BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Howl! Arts - ECPv6.18.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.howlarts.org
X-WR-CALDESC:Events for Howl! Arts
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20170312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20171105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20180311T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20181104T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181116
DTEND;VALUE=DATE:20181220
DTSTAMP:20181201T161004Z
CREATED:20181027T170102Z
LAST-MODIFIED:20181201T161004Z
UID:10000466-1542326400-1545263999@www.howlarts.org
SUMMARY:Thomas Lanigan-Schmidt: Tenemental (With Sighs Too Deep for Words)
DESCRIPTION:Opening Reception: Friday\, November 16\, 6–9 PM \nHowl! Happening: An Arturo Vega Project in cooperation with Pavel Zoubok Fine Art is pleased to present Tenemental (With Sighs Too Deep for Words)\, a survey of works by pioneering artist and Stonewall veteran Thomas Lanigan-Schmidt (b. 1948). Enduring some five decades—and continuing to influence subsequent generations of artists—Lanigan-Schmidt has evolved a wholly unique visual language of reflection and refraction. With sources ranging from Byzantine iconography to contemporary kitsch\, he incorporates dazzling alternative materials such as tinsel\, Mylar\, foil\, cellophane\, plastic wrap\, household staples\, and glitter into densely layered mixed media constructions and environments. \nBeyond their glitzy surfaces\, his works point knowingly to the complex intersections of sexuality\, class\, and religion. Featured in the exhibition is his poignant autobiographical installation Mysterium Tremendum (late 1980s)\, consisting of 125 baking pans adorned with paintings and the handwritten tale of an altar boy named Willie—who falls in love with a boy\, is then bullied and beaten to near death\, contemplates suicide\, and finally finds the strength to live through artmaking. Interwoven throughout the exhibition will be his luminous towers\, homoerotic Knick Knacks\, and intricate Venetian Glass works\, along with timeless ephemera in the form of handwritten flyers\, photo-booth portraits\, and direct source materials\, illuminating the breath of his work and life. \nIn anticipation of the 50th anniversary of the 1969 Stonewall rebellion\, Tenemental honors Lanigan-Schmidt’s unique contribution to both the language of art and continued struggle for LGBTQ liberation. The exhibition is accompanied by a full-color catalog with essays by Dan Cameron\, Carlo McCormick\, Agosto Machado\, and Roger Wieck\, and well as an interview with Jonathan Weinberg \nThomas Lanigan-Schmidt is represented in the collections of the Metropolitan Museum of Art\, Whitney Museum of American Art\, MoMA\, Brooklyn Museum\, Ludwig Forum für Internationale Kunst\, Ackland Art Museum\, and Wadsworth Atheneum Museum of Art\, among others. He has exhibited extensively throughout the United States and Europe\, including the 1980 and 1984 Venice Biennales\, the 1991 Whitney Biennial\, and the 1999 exhibition The American Century at the Whitney Museum. \nLanigan-Schmidt has been an instructor in the MFA program of the School of Visual Arts in New York City since the mid 80s and has served on the governing board of the Skowhegan School of Painting & Sculpture in Maine since 1992. In 2011\, he was the recipient of the Louis Comfort Tiffany Foundation Biennial grant and in 2017 received awards from the American Academy of Arts and Letters\, and the National Academy of Design. In June 2009\, Lanigan-Schmidt was honored at the White House by President Barack Obama for his courageous participation in the 1969 Stonewall rebellion\, and in 2016 he was the keynote speaker when the Stonewall Inn became a national monument. Lanigan-Schmidt was the subject of the critically acclaimed 2012 retrospective Tender Love Among the Junk at MoMA PS1\, curated by Peter Eleey. \n  \nTHOMAS LANIGAN-SCHMIDT\nDay Time\, Nite Light\, Solitary Drinker (detail)\, c. 1975\nFoil\, plastic\, plastic wrap\, light bulb\, Magic Marker\, wood\, and staples\n39 x 28 x 18 inches \nCollection of Anita Grossman Solomon \n  \nTHOMAS LANIGAN-SCHMIDT\nMysterium Tremendum (detail)\, late 1980s\n125 pans: mixed media on aluminum trays
URL:https://www.howlarts.org/event/tenemental-with-sighs-too-deep-for-words/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/07/TLS-DetailforPR-imagev2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181204T203000
