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DTSTART;VALUE=DATE:20190912
DTEND;VALUE=DATE:20191011
DTSTAMP:20260605T102842
CREATED:20190712T182517Z
LAST-MODIFIED:20190929T173921Z
UID:10000283-1568246400-1570751999@www.howlarts.org
SUMMARY:Linus Coraggio Ramifications
DESCRIPTION:Opening Reception\, Thursday\, September 12 / 6–8 PM / Free \n“Coraggio found larger inspiration and notoriety as a founding member of the Rivington School. Coraggio and sculptors Ray Kelly and Robert Parker were most responsible for creating the bulwark of the sprawling steel-and-debris phoenix that arose from the rubble of a vacant lot on Rivington later added to by dozens of known and unknown artists (including Jean-Michel Basquiat)\, demarcating a kind of “temporary autonomous zone” that became the locus of an alternative Lower East Side culture\, which thrived into the mid-nineties. ”\n– Michael Carter\, from the catalog for Linus Coraggio’s Ramifications \nHowl! Happening: An Arturo Vega Project is pleased to present Linus Coraggio’s Ramifications\, a one-man show of sculpture\, painting\, and mixed media opening Thursday\, September 12\, 2019 from 6–8 PM. The exhibition runs through October 10\, with a special closing event on October 12. \nHowl! mounts its most ambitious installation to date. Linus Coraggio is a central figure in downtown New York’s early period of explosive art experimentation and cross-pollination of cultural ideas. Street artist and New York City native\, Coraggio is best known for his abstract metal sculpture. An ardent proponent of recycling\, he uses materials that can be found in vacant lots or building sites across Lower Manhattan and the city’s outer boroughs. This use of found materials is an essential component of his process. Coraggio’s richly graphic\, welded street constructions provided a 3-D counterpoint to the 2-D graffiti street art by contemporaries Keith Haring and Jean-Michel Basquiat\, as well as the masters of New York subway graffiti. \nThe current exhibition surveys Coraggio’s entire body of work\, including paintings in expressionist and graffiti style\, mobiles\, furniture\, neon\, sculpture\, mixed-media collage\, and both classic and 3-D graffiti. The exhibition will also include recent collaborations with well-known downtown artists\, and an installation of his painted and “sculpturalized” car that has become a recognized cultural fixture on the streets of New York City over the last 10 years. \nCoraggio’s “outstallations”—welded constructions emblazoned with sociopolitical graffiti bolted to signposts—and his pioneering street sculpture utilizing all manner of detritus have branded his work with a gritty\, refined aesthetic and style. His abstract sculpture is inspired by the canon of 20th century masters David Smith\, Beverly Pepper\, Richard Hunt\, Issac Witkin\, Mark di Suvero\, Alexander Calder\, and his own favorite American iconoclast\, Simon Rodia—the visionary creator of Watts Towers. \nCoraggio is a founder of the Rivington School sculptors group. He welded a massive post-apocalyptic sculpture garden of rusted metal that was a landmark at Forsyth and Rivington Streets in New York’s Lower East Side. Coraggio was also the architect of the Gas Station\, a performance space\, after-hours club\, and sculpture garden that sat on Second Street and Avenue B well into the 90s. These seminal downtown art spaces were the vanguard of wild autonomous art activism in the face of rapid gentrification. \nThe son of avant-garde composer Henry Brant\, with whom he often collaborated\, Coraggio grew up accompanying his mother Pat on her trips across the Rust Belt as she photographed abandoned industrial sites for her Village Voice column. This experience informed his later choice of “used” metal as his medium when he discovered welding at Purchase College. \nCoraggio has been included in several important books\, catalogs\, films\, and shows about street art and the downtown 80s and 90s art scene. Internationally\, he has completed sponsored large-scale public art in Helsinki\, Rotterdam\, Linz\, and Nagoya and Osaka\, Japan.
