public art\, and activism to reveal what is hidden away from common view and understanding. A monograph on Rupp’s work\, Noisy Autumn: Sculpture and Works on Paper\, with essays by Lucy Lippard\, Nina Felshin\, Amy Lipton\, and Carlo McCormick\, and poetry by Bob Holman\, was published in 2021 by Insight Editions. \nAs artists rummaged through the remnants of a crumbling city in the mid 1970s\, Rupp developed an interest in urban ecology\, noting that the city is an ecosystem with a delicate balance. Transforming that discovery\, she created work at the intersection of performance and site\, joining a stream of artists breaching the boundaries of the gallery system’s white box.  \nSubversive and prescient\, her early intervention into the landscape during New York City’s garbage strike of 1979—when swarms of rats became the symbol of urban decay—“was a seminal episode in the emergence of street art and a paradigm of what urban art can tell us\,” says writer Carlo McCormick. “But as much as the deluge of rubbish and rat attack may have constituted the kind of sensationalist scandal this town has always trafficked in\, this was very much Rupp’s point—that rats\, like the humans whose filth they have long thrived in\, are denizens of the city\, neither good nor evil\, they simply are.” Her work is less concerned with representation of animals than with the framing of our attitudes toward habitat\, and how we construct our opinions of nature. \nIn Othered\, Rupp investigates topics including climate chaos\, the industrialization of our food supply\, and water pollution through the lens of Discard Studies\, a discipline that examines the wider role of society and culture\, social norms\, and power on the waste stream. Her sculptures of birds\, fish\, mammals\, and microorganisms made from plastic\, commercial packaging\, credit cards\, and bits of industrial debris manifest the voices of invisible microbes and species long displaced. Using wall-scale collage\, “she juxtaposes scenes of nature and industrial development with biological specimens and nature-based patterns that are stylized\, tamed\, and made decorative for human consumption\,” says art critic Eleanor Heartney in a recent catalog.  \nLong before the climate crisis confronting us all was headline news\, her work was “galvanized by climate chaos and other ecological nightmares\,” says critic Lucy Lippard\, “and she pioneered a down-to-earth urban eco art at a time when ecology was understood as politically peripheral and nostalgically wilderness-oriented.”  \nFor Rupp\, the materiality of the work—plastic debris and other recycled examples of our rampant consumerism—is “both the medium and the message\,” and the subject of her practice points to issues that are current here and now. It is through the artist’s imagination that these timely topics come to life. As independent curator Amy Lipton says in Noisy Autumn\, “Few can match the wit\, irreverence and impeccable skills of Christy Rupp. Play between the poetic and the real requires a hard-sought balance that Rupp strives for and understands as necessary for taking on some of the most challenging issues of our time.” \nAbout Christy Rupp \nChristy Rupp is an American eco-artist and citizen scientist. Born in the Rust Belt of Upstate New York\, she was too young for Elvis and too old for Barbie. For the past five decades Rupp has continued the search for clues that might explain how we have arrived at the edge of the Extractocene\, a world permanently altered by the presence of Homo sapiens.  \nRupp was part of the artist collective Collaborative Projects (Colab)—organizer of the historic Times Square Show—as well as ABC No Rio and other East Village-era artist groups.  \nShe has received grants from Anonymous was a Woman Foundation\, Joan Mitchell Foundation CALL Award\, National Endowment for the Arts\, New York State Council on the Arts\, and Art Matters Inc. Her work has been recently shown at the Schunck Museum in Heerlen\, Netherlands; Museum of Arts and Design\, New York; Zimmerli Art Museum; and ABC No Rio in Exile.She has just launched a career survey\, Noisy Autumn: Sculpture and Works on Paper\, published by Insight Editions. URL:https://www.howlarts.org/event/christy-rupp-othered/ LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States CATEGORIES:Exhibition,Gallery,Happening Soon ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2022/02/backcover-twitter-HR_HALF.jpeg GEO:40.7248189;-73.991658 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Howl! Happening 6 East 1st Street New York City NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=6 East 1st Street:geo:-73.991658,40.7248189 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220423T150000 DTEND;TZID=America/New_York:20220423T150000 DTSTAMP:20220412T182305Z CREATED:20220327T155020Z LAST-MODIFIED:20220412T182305Z UID:10000625-1650726000-1650726000@www.howlarts.org SUMMARY:HA/HA PRESENTS Female Genius Live DESCRIPTION:Howl Arts/Howl Archive is delighted to present a live performance by Female Genius\, the trio of multi-instrumentalists Julie Hair\, Marnie Jaffe\, and Nikki D’Agostino in concert. The performance will include pieces from their recent vinyl released on Howl! Records\, as well as new material. They will be joined by surprise guests in their orbit.  \nThe band’s collective\, intuitive spirit is expressed in this artistic statement: \nWe\, as Female Genius\, work outside of the typical\, striving to create connections through chance\, habit\, and the subconscious. Our work is structured yet amorphous\, flippant yet potent\, disquieting but nourishing. \nOur “musicality” is not the connective tissue that keeps us together as a music making collective. Rather\, we draw on friendship\, respect\, and shared history to express and understand our place in this world. \nPerformance art and indeterminacy find a place here. The chance element of this event will affect us as well as the audience.  We will become an audience to ourselves. \nAbout Julie Hair  \n \nIn an artistic practice spanning decades\, Julie Hair explores personal and political issues such mental illness\, addiction and the military industrial complex through varied materials and mediums ranging from screen printed wallpaper to metal work and video. In her first year in New York she created an installation for the pivotal Times Square Show\, followed by a guerrilla installation with David Wojnarowicz that included bloody cow bones in the stairwell of the Leo Castelli gallery. She also worked with Lucy Lippard and others to create P.A.D.D – the pre-digital Political Art Documentation and Distribution archive for political art. \nJulie began experimenting with music in the 1980s with the art rock band 3 TEENS KILL 4 and decided that this form of expression would work for her\, having the added benefit of not filling up her tiny East Village apartment. She continued to create and play music with diverse outfits like anarcho-post-punk marching band\, The Hungry March Band and Glen Branca. She currently plays with and writes for Isolation Society and Female Genius and others and makes art for art’s sake\, as well as videos\, props and merch for her projects.  \nAbout Marnie Jaffe \n \nMarnie Jaffe (nee Greenholz) has been involved in the New York City and Brooklyn art community since 1978\, when she moved to attend graduate film school at NYU. She collaborated with dancers and musicians designing multi-projector slide installations at clubs and art venues including the Kitchen\, The Collective for Living Cinema\, Danceteria\, The Pyramid Club and Limelight. From 1980 until 1988 she played bass and sang with the alternative (noise) band Live Skull. She co-wrote songs for the band and released albums on the labels Homestead and Caroline Records. \nIn 1993 she moved to Cincinnati and had her daughter Noa. She also became the founding member/bass player of The Fairmount Girls and put out the record Seven seconds from anywhere\, as well as winning best local band for 2 years in a row from the Cincinnati Enquirer. \nShe received her MFA in Performance and Interdisciplinary Media in the Arts (PIMA) from Brooklyn College in 2017 and along with artist/musician Julie Hair\, she started the art rock band Female Genius. She currently continues to work as a teaching artist and is recognized as a creative force. \nAbout Nikki D’Agostino \n \nNikki D’Agostino is an award-winning “wildly creative” composer\, musician\, conductor\, educator\, and multi-disciplinary artist\, Nikki D’Agostino has both performed and had her works performed nationally and internationally. She received her B.A. from The University of North Texas in 2004 after studying with Joseph Klein\, Phil Winsor\, and Joseph “Butch” Rovan\, before pursuing her M.M. in Music Composition (2008) at CUNY Brooklyn College to study with Amnon Wolman and George Brunner. \nAs an educator\, Ms. D’Agostino has given lectures on topics ranging from musicology to performance practice as well as holding a position as an Adjunct Professor at CUNY New York City College of Technology in the Emerging Media program. Compositionally\, Nikki is currently focused on publishing a book of scores and recording an album of works using a notation system she developed to allow both performer and composer/conductor creative control. As a “beautifully brash” saxophonist\, synthesizer enthusiast\, and sound artist\, Nikki performs actively in the NYC music scene in several groups ranging in style from indie pop to harsh noise. URL:https://www.howlarts.org/event/ha-ha-presents-female-genius-live/ LOCATION:HA/HA\, 250 Bowery\, 2nd Floor\, New York\, NY\, 10012\, United States CATEGORIES:HAHA,Happening Soon,Performance ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2022/03/Event-Key-Image.