DTEND;TZID=America/New_York:20181204T233000
DTSTAMP:20210309T005002Z
CREATED:20181116T161523Z
LAST-MODIFIED:20210309T005002Z
UID:10000468-1543955400-1543966200@www.howlarts.org
SUMMARY:Howl! Arts Presents: Jackie Factory's Low Life 8
DESCRIPTION:Low Life 8: Fairytale of New York at the Pyramid\n  \nThe much-missed Jackie Factory spectacular Low Life returns this holiday season for its eighth edition\, newly at the iconic Pyramid Club on Avenue A. Presented by East Village Arts instigator Howl! Arts\, Low Life 8 imagines the holidays in a century of East Village/Bowery dives and clubs\, from McGurk’s Suicide Hall to the Pyramid itself.\n\nProducers Chi Chi Valenti and Johnny Dynell promise a star-studded bill spanning generations and performance cults: Pyramid and Jackie 60 eminence Hattie Hathaway aka Brian Butterick\, butoh stars Vangeline Theater as Klaus Nomi and company\, queens of burlesque Dirty Martini and Cassandra Rosebeetle saluting Bowery vaudeville and vipers\, drag icon Sherry Vine\, choreographer/dancer Danielle Marie Fusco creating the title number\, thesbian Heather Litteer\, rising EV performance star Bobbie\, dark diva Poison Eve imagining Tanya Ransom as Nina Hagen\, and more. Jackie MC Paul Alexander will preside with Valenti\, and Pyramid/Jackie DJ Johnny Dynell spins between show sets and for a Jackie 60-style dance party afterwards.\n\nThe Jackie Factory created Low Life in 2007 as the closing show for the annual Howl! Festival in Tompkins Square Park. Inspired by the seminal Luc Sante book Low Life: The Lures and Snares of Old New York\, these big stage extravaganzas at Howl! Festival (2007-2013) continued a body of work born at the seminal Meatpacking District nightclub Jackie 60 @ Mother in 1997. For this indoor revamp\, two show sets will celebrate the Bowery haunts from the 1880s to the Roaring Twenties (Act One\, 9:30 PM) and The East Village Eighties/Pyramid Club (Act Two\, 11:30 PM).\n\nThe time travel quotient will be high—in some cases a performer will be recreating a moment that actually happened on the same stage three decades earlier! Veteran visitors will experience a Pyramid Club that is hauntingly familiar—virtually unchanged from the 1980s and still cash only—but with new bathrooms and excellent sound. For the show’s producers Valenti and Dynell\, East Village residents for three decades\, this holiday spectacular is a true present to and by the neighborhood’s past\, present and future stars.\n\n25% of door proceeds will benefit Howl! HELP (Howl! Emergency Life Project)\, a safety net for artists that provides emergency financial assistance and social service support in partnership with The Actors Fund. \nThe Pyramid\n101 Avenue A\, NYC\nDoors open at 8:30 PM\, show starts at 9:30 PM \nTickets: $15 in advance\, $20 at door\nTickets from dance party only (starts at midnight): $10\nBuy tickets: https://www.brownpapertickets.com/event/3899390 \n \n  \n 
URL:https://www.howlarts.org/event/howl-arts-presents-jackie-factorys-low-life-8-fairytale-of-new-york/
LOCATION:Pyramid\, 101 Avenue A\, New York\, NY\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/11/LOW-LIFE-8-INSTA-BLACK-final.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181205T190000
DTEND;TZID=America/New_York:20181205T210000
DTSTAMP:20181125T171717Z
CREATED:20181024T161715Z
LAST-MODIFIED:20181125T171717Z
UID:10000485-1544036400-1544043600@www.howlarts.org
SUMMARY:Nora Burns David’s Friend
DESCRIPTION:A feisty and funny one-woman show…her odyssey will bring alive the period and its pleasures (and poisons) with pungent animation. —Charles Isherwood\, New York Times \nDavid’s Friend is the story of a crazy friendship in 1980s New York City—a restless city during a reckless time. It’s a comic odyssey about cruising\, disco\, drag queens\, strippers\, sex\, love\, loss\, and AIDS\, told with music\, videos\, costumes\, characters\, tall tales\, and torrid truths.  \nThe beauty of David’s Friend is\, you didn’t have to be there. Burns was\, and she brings it alive for the rest of us. —Marc Miller\, NY Theatre Guide \nA potent performance about the passing of a great era\, beautifully captured\, with wells of compassion and funniness. I wish I had known David\, but now I do. —Sandra Bernhard \nNora Burns is a founding member of the comedy groups Unitard and The Nellie Olesons. Watch the teaser for David’s Friend here. \nWritten and performed by Nora Burns \nFeaturing Billy Hough \nDirected by Adrienne Truscott \nDramaturgy — Lucy Sexton \nArt Direction — Tal Yarden \nCostumes — Connie Fleming \nVideo Montage — Len Whitney
