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SUMMARY:Writers Block 2016Kembra PfahlerRebel Without a Cock
DESCRIPTION:Monday\, September 12\, 2016 / 7 PM /\n$30 Suggested Donation\nWith Alice Moy\, Cornelius Loy\, and Music by Samoa \nPart of the 2016 Writers Block staged reading and performance festival \nKembra Pfahler is a punk rocker\, screen goddess\, curator and performance artist who moved from Los Angeles to the East Village in the early 1980s. Over the course of her time in New York\, she’s modeled for Calvin Klein\, sung lead in theatrical death metal band The Voluptuous Horror of Karen Black\, and created performances based on Anti-Naturalism and Availabilism\, the tenet of which is making the best of what’s available to create performances—as an expression of an ineffable part of oneself. \nRebel Without a Cock is an epic-length Karen Black song from the album “Fuck Island.” This work uses classic rock like the bread and the performance art aspect like the butter. “It makes the sharing of this work a little happier and less austere\,” says Kembra as she describes the album as “having the worst titles she has ever come up with” and looks forward to putting them all onto t-shirts. She feels that a show is only as good as the t-shirt and says she would “prefer to wear a Rebel Without a Cock t-shirt to an Annie or Chicago t-shirt. When pressed to further explain the content of this performance she recommended “it would be better to know as little as possible about the performance so as to be more surprised.” Participating in the performance are Samoa\, co- founder and lead guitarist of The Voluptuous Horror of Karen black and band member Alice Moy. An artist\, Samoa will be having his first solo painting show at Howl! Happening in January 2018. \nPfahler’s work has been included in solo exhibitions at Deitch Projects\, P.S.1 Contemporary Art Center\, and The Hole\, New York\, NY; Rove Gallery\, London\, UK; and hpgrp Gallery\, Tokyo\, Japan. She was a featured artist in the 2008 Whitney Biennial. She will have a solo exhibition at the Leopold Thun gallery in London opening November 2016. She has toured and performed extensively with The Voluptuous Horror of Karen Black throughout the world and her extensive body of film work is housed in the Fales library at New York University. In 2014 she developed “Performance Art 101\,” a curriculum that she has taught at prestigious educational institutions like CalArts and elsewhere. Pfahler’s work has been discussed in The New York Times\, W\, and Rolling Stone\, among other publications. \nTICKETS: $30 suggested donation. Includes a reception with the artist \nThe staged readings series is a benefit for the Actors Fund’s Howl! HELP\, providing emergency financial assistance and social service support to artists who have made or continue to make their careers in New York’s East Village and Lower East Side arts communities. Howl! HELP is administered by the Actors Fund and 100% ticket sales benefit the Actors Fund. \nphoto: Luke Mayes
URL:https://www.howlarts.org/event/writers-block-2016kembra-pfahlerrebel-without-a-cock/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
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DTSTART;VALUE=DATE:20160916
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SUMMARY:It's All True: The East Village Eye Show
DESCRIPTION:Portrait of David Byrne by Marcia Resnick \nHowl! Happening: An Arturo Vega Project is pleased to shine a light on another important source of East Village social and cultural history: The East Village Eye. A monthly magazine published from 1979 through 1987\, The East Village Eye focused on popular and avant-garde culture\, politics and other issues relevant to the East Village and environs. Self-styled as “a community in print\,” the magazine is noted for its groundbreaking coverage of the emerging punk\, new wave and hip hop music scenes of the time\, as well as the influential art\, literature\, film and performance worlds of the era. \nThe East Village Eye Show will feature covers\, centerfolds\, interior pages\, ephemera and photographic prints\, as well as key artwork from the era. The show draws from the nearly 4\,000 pages\, 3\,000 photographs\, sets of original copies and attendant materials that constitute The East Village Eye Archive\, dubbed “the King Tut’s tomb of downtown New York.” \nArtist and Colab co-founder Christof Kohlhofer was the first art director of the Eye. Kohlhofer\, who studied with Joseph Beuys\, introduced Abrams to the influential artists who were a part of the flourishing EV art scene. “I credit Christof with steering the Eye towards art\, but also for injecting a Beuys-like approach. Basically doing whatever was necessary at the time\,” says Abrams in the 2014 Hyperallergic article The East Village Eye: Where Art\, Hip Hop\, and Punk Collided. \nAs a result\, the magazine featured art world luminaries including David Wojnarowicz\, Richard Hell\, Cookie Mueller\, Lucy Lippard\, and Rene Ricard. The magazine’s covers read like a who’s who of cultural influencers like Patti Astor\, Robert Mapplethorpe\, and Vito Acconci; emerging artists such as Sue Coe\, Barbara Kruger and Kiki Smith; as well as musicians like Patti Smith\, Run DMC\, Annie Lennox\, and the Beastie Boys. \nRichard Hell explained how he and other New Yorkers\, and not English kids\, “invented” punk; Cookie Mueller dished out bold and often hilarious health advice; Glenn O’Brien\, the leading avant-pop writer and media figure\, expounded on the New York Yankees; and the aforementioned David Wojnarowicz wrote about his harrowing past and present as a street hustler and later as an artist living with HIV. \nCreative collaboration was the hallmark of the magazine’s legacy. “The mix of fashion\, music\, art\, politics\, comics etc.