URL:https://www.howlarts.org/event/linus-coraggio-ramifications/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/07/linus006-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191003T190000
DTEND;TZID=America/New_York:20191003T210000
DTSTAMP:20260605T102842
CREATED:20190905T163921Z
LAST-MODIFIED:20200428T173629Z
UID:10000285-1570129200-1570136400@www.howlarts.org
SUMMARY:Vega Arts Workshop: Sculpturmania with Linus Coraggio
DESCRIPTION:7 PM / Free \nVega Arts Workshop Series: By Reservation Only \nClick HERE to Register. \nSculpturmania with Linus Coraggio kicks off the fall Vega Arts Workshop Series. Workshop participants will be guided by Coraggio in the creation of their own miniature sculptures\, utilizing wood\, toothpicks\, glue sticks\, and imagination. Participants may bring their own small found objects to use for their sculptures; however\, Linus will also bring a large stash of materials. \nAfter participants finish their sculpture\, they’ll have the option of drawing their creation from the angle and distance they prefer. All additional materials for the workshop are provided. No previous experience in sculpture is necessary\, and the workshop is free. Seating is limited\, so register early to reserve your spot by completing the form below. Workshop confirmations will be sent via email by the Education Director. Due to space and resource limits\, walk-ins or unconfirmed participants cannot be accommodated on the day of the workshop. \nCoraggio is best known for his abstract metal sculptures and is a founder of the Rivington School. The workshop coincides with Coraggio’s exhibition\, Ramifications\, on view from September 12 through October 10 at Howl! Happening. \n 
URL:https://www.howlarts.org/event/vega-arts-workshop-with-linus-coraggio/
LOCATION:NY
CATEGORIES:Education,Vega Arts Workshops Series
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/09/LC2706.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191010T180000
DTEND;TZID=America/New_York:20191010T200000
DTSTAMP:20260605T102842
CREATED:20190926T173539Z
LAST-MODIFIED:20200428T161548Z
UID:10000552-1570730400-1570737600@www.howlarts.org
SUMMARY:Optimism\, Corruption & Apocalypse: A Panel Discussion with Catalog Contributors
DESCRIPTION:Linus Coraggio Ramifications \nIn this space\, dystopian/utopian dreams are quantum entangled: street aesthetics meet hip-hop graffiti meet 50s abstract expressionism and beatnik nonconformity. \n—Brad Melamed\, from his essay\, The Existential Weld. \nHowl! Happening presents a lively discussion with writers\, critics\, and commentators Anthony Haden-Guest\, Carlo McCormick\, Brad Melamed\, and Sur Rodney (Sur) about Coraggio’s work and the significance\, legacy\, and influence of street art on the Lower East Side and the culture at large. \nWhen the street-art phenom broke big in the early 80s\, art worldlings got a grip soon enough and Keith Haring\, Kenny Scharf\, and Jean-Michel Basquiat became the anointed ones. But in 2017\, Richard Hambleton\, the creator of that street presence\, Shadowman\, OD’d. And blew up. That\, and last year’s strong Rammellzee retrospective\, made it clear that the narrative of street art is in melt. \n—Anthony Haden-Guest\, from his essay\, Linus Coraggio: Onto the Streets \nCoraggio’s richly graphic\, welded street constructions provide a 3-D counterpoint to the 2-D graffiti street art by contemporaries Keith Haring and Jean-Michel Basquiat\, as well as the masters of New York subway graffiti. Coraggio was a central figure in downtown New York’s early period of explosive art experimentation and cross-pollination of genres and styles. \nCoraggio’s exhibition closes Thursday\, October 10th. \n 
URL:https://www.howlarts.org/event/optimism-corruption-apocalypse-a-panel-discussion-with-catalog-contributors/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/09/skateboard.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191013T160000
DTEND;TZID=America/New_York:20191013T170000
DTSTAMP:20260605T102842
CREATED:20191009T182449Z