URL:https://www.howlarts.org/event/nora-burns-davids-friend/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/10/DN-Patrick-McMullan-scan.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181206T100000
DTEND;TZID=America/New_York:20181209T170000
DTSTAMP:20181116T164130Z
CREATED:20181114T213054Z
LAST-MODIFIED:20181116T164130Z
UID:10000467-1544090400-1544374800@www.howlarts.org
SUMMARY:Through the Looking Glass: Scooter LaForge & Brett De Palma at NADA Miami
DESCRIPTION:Howl! Happening: An Arturo Vega Project is pleased to present Through the Looking Glass\, an installation of fearless and masterful paintings by Brett De Palma and Scooter LaForge. Through the Looking Glass marries two important painters’ vivid interpretations of our current upside down and bewildering world. Paralleling Lewis Carroll’s phantasmagorical satire that so poignantly skewered Victorian England\, De Palma and LaForge’s layered allegorical paintings ridicule\, expose\, and critique the foolishness\, corruption\, vices\, and villains in society around them.  \nDe Palma and LaForge blend seamlessly in this installation. De Palma’s large painted tarp propels a visual narrative overlaid with LaForge’s metaphors. Their collaborative work breaks out of stylistic conventions to forge dense new visual territory. In a world with an overabundance of fear\, anger\, and inequity\, their psychedelic tapestry offers humorous critique and laughter as a way to build consensus and community for our absurd times. December 6–9\, 2018 / NADA Miami / Booth 10.26  \n  \nBrett De Palma Through the Looking Glass\, Darkly \nBrett De Palma’s large (9 x 16’) painted tarp\, Through the Looking Glass\, Darkly\, mirrors the epic Lewis Carroll satirical novel Alice’s Adventures in Wonderland in an American context. In this updated version\, Alice experiences\, as if in a dream\, an American political ecosystem from RFK’s assassination to Trump’s balloon of tweets\, while a giant raven floats over a world of imperial monarchy.   \n  \nOn the other side of the mirror\, Alice moves with the sleep of reason through the stages of aging\, both of the individual as well as empire. This absurd tale about the confusion produced by authoritarian upside down and backwards logic reveals parallels between then and now. With brash color and Pollock-like drips over two worlds of stars and stripes and a checkered ground\, the poetic painting appears like an unsolved jigsaw puzzle\, confusing time and space and morphing style and scale. Brimming with the menace of friendly monsters such as the Jabberwock and Humpty Dumpty\, Alice is heroically tested in an empire of would-be kings and queens.  \n  \nAfter passing through trials of nonsense and disorientation\, Alice becomes queen. This empowerment may be an illusion only obtainable in a fantasy world—leaving the viewer wondering if “life is but a dream.” \n  \nScooter LaForge \nSimilarly\, for LaForge\, fairy tales and allegory dance together in works that draw from such diverse sources as Mannerist and old master paintings\, comic books\, cartoons\, and pop culture. Like all good fairy tales\, his paintings may first appear funny\, playful\, and light. But appearances can be deceiving. What is below their richly painted surfaces can be very sinister indeed.  \n  \nA mash-up of huge expressionist gestures against impossibly delicate paint handling\, La Forge’s paintings are both powerful and exquisitely finessed. And like the Mannerists who created their own aesthetic while commenting on the social upheaval in 16th century Venice\, LaForge’s new body of work is informed by current events—a fantasy of imaginary creatures and magic—full of ambiguity and dreamlike visions that invoke pleasure by their painterly appeal\, but also an edge of danger or menace that mirrors the tension of living on the dark side of troubling times. \n  \nNADA Miami / December 6–9\, 2018 / Booth 10.26\nIce Palace Studios\, 1400 North Miami Avenue  \n  \nVIP Preview by Invitation: Thursday\, December 6\, 10 AM–2 PM\nOpening Preview by Invitation: Thursday\, December 6\, 12–2 PM\n\nOpen to the Public\nThursday\, December 6\, 2–7 PM\nFriday\, December 7\, 11 AM–7 PM\nSaturday\, December 8\, 11 AM–7 PM\nSunday\, December 9\, 11 AM–5 PM\n\nThe New Art Dealers Alliance (NADA) is the definitive non-profit arts organization dedicated to the cultivation\, support\, and advancement of new voices in contemporary art. newartdealers.org
