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DTSTART;VALUE=DATE:20170910
DTEND;VALUE=DATE:20171008
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SUMMARY:Love Among the Ruins
DESCRIPTION:56 Bleecker Gallery and Late 80s New York\nPresented by Some Serious Business \nand Howl! Happening: An Arturo Vega Project \nSeptember 10–October 7\, 2017 \nOpening Reception:\nSunday\, September 10 / 4–7 PM \nO heart! oh blood that freezes\, blood that burns!\nEarth’s returns\nFor whole centuries of folly\, noise and sin!\nShut them in\,\nWith their triumphs and their glories and the rest!\nLove is best.\n—Robert Browning\, Love Among The Ruins \nLet’s also say that change is neither good or bad. It simply is. It can be greeted with terror or joy. A tantrum that says\, ‘I want it the way it was’ or a dance that says\, ‘Look\, it’s something new.’\n—Don Draper\, Mad Men (AMC) \nSome Serious Business and Howl! Happening are pleased to present Love Among The Ruins: 56 Bleecker Gallery and late 80s New York\, co-curated by Susan Martin\, founding director of Some Serious Business; Bill Stelling\, 56 Bleecker gallery director and founder of the groundbreaking FUN Gallery with Patti Astor; and artist and exhibition designer\, Maynard Monrow. All three curators were close friends of Dean Rolston\, co-owner of 56 Bleecker who died of AIDS and serves as inspiration for the exhibition. \nArtists included in the retrospective are: Austė\, Suzanne Anker\, Donald Baechler\, Sylvie Ball\, Jean-Michel Basquiat\, Julian Beck\, Bill Beckley\, Mike Berg\, John Bowman\, Jeff Carpenter\, Stefano Castronovo\, George Condo\, Arch Connelly\, Bruce Conner\, Scott Covert\, Ingrid Dinter\, Arnold Fern\, Vincent Gallo\, Graham Gillmore\, Allen Ginsberg\, Nan Goldin\, Eric Goode\, Robert Hawkins\, Roberto Juarez\, Scott Kilgour\, Ruth Kligman\, Norman Korpi\, Joyce Kozloff\, Tseng Kwong Chi\, David LaChapelle\, Greer Lankton\, Claire Lieberman\, Daniel Mahoney\, Frank Majore\, Fidel Márquez\, Sylvia Martins\, McDermott & McGough\, Taylor Mead\, Nicholas Mouffarrege\, David Nelson\, Felix Pène du Bois\, Jeff Perrone\, Elizabeth Peyton\, William Rand\, Elaine Reichek\, Rene Ricard\, Bill Rice\, Alexis Rockman\, Nicolas Rule\, Vittorio Scarpati\, Bruno Schmidt\, Jo Shane\, Mark Sink\, Stephen Sprouse\, Ken Tisa\, Noel Vietor\, William Wegman\, Dondi White\, Martin Wong\, Thomas Woodruff\, and Jimmy Wright. \n56 Bleecker Gallery held a unique position in the late 80’s art world. Part serious gallery\, part happening\, the space was a scene that reflected the explosive intersection of art\, performance\, music\, fashion and the incredible nightlife culture of that era. While it was a time of enormous creativity\, it was also one of deep sorrow. The exhibition is meant to focus upon the impact of the AIDS epidemic on our community at a time when lights dimmed as dear friends\, colleagues\, and role models succumbed to the disease. \nFeaturing many of the most cutting edge artists of the time\, such as Stephen Sprouse and David LaChapelle\, it also presented rigorously serious shows of artists like Bruce Conner and Elaine Reichek. The space was a forum for nightclub impresario Eric Goode to produce an installation that was a window into his future endeavors. Taylor Mead directed the gallery’s historic performance of Jackie Curtis’ Glamour\, Glory and Gold featuring legendary actors Ondine\, John Heys\, Penny Arcade\, Harry Koutoukas and Margot Howard-Howard. \n56 Bleecker was a ‘scene’ as much as a venue for art. Openings featured guests as diverse as Stavros Niarchos\, Richard Gere\, Lauren Hutton\, Fab 5 Freddy and Henry Geldzahler. Rene Ricard held court in the famous ‘Tin Room\,’ anointing those in favor and banishing his enemies to NoHo Star. \nThe historical sweep and significance of this retrospective will recreate the excitement of the era through a thoughtful curation of artists’ work\, archival material\, performance recreations\, video reminiscence\, and other special events including a new production of Jackie Curtis’ Glamour\, Glory and Gold directed by Brian Butterick. Love Among the Ruins is produced by Some Serious Business especially for Howl! Happening. \nA fully illustrated catalog will accompany the show with essays and commentary on the times by Penny Arcade\, Tom Breidenbach\, Susan Martin\, Carlo McCormick\, Maynard Monroe\, Sylvia Myles\, Jeff Perrone\, Ariana Reines\, Adam Rolston\, Bill Stelling\, and Linda Yablonsky. Some Serious Business will also publish Dean’s memoir\, “Remembering Dying”—a memento mori of Dean’s death from AIDS—with drawings made especially for the book by Austė. \nSome