LAST-MODIFIED:20191012T213730Z
UID:10000531-1570982400-1570986000@www.howlarts.org
SUMMARY:John Pizza in Why's the Room Purple? 'Cause the Moon's Purple
DESCRIPTION:The Full Moon Show: A Tom Murrin/Alien Comic Invention \nJohn Pizza is a performer\, builder\, and drawer. He uses trash and thrift-store detritus scrounged in his Brooklyn neighborhood to tell stories and make his shows. He loves the macabre and the mushy sweet. His sculptures are performative\, and his performances involve sculptures—an object theatre of weird surprises. \nAbout Tom Murrin and the Full Moon Show \nPerformance is anything done with purpose and style—Tom Murrin \nHowl! Happening houses the collection of Tom Murrin. Tom\, aka the Alien Comic\, is known as the “Godfather of Performance Art.” Every full moon—without fail\, paid booking or not\, in all seasons and whatever the weather—he performed his Luna Macaroona Full Moon Show. When he had a club date that fell on the full moon\, he’d wrangle his friends to perform as guests—pushing the careers of such groundbreaking performers as David Cale\, David Sedaris\, Amy Sedaris\, Blue Man Group\, Ethyl Eichelberger\, Lisa Kron\, and many others. When he didn’t have a club date\, he performed on the street for passersby\, transforming the pedestrian atmosphere with his madness and magic. \nThe Full Moon Show is made possible in part with public funds from Creative Engagement/Creative Learning\, supported by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature\, and administered by the Lower Manhattan Cultural Council. LMCC.net
URL:https://www.howlarts.org/event/john-pizza-in-whys-the-room-purple-cause-the-moons-purple/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/10/John-Pizza-Howl-Main-image.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191015T190000
DTEND;TZID=America/New_York:20191015T210000
DTSTAMP:20260605T102842
CREATED:20191009T180947Z
LAST-MODIFIED:20191023T220043Z
UID:10000530-1571166000-1571173200@www.howlarts.org
SUMMARY:Manic Panic Living in Color: A Rebellious Guide to Hair Color and Life
DESCRIPTION:Book Launch \nHowl! Happening celebrates the release of the legendary East Village duo Tish and Snooky Bellomo’s new book Manic Panic Living in Color. Reveal your inner Aurora Borealis with the audacious beauty-and-lifestyle handbook from punk rock pioneers and founders of the iconic hair color and make-up brand. \nWith a colorful foreword by RuPaul—a customer/fan/friend and dye-hard for decades—Manic Panic Living in Color is both the rollicking origin story of the sister’s punk rock roots combined with a fearless guide to finding your color in the rainbow. \nStarting their performing career as backup vocalists for Blondie from 1974 to 1975\, they formed their own punk band\, The Sic Fucks. They opened and operated the original Manic Panic boutique in the East Village from 1977 until its closure in 1999. Both sisters continue to play music as members of supergroup Blue Coupe alongside original members of Blue Oyster Cult and original Alice Cooper bassist Dennis Dunaway \nWith hundreds of inspiring photographs\, Tish and Snooky continue to inspire a unique sense of style whether its Red Passion\, Bad Boy Blue\, Electric Banana—or all three! \nImages: Photography by Bob Krasner
URL:https://www.howlarts.org/event/manic-panic-living-in-color-a-rebellious-guide-to-hair-color-and-life/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/10/manicbook.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191017
DTEND;VALUE=DATE:20191118
DTSTAMP:20260605T102842
CREATED:20190717T212003Z
LAST-MODIFIED:20191208T190256Z
UID:10000284-1571270400-1574035199@www.howlarts.org
SUMMARY:Tessa Hughes-Freeland: Passed and Present