URL:https://www.howlarts.org/event/off-site-through-the-looking-glass-scooter-laforge-brett-de-palma-at-nada-miami/
LOCATION:NY
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/11/Screen-Shot-2018-11-14-at-12.06.39-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181208T190000
DTEND;TZID=America/New_York:20181208T210000
DTSTAMP:20181201T223901Z
CREATED:20181130T230335Z
LAST-MODIFIED:20181201T223901Z
UID:10000472-1544295600-1544302800@www.howlarts.org
SUMMARY:Queer Butoh 2018
DESCRIPTION:Featuring Hector Canonge\, Tina Zoccoli Mayers\, and Will Atkins \nHowl! Happening is pleased to present Queer Butoh 2018\, curated by Mee Ae Caughey\, Davey Mitchell\, and Vangeline for the New York Butoh Institute/Vangeline Theater. \n“Butoh is essentially the dance of the marginalized\, and the LGBTQ population is still largely marginalized in the world\,” says Vangeline France\, co-curator of this series. \nAt its origin\, the introduction of butoh in Japan was widely controversial. The first butoh performance\, Kinjiki (Forbidden Colors)\, created by Tatsumi Hijikata in 1958\, shocked Japanese audiences. Inspired by the work of French author Jean Genet\, Kinjiki took its name and inspiration from Yukio Mishima’s book Forbidden Colors and dealt with homosexuality—a profoundly taboo subject at the time. \nPLEASE NOTE: THIS PROGRAM INCLUDES MINOR BLOODLETTING AND MAY NOT SUITABLE FOR CHILDREN OR SENSITIVE VIEWERS. \nPerformances include: \nWILL ATKINS: La Sangre  \nLa Sangre is a piece illuminating the ideas of violence and phobia in the queer community\, utilizing body piercing and butoh to challenge the stigma of HIV. Gauged piercing needles will be used to add another textural dimension\, along with the performer’s body. The live imagery of blood and butoh together recalls violent history towards the queer community while honoring what connects us as humans. This work also incorporates elements of drag; the performer embraces blurring gender roles in the freedom butoh offers. \nHECTOR CANONGE: Camarada \nCamarada\, a new solo performance by Hector Canonge\, evokes the complex\nbonds that men create with one another and the various codes they generate to express their longings and desires. The performance also explores notions of maleness and ideas about being or becoming a “real man.” Through actions intertwined with butoh Dance\, Canonge continues his exploration of corporal expression and somatic experimentation. \nTINA ZOCCOLI MAYERS: S/he or S/hekinah \nTina’s solo is an amalgamation of sound\, text\, and theater performance. Weaving together excerpts from Sylvia Plath\, Naomi Klein\, Saul Williams\, and Tina’s own poetry and prose\, the audio soundscape traces the emergence of the queer artist through the passageways of historical censorship and erasure—into rebirth as trans male\, female\, and androgyne. This butoh piece grieves and memorializes the censored histories of queer persons\, including the persecution and execution of gays and communists through the Nazi Holocaust\, McCarthyism\, witch hunts\, and other forms of dehumanization. Tina explores the resensitization of the trans-feminine body through neural\, masculine chemistries and devotions. Gender-troubling and nonconforming\, the artist spiritualizes metamorphosis in the context of the Hebrew black goddess Shekinah—also known as the Arabic Sakinah—warrior and priest bearing God’s peace of mind and pure consciousness. \nABOUT THE ARTISTS \nThe Vangeline Theater has been a leader in the development of contemporary butoh dance since its founding in 2002. Informed by the expansive vision of pioneering choreographer Vangeline\, the theater group brings to life a timeless and uniquely American style of butoh that continually captivates audiences. The Vangeline Theater is home to the New York Butoh Institute\, dedicated to providing superior butoh training to our community. The institute focuses on the advancement of butoh in the 21st century\, with special emphasis on scientific research as it relates to butoh dance. www.vangeline.com