Serious Business will also publish Rolston’s memoir\, Remembering Dying with drawings made especially for the book by Austė. A memento mori of Dean’s death from AIDS\, it is a tribute to a remarkable man and a metaphor for all of those we lost. \nSpecial Events\nLove Among The Ruins Panel Discussion: Sunday\, September 17th – 4 PM\nGlamour\, Glory and Gold performance: Friday\, September 22nd – 7 PM\nGlamour\, Glory and Gold performance: Saturday\, September 23rd – 7 PM\nAn Evening of Poetry Noir (Poets TBA): Thursday\, September 28th – 7 PM \nSome Serious Business: The Artist Always Comes First\nFounded at the height of the Conceptual 70s\, Some Serious Business incubates emergent expression in the arts\, germinates intrepid new works and ideas\, and presents diverse projects that celebrate audacity\, experimentation\, and surprise. SSB’s core artist-driven programs and partnerships are both catalysts and sanctuaries that sustain visionary creators and thought-leaders. Based on the principle that the artist always comes first\, SSB supports hybrids and chimeras that traverse performance\, literature\, theater\, dance\, visual art\, moving image\, music\, architecture and design\, social practice\, and fields of unforeseen possibilities. Guided by eggheads and free spirits who value collaboration\, SSB is as much about process as outcomes. From the ridiculous to the sublime\, SSB revels in the creative process—embarking with artists and fellow travelers to explore the puzzles\, mysteries\, messiness\, challenges\, dialogue\, and peak experiences along the way. \nAbout Some Serious Business\nAbout Howl! Happening \nphoto credit: Mark Sink \n          
URL:https://www.howlarts.org/event/love-among-the-ruins/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Exhibition,Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171001T190000
DTEND;TZID=America/New_York:20171001T210000
DTSTAMP:20260605T030130
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SUMMARY:Jerome Rothenberg Flower World Variations
DESCRIPTION:A Reading and Book Publishing Celebration\nHowl! Happening and The Operating System are honored to present Jerome Rothenberg\, reading in commemoration of the OS’s release of Flower World Variations in a special revised and expanded edition. The book features variations on a set of traditional Yaqui Deer Dance songs\, with computer-generated drawings by Harold Cohen\, one of our truly great pioneer computer artists. Originally published in a modest 1984 offset edition\, the book is newly enhanced in quality and features\, including an updated introduction by Rothenberg and an excerpt from Cohen’s writings on the nature of mark making and meaning/metaphor over a wide range of times and cultures. As such\, the book also serves as a memorial and tribute to Harold Cohen\, who passed recently. \nAbout Jerome Rothenberg\nJerome Rothenberg is an internationally-celebrated poet\, translator\, anthologist\, and performer with over 90 books of poetry and 12 assemblages of traditional and avant-garde poetry. His titles include Technicians of the Sacred; Shaking the Pumpkin (a compilation of traditional American Indian poetry); Exiled in the Word (a.k.a. A Big Jewish Book); and\, with Pierre Joris and Jeffrey Robinson\, Poems for the Millennium\, Vols. 1-3.  He was a founding figure of ethno poetics as a combination of poetic practice and theory\, and has been a longtime practitioner and theorist of poetry performance. His most recent big books are Eye of Witness: A Jerome Rothenberg Reader (2013) and Barbaric Vast & Wild: A Gathering of Outside & Subterranean Poetry from Origins to Preset (Vol. 5 of Poems for the Millennium\, 2015). A new book\, A Field on Mars: Divagations and Autovariations\, Poems 2000-2015\, has been recently published in both English and French editions. \nAbout The Operating System
URL:https://www.howlarts.org/event/jerome-rothenberg-flower-world-variations/
LOCATION:NY
CATEGORIES:Book Signing
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171004T190000
DTEND;TZID=America/New_York:20171004T210000
DTSTAMP:20260605T030130
CREATED:20170808T145122Z
LAST-MODIFIED:20170831T210011Z
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SUMMARY:John Tytell Beat Transnationalism