DESCRIPTION:Opening Reception: Thursday\, October 17 / 6 PM / Free \nHowl! Happening: An Arturo Vega Project is pleased to present Passed and Present\, an exhibition and installation by Tessa Hughes-Freeland comprising a variety of cinematic elements. Known for her contributions to the Cinema of Transgression movement\, the exhibition includes single-channel and multiple projections\, an interactive kaleidoscope\, sculptural fans\, and a series of special screenings including the premiere of her recently completed Lost Movie/The Bug. \nConfrontational\, transgressive\, provocative\, and poetic\, Hughes-Freeland approaches filmmaking from a multiplicity of styles. Her work includes underground films\, classic narrative\, expanded cinematic performances\, experimental “automatic” films assembled entirely from found footage\, and delicate fans made from film of all gauges.  \nIn live-action films\, as well as collaged films from found footage\, Hughes-Freeland taps into the sophisticated emotional filters we erect to deal with uncomfortable feelings. Images crash into one another in disorienting ways. Drawing upon the mind-altering potential of spontaneous transformation and the power of myth\, her films are essentially “psychedelic”—conjuring ineffable experiences beyond the commonplace. \n“My films are ritualistic and atavistic—inspired by dreams\, visions\, and imagination. Sometimes the nucleus of an idea for a film starts with an object. The original idea for Hireath came from the top of the Christmas cake\, which my mother made every year\,” the artist says. \nHiraeth\, a Welsh concept expressing a deep longing for home\, is based on memory and loss. Drawing loosely on paganism and the mythology of female archetypes as seers\, the film evokes an arc of Hughes-Freeland’s experience as a woman over time.  \nOther Wise\, a large multiple projection\, extends the sentiment of loss present in Hiraeth. Working directly with wide-ranging sources—film made from Letraset\, handmade slides\, and original ethereal imagery—the work includes a poetic secret message to the departed based on imagery from a dream. The naturally transmutable iconography and romantic framework of the piece create a visual poem expressing the metaphysical poles of connection and otherness\, and the beauty of transformation. The projection screen is formally linked to the film fans by its concertina-like shape.  \nIn turn\, the kaleidoscope uses Other Wise to create further fragmentation within a circular form. A primitive cinematic device devoid of technology\, it is fashioned from a camera tripod and case. Interactive and fun\, this piece invites the viewer to see the world and the exhibition in a magical state.  \n“Found footage is the basis of much of my films. Similarly\, a found object can inspire an entire film. I see these as signifiers or emotional triggers that become a part of my own symbolic language. The fans consist of found film in all gauges—home movies; Hollywood studio films; pornographic films; or random footage found in thrift stores\, yard sales\, or just lying on the street\,” Hughes-Freeland explains.  \nAs part of the public programs in conjunction with the show\, Howl! will screen a selection of Hughes-Freeland’s films including Baby Doll (1981)\, a docu-portrait of go-go dancers\, and Nymphomania (1994)\, a brutal and a comedic critique of the dialectic of male/female sexuality.  \n  \nABOUT TESSA HUGHES-FREELAND \nTessa Hughes-Freeland has been making films since the 1980s and is considered a member of the Cinema of Transgression movement. Her films have been screened internationally in museums\, galleries\, and seedy bars\, including MoMA\, MOCA\, Whitney Museum of American Art\, New Museum\, and KW Institute for Contemporary Art. Currently\, five of her films are featured in an exhibition touring museums throughout Asia\, including Seoul\, South Korea. She has been a juror for numerous festivals and programmed extensively\, most recently for the Club 57: Film\, Performance\, and Art in the East Village\, 1978-1983 exhibition at MoMA\, and for Punk Lust: Raw Provocation 1971-85 at the Museum of Sex.  Hughes-Freeland was president of the board of directors of the New York-based Film–Makers‘ Cooperative for several years. \nImage: Mirror Mirror: Daylight Cinema\, 2017\, Tessa Hughes-Freeland.