URL:https://www.howlarts.org/event/queer-butoh-2018/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/11/Screen-Shot-2018-11-29-at-12.51.21-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181212T190000
DTEND;TZID=America/New_York:20181212T210000
DTSTAMP:20181212T185539Z
CREATED:20181202T212712Z
LAST-MODIFIED:20181212T185539Z
UID:10000473-1544641200-1544648400@www.howlarts.org
SUMMARY:William Rand: Four Decades
DESCRIPTION:Panel Discussion and Publication Party\n  \nWith Rand and panelists Anthony Gaskin\, Maynard Monrow\, and Sur Rodney (Sur). \nIn William Rand’s paintings\, for example\, one must look to the shadows for information. In fact this oeuvre is a meditation on darkness: a painting in the shade.    —Rene Ricard\, Les Leçons des Ténèbres\, 1989. Hotel Chelsea \nHowl! Happening is pleased to host a panel discussion in honor of William Rand Four Decades\, the artist’s monograph chronicling his prolific career. Encompassing four decades of work\, with poetry by Rand as well as essays penned by his close friends\, the late critic Rene Ricard\, and Suzette McAvoy\, director and curator of the Center for Maine Contemporary Art. \nA marvelous raconteur\, brilliant draftsman\, and sharp-eyed\, searing documentarian\, Rand’s grand-scale black and white paintings chronicle his life and our times. Drawn from eclectic sources—art history\, geopolitics\, literature\, sports\, nature\, pop culture\, current events—his imagery seduces with its intoxicating mix of beauty and decadence\, highbrow and lowbrow.  \nWe want to be at this party.     —Suzette McAvoy\, Director\, Center for Maine Contemporary Art \nContributors include: Dennis Adamo\, Anthony Gaskin\, Jeffrey Goldberg\, Timothy Greenfield-Sanders\, Silvia Silveira Laguna\, Felix Leiro\, Philip M. Isaacson\, Suzette McAvoy\, Taylor Mead\, Maynard Monrow\, Inés Lopéz-Quesada\, William Baker Rand\, Rene Ricard\, Earle G. Shettleworth Jr.\, Bill Stelling\, and Haynes Sprunt Tate. \n  \nWilliam Baker Rand Four Decades  \nEssay by Rene Ricard\, Osprey Publishing\, 2018  \n128 pages\, case bound\, 6-color plates throughout\, 11 x 11”  \nCovering four decades of the artist’s work in Maine\, New York\, East Berlin\, and Spain\, the large black-and-white paintings\, and large\, often sexualized figures of this monograph engage with historical vertigo. \nAbout William Baker Rand \nInset image: The Guest Mooring\, 2017 © 2018 William Rand/ARS NY
URL:https://www.howlarts.org/event/william-rand-four-decades/
LOCATION:NY
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/11/Rand-Death-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181213T190000
DTEND;TZID=America/New_York:20181213T210000
DTSTAMP:20181208T191453Z
CREATED:20181208T190312Z
LAST-MODIFIED:20181208T191453Z
UID:10000520-1544727600-1544734800@www.howlarts.org
SUMMARY:Pixie Aventura and Catalyst Quartet: To DRAG & BACH
DESCRIPTION:Pixie Aventura and Catalyst Quartet \n\nHowl! Happening is pleased to present the Catalyst Quartet and famed drag queen spitfire Pixie Aventura for a transformative evening and experience the music of Bach like you’ve never heard it before. \n“When we set out to innovate Bach’s iconic Goldberg Variations by arranging it for string quartet\, we were faced with limitless possibilities\,” say Jessie Montgomery. “One of the amazing aspects of the piece is how Bach transforms a single bass line into almost two hours of music.” Taking the concept of transformation one step further the Catalyst Quartet explores the world of drag with a side by side performance and behind the scenes drag transformation. \nCatalyst Quartet members are Jessie Montgomery\, Karla Donehew Perez\, Paul Laraia\, and Karlos Rodriguez. \n \nAbout the Catalyst Quartet \nHailed by the New York Times at their Carnegie Hall debut as “invariably energetic and finely burnished…playing with earthy vigor\,” Catalyst Quartet is comprised of top laureates and alumni of the internationally acclaimed Sphinx Competition. Known for “rhythmic energy\, polyphonic clarity and tight ensemble-playing\,” the ensemble has toured throughout the United States and abroad\, including sold-out performances at the Kennedy Center in Washington DC\, at Chicago’s Harris Theater\, Miami’s New World Center and Stern Auditorium at Carnegie hall. The quartet has also appeared as concerto soloists with the Bogata Filharmonica\, the Sphinx Virtuosi\, and the St. Paul Chamber Orchestra.  Read More.