DESCRIPTION:Publication Party\nHowl! presents an evening with author John Tytell\, who examines the importance of Mexico to the Beat Generation in his new book\, Beat Transnationalism. Allen Ginsberg once told him that he would not understand the Beat Generation without first experiencing life in Mexico. Heeding this advice\, Tytell headed south to Oaxaca while writing Naked Angels\, the first book to explore the development of Beat literature. \nIn Beat Transnationalism\, the author takes a close look at the connection between Mexico and the Beats\, while recounting—via letters from that period to his wife Mellon—his own experiences in Oaxaca. The primary focus is the importance of Mexico to the three best-known Beat figures: Allen Ginsberg\, William S. Burroughs\, and Jack Kerouac. Yet this book delves further\, aiming to explore transnationalism among other members of the Beat Generation\, and also artists of the post-Beat era. As such\, it also includes essays on Bonnie Bremser\, Lawrence Ferlinghetti\, James Laughlin\, and Patti Smith\, among others. Published by Beatdom Books. \nAbout John Tytell\nJohn Tytell is best known as the author of Naked Angels: The Lives and Literature of the Beat Generation; Ezra Pound: The Solitary Volcano\, and seven other works of non-fiction. His essays and reviews have appeared in numerous publications\, including Vanity Fair\, Partisan Review\, Fame\, The American Scholar\, The Antioch Review\, Artforum\, The Chronicle of Higher Education\, The New York Times\, and the Los Angeles Review of Books. He is a founding editor of American Book Review\, and has taught modern American literature at Queens College\, CUNY since 1963. He lives with his wife Mellon\, a photographer\, in New York City and Vermont.
URL:https://www.howlarts.org/event/john-tytell-beat-transnationalism/
LOCATION:NY
CATEGORIES:Book Signing
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171005T160000
DTEND;TZID=America/New_York:20171005T163000
DTSTAMP:20260605T030130
CREATED:20160911T175832Z
LAST-MODIFIED:20170929T215442Z
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SUMMARY:Mayhem Moon with the Mayhem Sisters Salley May and Nancy May Perry
DESCRIPTION:A Tom Murrin/Alien Comic Invention\nEvery Month on the Full Moon\nAt 4pm sharp\nYou know that dream? The one where you’re on a prison planet and the inmates only know one joke. The one where an ICE agent\, a doctor\, and a scary clown walk into a bar and the bartender says\, “Why the long shadow?” Then come the birds. They’re crashing against the windows. You open the window to let them out. They fly free. You try to follow them\, but the bars are too close together. And you’re locked out. \nThe Mayhem Moon will punch that dream in the face. Insiders will be exiled\, inmates will take office\, jesters will ascend to the throne. From the luminous minds of the MAYHEM sisters\, Salley May and Nancy May Perry\, comes this skeleton key to the locks that keep you in and out\, featuring performances by Annie Lanzillotto\, Aru Hangar\, Simba Yangala\, Ninafrika Kameroruskova\, Victoria Kernmayer\, Tony Stinkmetal and Salley May. \nor a Harvest Moon of Mayhem and Madness! \nSuggested attire: Horizontal Prison Stripes\, Fall 2017 Hospital Runway Gowns\, Alien 3 Jumpsuit Realness\, Tippi Hedren Bird-hats\, Giant Jangling Key Rings\, Hobo Bindles\, Auditory Hallucinations\, Westwood Straitjackets\, Lagerfeld Guard Uniforms\, Carrier Pigeons. \nAbout Tom Murrin and the Full Moon Show \nHowl! Happening houses the archives of Tom Murrin. Murrin\, aka the Alien Comic\, is known as the Godfather of Performance Art. Every full moon\, Tom performed the Full Moon Show in honor of his moon goddess\, Luna Macaroona. When he had a club date that fell on the full moon\, he’d wrangle his friends to perform as his guests—pushing the careers of such groundbreaking performers as David Cale\, David Sedaris\, Amy Sedaris\, Blue Man Group\, Ethyl Eichelberger\, Lisa Kron and many others. If not\, he performed on the street for passersby\, transforming the pedestrian atmosphere with his madness and magic. Howl! Happening’s monthly series continues that tradition\, with performances in the gallery and surprise pop up performances on the street. \nAbout The Tom Murrin Archive \nHowl! Happening is the repository of the Tom Murrin Archive comprising masks\, costumes\, scripts\, correspondence\, photographs\, and tapes of performances going back to the early 70s. Murrin (February 8\, 1939 – March 12\, 2012) also known as The Alien Comic and Jack Bump\, was a performance pioneer whose life and work inspired both artists and audiences for over 40 years. He was a member of the first generation of La MaMa playwrights. Tom wrote four plays performed through La MaMa and produced by John Vacarro’s Play-House of the Ridiculous\, including the offbeat hit\, Cock Strong\, which toured with Ellen Stewart’s La MaMa Troupe to Paris\, Amsterdam and Brussels. \nUnder the guidance of rock manager Jane Friedman\, Tom began to perform under the