URL:https://www.howlarts.org/event/tessa-hughes-freeland-passed-and-present/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/07/Kaleidoscope-IMG_0710-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191018T190000
DTEND;TZID=America/New_York:20191018T210000
DTSTAMP:20260605T102842
CREATED:20190928T154605Z
LAST-MODIFIED:20191003T194644Z
UID:10000553-1571425200-1571432400@www.howlarts.org
SUMMARY:Jed Davis' Rise and Shine: Day 1
DESCRIPTION:Performance and Album Release \nHowl! Happening: An Arturo Vega Project is pleased to present a live performance of songs from Rise and Shine\, Jed Davis’ musical theater collaboration with Arturo Vega. The evening celebrates the release of Rise and Shine: Day 1\, an album of songs from the play. Joined by a full band and vocal cast\, Davis previews selections from the new recording. \nThe play\, which focuses on a group of friends who come together at a Lower East Side nightclub in the summer and fall of 2001\, was written by Davis and Vega over a 13-year period and completed by Davis after Vega’s untimely passing in 2013. In tribute to Vega\, Davis has recorded all 41 songs with a full vocal cast and is releasing the material in chapters—one for each of the five days represented in the musical’s timeline. \nThe cast of the Rise and Shine recording\, several members of which will be in attendance\, includes Davis\, Mike Keaney\, Bryan Thomas\, Heather Maloney\, Matthew Koma\, Avi Buffalo\, Shea Diamond\, CJ Ramone\, Brian Dewan\, Miss Guy\, Lindsey Anderson\, Wendy Ip\, Dicky Barrett\, Bradley Goodrich\, Domenic Maltempi\, Alex Dubovoy\, and Jessy Moss. The album was mixed by Tim Latham (who worked on the Hamilton Original Broadway Cast Recording album). \nJed Davis has released over a dozen albums since the early 90s; toured as keyboardist for diverse artists like Avi Buffalo and Jessica Simpson; produced records by Jobriath and Hand Habits; and written songs that have been recorded and performed by Daniel Johnston\, Matthew Koma\, King Missile\, and several Ramones. As a graphic designer\, he assisted Arturo Vega with Ramones merchandise from 1999 until 2009\, art-directed several magazines\, and has been guiding social-media design for ESPN since 2016. He recently designed and illustrated the packaging for Juliana Hatfield’s LP Weird. \nListen to Jed and Arturo discuss Rise and Shine\, 2006. \nTwitter: @jeddavis \nFacebook: http://facebook.com/jeddavismusic/ \nInstagram: @jeddavis \n 
URL:https://www.howlarts.org/event/jed-davis-rise-and-shine-day-1/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/09/RISE-AND-SHINE_DAY_1_CMYK_6000.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191019T190000
DTEND;TZID=America/New_York:20191019T210000
DTSTAMP:20260605T102842
CREATED:20191009T171430Z
LAST-MODIFIED:20191018T183312Z
UID:10000549-1571511600-1571518800@www.howlarts.org
SUMMARY:98 Bowery\, 1969-89: View from the Top Floor
DESCRIPTION:Marc H Miller Website Relaunch and Talk \nArtist and curator Marc H Miller talks about his life in downtown New York City and unveils an updated version of his website 98 Bowery\, 1969-89\, a picture memoir of the 20 years he lived in a Bowery loft observing and participating in the genre-changing transformations taking place in art and music. Miller’s presentation at Howl! Happening marks the recent revamping of the 98 Bowery website\, first launched 10 years ago. \nDrawing from the site’s archive of photos and video clips\, Miller recounts stories about Harry’s Bar and CBGB; the seminal 1978 Punk Art show; collaborative work with Bettie Ringma\, Curt Hoppe\, Alan Moore\, and Paul Tschinkel—all residents at 98 Bowery; his year in Amsterdam; and the varied roles he played in the East Village art scene and in the rise of hip-hop culture in the 1980s. The 98 Bowery website has been visited by more than 600\,000 people. \nMiller is well known as the curator of the Hey! Ho! Let’s Go: Ramones and the Birth of Punk exhibition at the Queens Museum (2016)\, and for his video interview with Jean-Michel Basquiat in Paul Tschinkel’s Art/new york series. His online store Gallery 98 has reanimated vintage art ephemera. \nMiller is a scholar (Ph.D.