URL:https://www.howlarts.org/event/pixie-aventura-and-catalyst-quartet-to-drag-bach/
LOCATION:NY
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/12/169ac3a6-c355-495a-ba00-56edc43839f1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181218T140000
DTEND;TZID=America/New_York:20181218T160000
DTSTAMP:20200118T174033Z
CREATED:20160706T170122Z
LAST-MODIFIED:20200118T174033Z
UID:10000042-1545141600-1545148800@www.howlarts.org
SUMMARY:Actors Fund Affordable Housing Workshop
DESCRIPTION:Did you know that New York City is planning to build or preserve 300\,000 units of affordable housing by 2026? This two-hour seminar for performing-arts and entertainment professionals provides an overview of government-subsidized housing in New York City\, which is available for both low- and middle-income households. Complex information is broken down into simple\, straightforward steps. While the applicant pool for these affordable units is highly competitive\, this seminar will help you avoid common mistakes and get organized and prepared to apply. The following questions will be addressed: \nHow do you find and apply for affordable housing? \nWhat are the eligibility requirements? (Income\, household size\, credit\, housing history\, etc.) \nHow does a housing lottery work? \nCan you get on a waiting list? \nHow do you document your income if it fluctuates year to year? \nHow can you best prepare yourself for an interview? \nWhat are your options if you are denied? \n 
URL:https://www.howlarts.org/event/2565-2016-12-20-2017-06-06-2017-12-12-2018-02-20/2018-12-18/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2016/02/12604881_1563039503987253_7380893755487607748_o-14.jpg
GEO:40.7248189;-73.991658
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Howl! Happening 6 East 1st Street New York City NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=6 East 1st Street:geo:-73.991658,40.7248189
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181218T160000
DTEND;TZID=America/New_York:20181218T180000
DTSTAMP:20190110T171848Z
CREATED:20160706T170758Z
LAST-MODIFIED:20190110T171848Z
UID:10000059-1545148800-1545156000@www.howlarts.org
SUMMARY:Actors Fund Insurance Drop In Workshop
DESCRIPTION:The Insurance Doctor Is In! \nQuestions about a health insurance bill? \nDon’t understand your insurance and can’t get a straight answer? \nNeed some advice on how to negotiate medical debt? \nOur insurance expert will answer your questions during a one-on-one consultation. Vincent Musolino\, Health Benefits Specialist at the Artists Health Insurance Resource Center\, is an unbiased Navigator with the NY State of Health Marketplace and has over 12 years of medical billing and insurance experience. \nConsultations are about 20 minutes and by appointment only. \nPlease RSVP to vmusolino@actorsfund.org with Subject: Insurance Doctor Is In \nAlso\, bring any documents in question (bills\, explanations of benefits\, your insurance policy)! \nAll appointments are held at The Actors Fund Main Office (729 Seventh Avenue\, 10th Floor)
URL:https://www.howlarts.org/event/actors-fund-insurance-drop-in-workshop-3-2016-12-19-2017-07-05-2017-12-11-2018-12-18/2018-12-18/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2016/02/12604881_1563039503987253_7380893755487607748_o-14.jpg
GEO:40.7248189;-73.991658
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Howl! Happening 6 East 1st Street New York City NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=6 East 1st Street:geo:-73.991658,40.7248189
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181222T160000
DTEND;TZID=America/New_York:20181222T163000
DTSTAMP:20181219T173134Z
CREATED:20160911T175832Z
LAST-MODIFIED:20181219T173134Z
UID:10000098-1545494400-1545496200@www.howlarts.org
SUMMARY:Full Moon Show: Revenge of The Cherimoya Sisters