name Alien Comic\, opening for acclaimed punk bands in rock clubs such as CBGBs and Max’s Kansas City. As Alien Comic he performed in such venues as The Pyramid\, 8BC\, King Tut’s Wah Wah Hut\, Performance Space 122\, Dixon Place\, La MaMa\, and more. Since the mid 80s\, he’s created\, performed\, and curated a series of variety nights at Performance Space 122\, and La Mama Experimental Theatre Club and Dixon Place\, called The Full Moon Show. His plays Sport-Fuckers and Butt-Crack Bingo were produced at Theater for the New City and La MaMa and directed by David Levine. Tom was the first performance artist to appear on stage at the original Dixon Place location at 37 East First Street in 1986.
URL:https://www.howlarts.org/event/2017-full-moon-show-2017-10-05/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171007T190000
DTEND;TZID=America/New_York:20171007T210000
DTSTAMP:20260605T030130
CREATED:20170917T184747Z
LAST-MODIFIED:20170917T184747Z
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SUMMARY:Love Among the Ruins Closing Party featuring performances by John Kelly and Joseph Keckler
DESCRIPTION:Some Serious Business and Howl! Happening are pleased to celebrate Love Among the Ruins with a culminating performance by two masterful performers: John Kelly and Joseph Keckler. Kelly performs excerpts from Time No Line\, a solo performance work presented as a live memoir. Keckler will perform three of his original arias and songs\, invoking themes of place\, loss\, self\, and lineage. \n  \nKelly’s Time No Line focuses on how we can identify collective histories through the experience of an individual. This new solo performance work integrates movement\, song\, live drawing\, and interactions with projected texts and images as the components of a live dramatic autobiographical narrative. The work utilizes themes and details of John Kelly’s personal history as a survivor of a generation of artists that emerged out of the East Village performance scene of the 1980s and was subsequently decimated by the AIDS pandemic. One of the goals of this work is to focus on and contribute to a rift in the larger cultural and social continuity\, and encourage dialogue. \n  \nKeckler’s performances have been described by The New York Times as shattering “the conventional boundaries of classical singing [with] the sensibility of a magician\, a trickster’s dark humor\, and a formidable musical and literary erudition. Major vocal talent.” The Huffington Post commented: “Riveting and beautifully absurd\, Keckler singlehandedly has the power and chops to legitimately modernize a dying art form.” \n  \nAbout John Kelly \nJohn Kelly is a performance and visual artist. He has created over 30 group and solo theatrical performance works including Pass The Blutwurst\, Bitte; Find My Way Home; and Paved Paradise: The Art of Joni Mitchell. Awards and fellowships include two Bessie Awards\, two Obie Awards\, an USA Artists Award\, and two NEA American Masterpieces Awards. Fellowships include The American Academy in Rome\, The Radcliffe Institute for Advanced Study\, The Guggenheim Foundation\, and The Sundance Institute Theatre. Acting credits include the Broadway production of James Joyce’s The Dead (Bartell D’Arcy); Dog Days (Prince)\, an opera by David Little; and The Clerk’s Tale (Spencer Reese)\, a film by James Franco. He is currently completing a graphic novel\, A Friend Gave Me A Book\, and recently released his first solo recording\, Beauty Kills Me\, on the Strange Troubadours label. \n  \nAbout Joseph Keckler \nJoseph Keckler is a singer\, humorist\, songwriter\, and artist who has garnered acclaim for his rich\, versatile 3-plus octave voice and sharp wit. He often combines humor\, autobiography and classical forms and themes. The Village Voice named him “Best Downtown Performance Artist” and The New York Times declared him a “major vocal talent” who “shatters conventional boundaries.” Joseph has been featured on BBC America’s The Nerdist and WNYC Soundcheck\, and has recently appeared at venues including SXSW\, UCB Theatre\, Centre Pompidou\, BAM\, Third Man Records\, PEN American Center\, Art Basel Miami\, Merkin Concert Hall\, and many others. Joseph has received residencies from MacDowell Colony and Yaddo; as well as an award from Creative Capital; a Franklin Furnace grant; and a Fellowship in Interdisciplinary Work from the New York Foundation for the Arts. He recently made his Off-Broadway debut in Preludes at Lincoln Center. He is currently working on a new EP and videos. A book of his writing\, Dragon at the Edge of a Flat World\, is forthcoming from Turtle Point Press late this year.