\, Institute of Fine Arts\, NYC) and a counterculture provocateur (his interactive art series Draw a Penis and Vagina is 98 Bowery’s most popular page). Underlying it all is his understanding of the roots of contemporary culture in the 1970s and 80s\, and the direct link between the interactive strategies that emerged in art then and the current world of selfies and reality television. \nAbout Marc H Miller\nMarc H Miller arrived in New York from California in 1968 to pursue a Ph.D. in art history at NYU’s Institute of Fine Arts (1979). Miller is an artist\, curator\, writer\, publisher\, and educator. His multifaceted career is unified by an interest in pictorial images and their inherent ability to tell stories. \nFrom 1981-85\, he worked with Paul Tschinkel on ART/new york\, an educational videotape series. He was a columnist for the East Village Eye (1983-85)\, and the co-editor of ABC No Rio Dinero: The Story of a Lower East Side Art Gallery (1985). In 2001 he founded Ephemera Press\, which published illustrated maps and walking tour guides\, including one of the East Village. \nMiller was a curator at the Queens Museum from 1985 to 1991\, and returned as guest curator for Hey Ho Let’s Go: Ramones and the Birth of Punk (2016). As an artist in collaboration with Bettie Ringma and Curt Hoppe\, he has exhibited at OK Harris Gallery (1974)\, Art Basel (1980)\, the New Museum (2011)\, and Stigter Van Doesberg Gallery in Amsterdam (2018). Miller is the creator of the website 98 Bowery (2009) and its related online store Gallery 98 (2015). He is on the board of advisors for Howl! Happening. \n“Curator Marc H Miller: Pulling the Punk Pieces Together\,” Please Kill Me\, 9/25/19
URL:https://www.howlarts.org/event/98-bowery-1969-89-view-from-the-top-floor/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/10/98-bowery-mailchimp-700x497.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191025T190000
DTEND;TZID=America/New_York:20191025T210000
DTSTAMP:20260605T102842
CREATED:20191005T183423Z
LAST-MODIFIED:20200428T161459Z
UID:10000550-1572030000-1572037200@www.howlarts.org
SUMMARY:Tessa Hughes-Freeland: Sex\, Drugs & Art
DESCRIPTION:Film Screening \nArtist and filmmaker Tessa Hughes-Freeland presents a group of her renowned short films in the Cinema of Transgression canon\, which were made in the 1980s. Included are Baby Doll\, a docu-portrait of two girls who worked as strippers\, as well as Play Boy\, a collage film made from footage scavenged from 42 nd Street at a time when film was being discarded in favor of videotape. Also screening is a new version of the Virginia Tripping Film\, which documents the creation of an installation in Richmond\, featuring artists Luis Frangella\, Christof Kohlhofer\, Marilyn Minter\, James Romberger\, Marguerite Van Cook\, David West\, and David Wojnarowicz\, along with curator Carlo McCormick. The artist will also screen a music video made for The Workdogs. Total Running time: 52 mins. \nThe evening’s program will feature:\nJoker 1983\nBaby Doll 1982\nPlay Boy 1984\nRat Trap 1985\, Made in collaboration with Tommy Turner\nVirginia Tripping Film 1985\nJane Gone 1987\nRhonda Goes to Hollywood 1985 (excerpt in memoriam) \nQ&A to follow with the artist and Ed Halter. Ed Halter is a founder and director of Light Industry\, a space for film and electronic art in Greenpoint\, and teaches as Critic in Residence at Bard College. \nImage: Still from Baby Doll\, 1982
URL:https://www.howlarts.org/event/sex-drugs-art/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/10/Baby-Doll-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191026T190000
DTEND;TZID=America/New_York:20191026T210000
DTSTAMP:20260605T102842
CREATED:20191013T171336Z
LAST-MODIFIED:20191013T171336Z
UID:10000534-1572116400-1572123600@www.howlarts.org
SUMMARY:Paul Tschinkel’s ART/new york No. 72: CURT HOPPE Downtown Portraits
DESCRIPTION:Screening and Panel Discussion \nThis edition of ART/new york showcases Curt Hoppe and explores his work as photographer\, realist painter\, and “Charles Bukowski of the downtown art world”—penetrating layers of cultural history to reveal the changing faces of the neighborhood. Both the filmmaker and the artist have longtime connections based on their residence at 98 Bowery\, where Hoppe has lived for 43 years. \nA panel discussion follows with painter Jane Dickson\, filmmaker Charlie Ahearn\, and sculptor John Ahearn—all of whom have been subjects for Curt’s paintings and photographs. Hoppe was recently the subject of double exhibitions at Howl! Happening and Frank Bernarducci Gallery. In this program\, we see the opening at the Bernarducci Gallery and interviews conducted by artist Brett De Palma\, as well as lengthy conversations with Hoppe and De Palma in their studios. This year marks the 40th anniversary of Paul Tschinkel’s ART/new york series\, begun in 1979. \nHoppe\, a realist painter and photographer\, has enjoyed a successful 40-year career driven by meaningful relationships with pioneering downtown creators. Hoppe pays tribute to the core group of artists who offered him friendship and direction when he first arrived in the city in the mid 70s\, and who continue to inspire and define him today both as artist and member of a vibrant and enduring creative community. \nView the Trailer \nPaul Tschinkel is the producer and director of the ART/new york video series. A painter and video artist\, he is a graduate of the M.F.A. program at Yale University. His work has been shown widely in Europe\, Japan\, and the U.S.