\, the way it was presented by the Eye\, the constant changing impact through all those different people who worked on the paper\, and Leonard’s attitude not to interfere with that\, made it a very lively subject\,” says Kohlhofer in the Hyperallergic article. \nOver a period of eight years\, the magazine chronicled the spectacular rise and eventual implosion of the East Village art scene. The Eye‘s coverage of the arts and music scenes helped illuminate the psychosocial conflicts running through EV/LES culture\, NYC\, and beyond. Later issues of the Eye touched upon the beginnings of radical changes in the neighborhood. In April 1986 the magazine ran a feature on the rise of “The East Village Yuppie.” Sixth months earlier\, the Eye’s art editor\, Carlo McCormick\, published an obituary for the neighborhood’s art scene. “Though the greed and envy have disbanded our beautiful community\,” wrote McCormick\, “the East Village will continue to exist as the simulacrum of itself. The art world is finally ready to preserve our youth like the glamorous visage of the internally decrepit Dorian Grey.” \nUltimately\, The East Village Eye was the monthly record of a time and place in which the radical shifts of the post-Vietnam era produced a reckless thirst for experience and expression that redefined the world we live in today. Through this exhibition\, Howl! Happening stands in solidarity with the EV/LES artists and community—past and present—whose creativity continues to fuel us. \nSpecial Events are also planned. Check the Howl! Happening website for updates.\nSeptember 18: Panel Discussion\nSeptember 24: New/No Wave Films\nSeptember 25: Cinema of Transgression\nOctober 6: Channeling the Dead: Readings of stories by deceased writers Kathy Acker\, Cookie Mueller\, Rene Ricard\, David Wojnarowicz and (too many) others. \nEast Village Eye – Special Edition \nA special edition of The East Village Eye will act as the catalogue. The tabloid-sized magazine will include historical essays; political commentary; articles about current events and people who are impacting our world; and guides to goings-on in downtown Manhattan and Brooklyn.
URL:https://www.howlarts.org/event/its-all-true-the-east-village-eye-show/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Exhibition,Gallery
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DTSTART;TZID=America/New_York:20160916T140000
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SUMMARY:The Full Moon Show
DESCRIPTION:A Tom Murrin/Alien Comic Invention\nEvery Month on the Full Moon\nAs a special tribute to Tom Murrin\, the late godfather of performance art\, Howl! Happening presents it monthly series THE FULL MOON SHOW—performances\, rituals\, and blessings paying tribute to his moon goddess Luna Macaroona—an homage he delivered as a stage and street performer for nearly 50 years. In the gallery or on the street expect madcap performances by old friends and rising stars. The Tom Murrin/Full Moon series is curated by performance artist Salley May. Check back here for times and performers. \n  \nAbout Tom Murrin and the Full Moon Show \nHowl! Happening houses the archives of Tom Murrin. Murrin\, aka the Alien Comic\, is known as the Godfather of Performance Art. Every full moon\, Tom performed the Full Moon Show in honor of his moon goddess\, Luna Macaroona. When he had a club date that fell on the full moon\, he’d wrangle his friends to perform as his guests—pushing the careers of such groundbreaking performers as David Cale\, David Sedaris\, Amy Sedaris\, Blue Man Group\, Ethyl Eichelberger\, Lisa Kron and many others. If not\, he performed on the street for passersby\, transforming the pedestrian atmosphere with his madness and magic. Howl! Happening’s monthly series continues that tradition\, with performances in the gallery and surprise pop up performances on the street. \n  \nAbout The Tom Murrin Archive \nHowl! Happening is the repository of the Tom Murrin Archive comprising masks\, costumes\, scripts\, correspondence\, photographs\, and tapes of performances going back to the early 70s. Murrin (February 8\, 1939 – March 12\, 2012) also known as The Alien Comic and Jack Bump\, was a performance pioneer whose life and work inspired both artists and audiences for over 40 years. He was a member of the first generation of La MaMa playwrights. Tom wrote four plays performed through La MaMa and produced by John Vacarro’s Play-House of the Ridiculous\, including the offbeat hit\, Cock Strong\, which toured with Ellen Stewart’s La MaMa Troupe to Paris\, Amsterdam and Brussels. \nUnder the guidance of famed rock manager Jane Friedman\, Tom began to perform under the name Alien Comic\, opening for acclaimed punk bands in rock clubs such as CBGBs and Max’s Kansas City. He performed in New York City clubs and theaters as The Alien Comic\, appearing in such venues as The Pyramid\, 8BC\, King Tut’s Wah Wah Hut\, Performance Space 122\, Dixon Place\, La MaMa\, and more. Since the mid 80s\, he created\, performed\, and curated a series of variety nights at Performance Space 122\, and later at the La Mama Experimental Theatre Club and Dixon Place\, called The Full Moon Show. His plays Sport-Fuckers and Butt-Crack Bingo were produced at Theater for the New City and La MaMa and directed by David Levine. Tom was the first performance artist to appear on stage at the original Dixon Place location at 37 East First Street in 1986.