URL:https://www.howlarts.org/event/love-among-the-ruins-closing-party-featuring-performances-by-john-kelly-and-joseph-keckler/
LOCATION:NY
CATEGORIES:Performance
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20171013
DTEND;VALUE=DATE:20171106
DTSTAMP:20260605T030130
CREATED:20170831T205724Z
LAST-MODIFIED:20191211T181628Z
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SUMMARY:Masao Gozu Time Frame
DESCRIPTION:Opening Party: Friday\, October 13th\, 6pm\nHowl! Happening: An Arturo Vega Project is pleased to present Time Frame\, a selection of sculptures and photographs by artist Masao Gozu. Born in Japan in 1946\, Gozu moved to New York in 1970 to attend the Brooklyn Museum Art School\, where he began an artistic practice of structuring a body of work over time that literally “frames” the people and architecture of downtown New York. \nFrom 1971–1990\, Gozu single-mindedly photographed New York City residents in their tenement apartment windows. An unsung gem of urban documentary\, the Windows series is evocative of the work of Robert Frank\, Berenice Abbott\, and Garry Winogrand in its penetrating look at a segment of American culture\, specifically portraits of the denizens of the Lower East Side. \nActively soliciting attention or simply captured musing in the frame\, his subjects are the focus of his humanist exploration. The architecture of the building facades gives these portraits a carefully considered perspective and compositional harmony. As Gozu says\, “For me the window is a mirror\, a mirror in which I see myself through time.” \nSo interested has Gozu been in the material and spatial qualities of these windows\, that he went on to produce large scale sculptural representations of them—many on view at the gallery. An evolving aspect of the same aesthetic as the Windows series\, he has taken the idea one step further\, making full-size windows themselves the subject of a series. These monumental sculptures are created from the brick facades and window frames of demolished buildings. Bringing the city’s vanishing neighborhoods into the gallery\, this scavenged and reconstituted detritus spotlights the site-specific nature of his work. \nSerial imagery\, time\, and spatial exploration are at the core of Gozu’s aesthetic—a common link in his commentary on life in the city. His Harry’s Bar photographs are like a time lapse “moving picture\,” tracing the fluorescence and decay of one specific neighborhood landmark. Through serial images of the front window\, we watch the passage of time—plants appear and then die; barflies come and go; an improvised attempt to change Harry’s to Harold’s signals a change in ownership; and a “Going Out of Business” sign\, the bar’s demise\, is the final visual echo\, concluding the story of one place that stands in for the loss and gentrification of the city. \nAbout Masao Gozu \nMasao Gozu was born in Nagano\, Japan in 1946. He graduated from the Tokyo Fine Arts School in 1970. In 1971\, he was awarded the Max Beckmann scholarship to the Brooklyn Museum Art School\, where he studied from 1971–1973. In 1990\, he won the special Jury Prize at Le Mois de Photo in Paris.                                                                         Masao Gozu’s work has been displayed internationally from New York to Paris and Japan\, including shows at the legendary SoHo gallery OK Harris. His work is included in the collections of the New Orleans Museum of Art; the Margulies Collection\, and Lowe Art Museum\, in Miami; the Musée National d’Art Moderne in the Centre Pompidou\, Paris; and the Tokyo Metropolitan Museum of Photography. He lives in the East Village\, New York City. \n  \n  \n 
URL:https://www.howlarts.org/event/masao-gozu-time-frame/
LOCATION:NY
CATEGORIES:Events,Exhibition,Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171016T140000
DTEND;TZID=America/New_York:20171016T160000
DTSTAMP:20260605T030130
CREATED:20160706T170758Z
LAST-MODIFIED:20170920T194035Z
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SUMMARY:Actors Fund Insurance Drop In Workshop