DESCRIPTION:THE FULL MOON SHOW  \nA Tom Murrin/Alien Comic Invention \nRevenge of The Cherimoya Sisters \nA Performance by Alexandra Tatarsky curated by Greer Dworman \nThey say that to eat a cherimoya you must slice it open with a knife\, tear it apart\, and then rip at its flesh till the chunks fall apart in your hands. They say the cherimoya is like an apple but more delicious\, as sweet and creamy as god’s sorbet. But also\, the seeds of the cherimoya are poisonous. If crushed and ingested\, they will kill you. And when the cherimoya is cut in two\, its insides look just like the full moon. All hail the cherimoya queen\, she will not go sweetly into this dark night.  \nI am thinking of the cherimoya in relation to the moon goddess\, I am thinking about endings and deaths\, darkness and glowing orbs\, survival through moon madness\, feminist readings of fruit\, and making a short play about how scientists describe the cherimoya as warty and abnormally protrusive. I am thinking of embracing warts. of playing the keyboard in a warty way. of protruding all over the place\, especially at night. probably with wigs. \n—Alexandra Tatarsky \nAbout Alexandra Tatarsky \nAlexandra Tatarsky is a song-and-dance man in the unfortunate in-between zone of comedy\, performance art\, theater\, and deluded rant. Their work often incorporates absurdist characters and improvised word play. It is largely fueled by anxiety.  \nInterests include identity construction\, code-switching\, humor and the abyss\, existential despair\, vaudeville and American performance history\, self-loathing and psychoanalysis\, late-capitalism and meaninglessness\, hybridity\, liminal spaces\, madness\, parades\, and acrylic nails. Basically\, how words\, worlds\, and selves come together and fall apart.  \nTatarsky has performed at venues including Judson Memorial Church\, NYU Skirball Center\, New Museum\, Brooklyn Museum\, BronxArtSpace\, Performance Space New York\, MoMA PS1\, Metro Pictures at 83 Pitt St\, Maccarone\, Dixon Place\, Basilica Hudson\, La MaMa E.T.C.\, The Brick\, Center for Performance Research (CPR)\, Gibney\, and many bars\, backyards\, and living rooms. They were a 2016 Movement Research artist-in-residence. With Ming Lin as part of Shanzhai Lyric\, they write about human/machine collaborations\, nonsense poetry\, and counterfeit culture for publications including The New Inquiry\, ArtReview Asia\, and Spike. Their show Americana Psychobabble comes back to town on January 23 and 24 as part of The Exponential Festival at the Glove. Web: tar-tar.biz IG: @tartar.biz ; @shanzhai_lyric  \nAbout Greer Dworman \nGreer Dworman is a Brooklyn-based performer and maker. Their work presently and passionately investigates humor and pop culture in performance\, grappling with larger ideas in the world located in personal narrative—concerning themselves with the ever-shifting Right Now.  \nDworman has been presented through Movement Research at Judson Memorial Church and Movement Research Spring Festival\, CATCH performance series\, Salonathon Chicago\, Brink at Dixon Place\, and Brooklyn Studios for Dance. Dworman currently hosts Tight 5\, supported and produced by Howl! Happening. Tight 5 is a come-as-you-are comedy series billed with performers willing to try stand-up for the first time ever. They received their BFA from the Dance Center of Columbia College Chicago. \nThe Full Moon Show is made possible in part with public funds from Creative Engagement/Creative Learning\, supported by New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature\, and administered by Lower Manhattan Cultural Council. LMCC.net
URL:https://www.howlarts.org/event/the-full-moon-show-2016-11-16-2017-01-14-2017-07-14-2017-08-07-2017-12-03-2018-01-31-2018-12-22/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2016/09/Screen-Shot-2018-12-12-at-12.27.22-PM-1.jpg
GEO:40.7248189;-73.991658
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Howl! Happening 6 East 1st Street New York City NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=6 East 1st Street:geo:-73.991658,40.7248189
END:VEVENT
END:VCALENDAR