URL:https://www.howlarts.org/event/the-full-moon-show/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
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DTSTART;TZID=America/New_York:20160918T190000
DTEND;TZID=America/New_York:20160918T210000
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SUMMARY:East Village Art: Scene or Circumstance?
DESCRIPTION:September 18th / 7 PM / Free\nA Panel Discussion with Leonard Abrams\, Yasmin Ramirez\, Sur Rodney (Sur)\, Arthur Fournier\, and Anthony Haden-Guest \nExpanding upon the East Village Eye Show\, key figures from the period discuss the times and the neighborhood that changed the culture forever. \nLeonard Abrams\, Moderator\nLeonard Abrams acted as editor and publisher of the East Village Eye during the entirety of its run from 1979 through 1987. He then co-founded the multiracial hip hop clubs The Milky Way and Hotel Amazon in New York during 1987 and 1988\, and has served as music editor of Details magazine\, U.S. editor of Soul Underground magazine in London\, as well as Masthead literary magazine in Melbourne. His first feature documentary film\, Quilombo Country\, was released in 2006 and he is working on his second documentary\, concurrently with his work on the preservation and dissemination of materials related to the East Village Eye archive\, from which the materials for The East Village Eye Show are largely drawn. \nPanelists \nYasmin Ramirez\nYasmin Ramirez\, Ph.D. is an art historian and independent curator. Ramirez has worked at Taller Boricua\, El Museo Del Barrio\, The Studio Museum\, The New Museum\, Art in General\, the Alternative Museum\, Franklin Furnace and the East Village Eye. While at the Eye\, she was instrumental in exposing the talents of young graffiti art pioneers to the recognized art world and beyond. \nSur Rodney (Sur)\nSur Rodney (Sur) is a writer\, archivist\, curator\, artistic collaborator and former co-director of Gracie Mansion Gallery who left his position in 1988 to pursue ever-pressing concerns with archiving and records management of artists with HIV/AIDS. He served on the board of Visual AIDS for over a decade\, where he helped establish the Frank Moore Archive Project of Visual AIDS to assist artists with HIV/AIDS\, their estates\, curators and scholars. \nArthur Fournier\nArthur Fournier is an archivist and independent rare book dealer based in Brooklyn\, New York. He has worked as a consultant on the placement of major archives and collections with tier-one research institutions including The New York Public Library\, Stanford University\, and Cornell\, and has a particular interest in convergences of the avant-garde\, popular and fine arts. \nAnthony Haden-Guest\nAnthony Haden-Guest\, a writer\, reporter\, cartoonist and curator\, has published in leading magazines in Britain and America\, including Vanity Fair\, Esquire and GQ\, and increasingly online at Artnet and The Daily Beast. His most recent books are True Colors: The Real Life of the Art World (Grove Atlantic) and The Last Party: Studio 54\, Disco and the Culture of the Night (William Morrow and Company). Among the shows he curated last year was “The Last Party” The Influence of New York’s Club Culture: Mid ’70s – Early ’90s at WhiteBox Artspace in New York. \nImage: Painting by Richard Hambleton\nDesign by Mark Michaelson\nPhotos by Juanita Rainey \n  \n  \n  \n  \n 
URL:https://www.howlarts.org/event/east-village-art-scene-or-circumstance/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Events
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DTSTART;TZID=America/New_York:20160919T200000
DTEND;TZID=America/New_York:20160919T220000
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SUMMARY:Writers Block 2016 Presents Marat / Sade a TWEED TheaterWork