DESCRIPTION:The Insurance Doctor Is In! \nQuestions about a health insurance bill? \nDon’t understand your insurance and can’t get a straight answer? \nNeed some advice on how to negotiate medical debt? \nOur insurance expert will answer your questions during a one-on-one consultation. Vincent Musolino\, Health Benefits Specialist at the Artists Health Insurance Resource Center\, is an unbiased Navigator with the NY State of Health Marketplace and has over 12 years of medical billing and insurance experience. \nConsultations are about 20 minutes and by appointment only. \nPlease RSVP to vmusolino@actorsfund.org with Subject: Insurance Doctor Is In \nAlso\, bring any documents in question (bills\, explanations of benefits\, your insurance policy)! \n 
URL:https://www.howlarts.org/event/actors-fund-insurance-drop-in-workshop-3-2016-12-19-2017-07-05-2017-10-09/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171017T140000
DTEND;TZID=America/New_York:20171017T160000
DTSTAMP:20260605T030130
CREATED:20160706T170122Z
LAST-MODIFIED:20171010T174428Z
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SUMMARY:Actors Fund Affordable Housing Workshop
DESCRIPTION:Curious about affordable housing in NYC? \nDid you know that New York City is planning to build or preserve 200\,000 units of affordable housing over the next ten years? This two-hour seminar for performing-arts and entertainment professionals provides an overview of government-subsidized housing in New York City\, which is available for both low- and middle-income households. Complex information is broken down into simple\, straightforward steps. While demand for these affordable units exceeds the supply\, this seminar will help you avoid common mistakes and get organized and prepared to take advantage of opportunities to apply. \nThe following questions will be addressed: \nHow do you find and apply for affordable housing? \nWhat are the eligibility requirements? (Income\, household size\, credit\, housing history\, etc.) \nHow does a housing lottery work? \nCan you get on a waiting list? \nHow do you document your income if it fluctuates year to year? \nHow can you best prepare yourself for an interview? \nWhat are your options if you are denied? \nRSVPs encouraged\, but not required. RSVP to The Actors Fund HERE. \n 
URL:https://www.howlarts.org/event/affordablehousing/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171019T180000
DTEND;TZID=America/New_York:20171019T210000
DTSTAMP:20260605T030130
CREATED:20171003T211011Z
LAST-MODIFIED:20171009T172513Z
UID:10000161-1508436000-1508446800@www.howlarts.org
SUMMARY:Queer Butoh 2017
DESCRIPTION:Howl! Happening in association with The New York Butoh Institute and Vangeline Theater presents Queer Butoh 2017\, a free three-hour evening of site-specific Butoh performances with three LGBT/Q Butoh artists from San Francisco\, Chicago and New York: Angela Newsham\, Holly Chernobyl\, and Will Atkins. The event will take place on Thursday\, October 19\, 2017 at Howl! Happening\, 6 E. First Street\, NYC. For more information\, visit www.vangeline.com. \nFree Admission \nThe artists will dance throughout the evening yet maintain a fluid space of interaction with the audience. The unique minimalist soundscape featured includes recordings of the artists in candid conversations about the role\, which butoh has played in their lives. The installation will take place against the unique background of sculptures by Japanese artist Mazao Gozu. \n“Butoh is essentially the dance of the marginalized\, and the LGBTQ population is still largely marginalized in the world\,” says Vangeline France\, curator of this series. “Most of these artists feel that they found a place of freedom and acceptance through Butoh and it was important to give them a voice to express this.” \nIn Butoh\, the desire to play with notions of both “masculine” and “feminine” has been expressed in performance methodology by both male and female artists. The five contemporary artists will create new work and speak about how they integrate Butoh into their art and lives. \nAt its origin\, the introduction of Butoh in Japan was widely controversial. The first Butoh performance\, Kinjiki (Forbidden Colors) created by Tatsumi Hijikata in 1958\, shocked its spectators. Inspired by the work of homosexual author Jean Genet\, Kinjiki