\, at prominent institutions including the Whitney Museum of American Art\, MoMA\, and the National Gallery of Art. Over the years\, Tschinkel’s unique work has become a valuable historical resource on contemporary art and artists. Begun in 1979\, the ART/new york series has covered artists such as Alice Neel\, Chuck Close\, Jeff Koons\, and many more. Tschinkel also produced and recorded many of the punk and new wave bands of the late 70s\, and 80s. \nAbout Curt Hoppe
URL:https://www.howlarts.org/event/paul-tschinkels-art-new-york-no-72-curt-hoppe-downtown-portraits/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2019/10/Curt1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191029T140000
DTEND;TZID=America/New_York:20191029T160000
DTSTAMP:20260605T102842
CREATED:20160706T170122Z
LAST-MODIFIED:20190925T180122Z
UID:10000050-1572357600-1572364800@www.howlarts.org
SUMMARY:Actors Fund Affordable Housing Workshop
DESCRIPTION:Did you know that New York City is planning to build or preserve 300\,000 units of affordable housing by 2026? This two-hour seminar for performing-arts and entertainment professionals provides an overview of government-subsidized housing in New York City\, which is available for both low- and middle-income households. Complex information is broken down into simple\, straightforward steps. While the applicant pool for these affordable units is highly competitive\, this seminar will help you avoid common mistakes and get organized and prepared to apply. The following questions will be addressed: \nHow do you find and apply for affordable housing? \nWhat are the eligibility requirements? (Income\, household size\, credit\, housing history\, etc.) \nHow does a housing lottery work? \nCan you get on a waiting list? \nHow do you document your income if it fluctuates year to year? \nHow can you best prepare yourself for an interview? \nWhat are your options if you are denied? \n 
URL:https://www.howlarts.org/event/2565-2016-12-20-2017-06-06-2017-12-12-2019-10-15/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2016/02/12604881_1563039503987253_7380893755487607748_o-14.jpg
GEO:40.7248189;-73.991658
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Howl! Happening 6 East 1st Street New York City NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=6 East 1st Street:geo:-73.991658,40.7248189
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191029T160000
DTEND;TZID=America/New_York:20191029T180000
DTSTAMP:20260605T102842
CREATED:20160706T170758Z
LAST-MODIFIED:20190925T180216Z
UID:10000068-1572364800-1572372000@www.howlarts.org
SUMMARY:Insurance Doctor Is In
DESCRIPTION:The Insurance Doctor Is In! \nQuestions about a health insurance bill? \nDon’t understand your insurance and can’t get a straight answer? \nNeed some advice on how to negotiate medical debt? \nOur insurance expert will answer your questions during a one-on-one consultation. Vincent Musolino\, Health Benefits Specialist at the Artists Health Insurance Resource Center\, is an unbiased Navigator with the NY State of Health Marketplace and has over 12 years of medical billing and insurance experience. \nConsultations are about 20 minutes and by appointment only. \nPlease RSVP to vmusolino@actorsfund.org with Subject: Insurance Doctor Is In \nAlso\, bring any documents in question (bills\, explanations of benefits\, your insurance policy)! \n 
URL:https://www.howlarts.org/event/actors-fund-insurance-drop-in-workshop-3-2016-12-19-2017-07-05-2017-12-11-2018-12-18-2019-01-15-2019-10-15/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2016/02/12604881_1563039503987253_7380893755487607748_o-14.jpg
GEO:40.7248189;-73.991658
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Howl! Happening 6 East 1st Street New York City NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=6 East 1st Street:geo:-73.991658,40.7248189
END:VEVENT
END:VCALENDAR