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220429T190000 DTEND;TZID=America/New_York:20220429T190000 DTSTAMP:20220428T212559Z CREATED:20220405T175044Z LAST-MODIFIED:20220428T212559Z UID:10000624-1651258800-1651258800@www.howlarts.org SUMMARY:A Wolf Inside:Natives\, Nuyoricans\, and the Beats DESCRIPTION:A film by Sandra Hale Schulman and Damian Rojo \nHowl! Happening is pleased to present the world premiere screening of A Wolf Inside: Natives\, Nuyoricans\, and the Beats\, a documentary film by Sandra Hale Schulman and Damian Rojo featuring the Native American poet Diane Burns\, Joy Harjo\, Allen Ginsberg\, Bob Holman\, Pedro Pietri. A panel discussion with poets Bob Holman of Bowery Poetry and Chavisa Woods\, executive director of A Gathering of the Tribes follows the screening. \nIn the mid-1980s\, Native poet Diane Burns\, whose searing words cut through the noise of the Santa Fe reservations and New York City’s Lower East Side\, took a once in a lifetime trip to Nicaragua with the Father of the Beats\, Allen Ginsberg. \nOrganized by Bob Holman of the Bowery Poetry\, a group of indigenous poets joined them\, including future Poet Laureate of the U.S. Joy Harjo\, and Nuyorican Poets Café member Pedro Pietri. \nDeep in the heart of the jungle\, it was a rollicking event filled with love\, poetry\, revolution\, and the search for identity in a time of radical changes in the Americas. \nWith narration by award-winning musician and Navajo activist Jeneda Benally\, interviews and performances from Diane Burns\, Allen Ginsberg\, Bob Holman\, and Joy Harjo; and never before seen archival photos from Joy Harjo\, Ilka Hartmann and Patrick Warner. \nBurns (Chemehuevi and Anishinabe) is currently featured in Greater New York at MoMA PS1. “A 1989 video of poet Diane Burns reciting a punk poem on the Lower East Side crackles with humor around Indigenous politics\, gentrification and displacement” says Marth Schwendener in her New York Times review of the show. Stills from the film debuted in the exhibit. \nA Gathering of the Tribes\, the poetry salon Burns was an original member of\, is currently featured in the Whitney Biennial “Quiet as its Kept.”  \nAs understanding of Native Americans in the arts deepens\, and the legacy of the Beat Poets is celebrated\, this archival documentary tells the story of what happened when those cultures clashed and sparked a revolution with poetry at its center. \n\nAbout Sandra Hale Schulman and Damian Rojo \nSandra Hale Schulman is an author of four books\, has contributed to shows at the Museum of Modern Art\, Smithsonian’s National Museum of the American Indian\, The Grammy Museum\, The Queens Museum\, and has produced four films on Native musicians. Her work has appeared in Billboard\, Variety\, Rolling Stone\, The New York Daily News\, and Entertainment Weekly. She appears regularly on PBS Indian Country Today Newscast. \nDamian Rojo is an art director\, set designer\, production designer\, filmmaker\, artist and sound designer. He debuted a film on Tomata du Plenty at Howl in 2017. He was art director for MTV U.S. and Latino\, stage sets and ad campaigns for personalities Grace Jones\, David Byrne\, and Calvin Klein. He has created videos for Coca Cola\, US / Brazil\, Arsht Center for the Performing Arts\, The de la Cruz Collection\, the Lowe Art Museum\, Miami\, Digital Images Visual Arts\, Experimental Works\, Taipei\, Taiwan. \n  \nKey Image: Pedro Pietri\, Bob Holman\, Allen Ginsberg\, Diane Burns\, Joy Harjo\, Carlos Rigby. Photo by Ilka Hartmann URL:https://www.howlarts.org/event/a-wolf-insidenatives-nuyoricans-and-the-beats/ LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States CATEGORIES:Happening Soon,Special Event ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2022/04/Pedro-Pietri-Bob-Holman-Allen-Ginsberg-Diane-Burns-Joy-Harjo-Carlos-Rigby-photo-Ilka-Hartmann_web.jpg GEO:40.7248189;-73.991658 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Howl! Happening 6 East 1st Street New York City NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=6 East 1st Street:geo:-73.991658,40.7248189 END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/New_York:20220430T190000 DTEND;TZID=America/New_York:20220430T210000 DTSTAMP:20220617T182338Z CREATED:20220423T190838Z LAST-MODIFIED:20220617T182338Z UID:10000620-1651345200-1651352400@www.howlarts.org SUMMARY:Kerouac Festival DESCRIPTION:6th New York Edition\nPoetry | Music | Performance \nPoetry mixes with music in this meeting of poetic voices from both sides of the Atlantic. A cultural synergy that works as a communicating vessel between cities and that takes musicians and poets from one continent to another\, with artistic collaborations that enrich the poetic language and its expansion towards the stage\, either as a play\, classical reading or in concert. of pop and hip-hop. \nPOETS FROM SPAIN MEET POETS FROM NEW YORK\nAnne Waldman\nFátima Delgado\nMalvares\nLupita Hard\nMarcos de la Fuente \n\nMore info: \nwww.festivalkerouac.com \nhttps://www.instagram.com/kerouacfestival/ \nhttps://www.facebook.com/festivalkerouac URL:https://www.howlarts.org/event/kerouac-festival/ LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States CATEGORIES:Happening Soon,Performance,Special Event ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2022/04/KEROUACNY-2022HOWLPOSTER-14-scaled.jpg GEO:40.7248189;-73.991658 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Howl! Happening 6 East 1st Street New York City NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=6 East 1st Street:geo:-73.991658,40.7248189 END:VEVENT END:VCALENDAR