took its name and inspiration from Yukio Mishima’s book Forbidden Color and dealt with homosexuality\, a profoundly taboo subject at the time. \nHolly Chernobyl has been a working artist for over a decade–her work spanning poetry\, storytelling\, bunraku puppetry\, physical theater\, and performance art. She has presented work in many Chicago spaces\, including the Japanese Cultural Center. Her work has also been performed in Seattle\, Brooklyn\, Finland\, Germany\, the UK\, and shown in Boston\, Quebec and Brazil. She continues to create solo pieces and collaborate with a talented array of international artists\, through her dance theater company\, NIGHTPARADE. Recently\, she was awarded a grant through the Finlandia Foundation\, and a 2 month residency in Berlin-based Altes Finanzamt Atelier. \nBorn and raised on the island of Oahu\, Angela Newsham developed a deep connection with nature. As a non-verbal learner she pays close attention to movement and creates art as a way to express her inquiries and connect with others. She is inspired by her work as a raptor rehabilitator in Oregon nurturing injured and orphaned birds of prey. She has trained extensively in Body Mind Centering with Bonnie Bainbridge Cohen and Sonja Riket\, and in Butoh with Vangeline Theater in New York and San Francisco\, Diego Pinon as well as Natsu Nakajima and Atsushi Takenouchi. She incorporates her voice in her work influenced by the Hawaiian chanting she grew up with and the traditional training in classical\, Middle Eastern and Balkan techniques. \nWill Atkins – A graduate of Hofstra University’s B.F.A of Performing Arts\, Will’s body of work is heavily influenced by his study in movement art forms\, especially Butoh. While at school\, Will received High Honors for his senior thesis exploring the paradoxical and transformation elements in Butoh. He studies regularly with the New York Butoh Institute and has produced and assisted on several Vangeline Theater projects. Will has performed in movement based shows around the city\, creating solo works and masks for WalkUpArts’ productions\, collaborating with local costume artists\, and more recently performed in Esperanza Spalding’s Virgin Writes earlier this year. \nThe Vangeline Theater has been a leader in the development of contemporary Butoh dance since its founding in 2002. Informed by the expansive vision of pioneering choreographer Vangeline\, the Vangeline Theater brings to life a timeless and uniquely American style of Butoh that continues to captivate audiences. The Vangeline Theater is home to the New York Butoh Institute\, providing superior Butoh training to our community. The New York Butoh Institute is dedicated to the advancement of Butoh in the 21st century\, with a special emphasis on scientific research as it relates to Butoh. www.vangeline.com
URL:https://www.howlarts.org/event/queer-butoh-2017/
LOCATION:NY
CATEGORIES:Performance
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DTSTART;TZID=America/New_York:20171025T190000
DTEND;TZID=America/New_York:20171025T210000
DTSTAMP:20260605T030130
CREATED:20171016T213236Z
LAST-MODIFIED:20171020T170319Z
UID:10000165-1508958000-1508965200@www.howlarts.org
SUMMARY:Aaron Stern Salon
DESCRIPTION:with Jordan Sullivan\, Kate Stone\, Elizabeth Schmuhl\, Rosebud Ben-Oni and Andreas Laszlo Konrath\nPhotographers Aaron Stern\, Jordan Sullivan\, Andreas Laszlo Konrath\, and poets Elizabeth Schmuhl and Rosebud Ben-Oni will discuss and read work from the second volume of Dialogues – a series of books published by Stern and Sullivan\, focusing on the intersection of poetry and photography. \nMore information about DIALOGUES can be found HERE \nNew York City-based Photographer Kate Stone will present her recent book\, How We End. A collaboration with writer Hannah Schneider\, How We End is a book of 41 illustrated short stories chronicling the romantic history of an unnamed and unreliable narrator. How We End was shortlisted 2016 Paris Photo Aperture Photobook Awards. \nMore information about How We End can be found HERE
URL:https://www.howlarts.org/event/aaron-stern-dialogues/
LOCATION:NY
CATEGORIES:Performances
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