DESCRIPTION: The Persecution and Assassination of Jean Paul Marat as Performed by the Inmates of the Asylum of Charenton Under The Direction of the Marquis de Sade\nMonday\, September 19\, 2016 / 8 PM / $30 / $50\nPresented in Association with Dixon Place***\nPart of the 2016 Writers Block staged reading and performance festival \nTWEED TheaterWorks Artistic Director Kevin Malony directs an angry\, pissed-off production of Marat/Sade\, for angry\, pissed-off times. Marat/Sade unleashes a host of luminaries from the New York City performance scene to shred the delicate sensibilities of its audience: Edgar Oliver\, David Cale\, Bree Benton\, Julie Atlas Muz\, James ‘Tigger!’ Ferguson\, Daniel Booth (aka Sweetie)\, Colleen O’Neill\, Brian Butterick\, Flloyd\, Agosto Machado\, Joan Marie Moossy\, Brenda Bergman\, Natasha Thweatt\, and more! \nIn this play within a play set in the historical Charenton Asylum\, the Marquis de Sade directs inmates of the institution in a historical re-enactment of the assassination of Jean-Paul Marat.  Marat/Sade was originally published in German in 1962 and was presented by the Royal Shakespeare Company in 1964 under the direction of Peter Brook. This iconic production later moved to Broadway where it won a Tony for best play in 1965\, and was filmed in 1967. \nSongs will be performed by Stephen Pell\, John Kelly\, Carol Lipnik\, Basil Roderick\, Michael Cavadias\, David Ilku\, Joseph Keckler\, and Bree Benton (Poor Baby Bree)\, and the entire ensemble\, under the musical direction of John Kruth. Stanley Love will choreograph. \nAbout TWEED TheaterWorks   \n***Presented at Dixon Place\, 161A Christie Street\, New York   \nTICKETS: General Admission $30  / VIP Ticket $50 Includes reserved seating and complimentary cocktail at reception with the cast. \nThe staged readings series is a benefit for the Actors Fund’s Howl! HELP\, providing emergency financial assistance and social service support to artists who have made or continue to make their careers in New York’s East Village and Lower East Side arts communities. Howl! HELP is administered by the Actors Fund and 100% ticket sales benefit the Actors Fund.
URL:https://www.howlarts.org/event/writers-block-2016-tweed-theaterworks/
LOCATION:Dixon Place\, 161A Christie Street\, New York\, NY\, 10003\, United States
CATEGORIES:Special Event
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DTSTART;TZID=America/New_York:20160923T190000
DTEND;TZID=America/New_York:20160923T210000
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SUMMARY:Ruby Lynn Reyner Heaven Wants Out (1970)
DESCRIPTION:Friday\, September 23\, 2016 / 7 PM / Free\nA Film Screening and Discussion  \nHeaven is a New York actress (played by Ruby Lynn Reyner) who is struggling to make a career. The film takes place in the Bowery Follies Cabaret\, once a hot spot\, but now just another broken down New York City nightclub populated with the last vestiges of vaudeville entertainers\, misfits and a headliner known as Heaven. She\, like the club\, has been there too long. In a drunken reverie\, she wanders through the lives of the men who watch her sing night after night\, looking for love—trying to make sense of how she got there in the first place\, hoping for a ticket out. \nDirected by Robert Feinberg\, Heaven Wants Out captures New York City in the 70s and also includes appearances by Mary Woronov\, Holly Woodlawn\, Ondine\, and fashion photographer Francesco Scavullo. A documentary about the making of this lost film\, titled Finishing Heaven\, was produced by HBO. \nFollowing the film there will be a discussion with Reyner and Michael Quinn (the James Lipton of the Lower East Side)\, and a Q&A with the audience. \nRuby Lynn Reyner’s career spans stage\, screen\, and rock ‘n’ roll juke joints from the 70s to the present day. The original ingenue of the Play–house of the Ridiculous\, Ruby is a winner of the Drama Desk Award for La Bohemia and an Emmy nominee for Finishing Heaven. \nAbout Ruby Lynne Reyner
URL:https://www.howlarts.org/event/ruby-lynn-reyner-heaven-wants-out-1970/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Events
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DTSTART;TZID=America/New_York:20160924T150000
DTEND;TZID=America/New_York:20160924T180000
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SUMMARY:East Village Eye Showcases the Films of the 1980s New Wave / No Wave
DESCRIPTION:September 24th / 3 PM / Free\nFrom The Cinema of Transgression known for its shocking themes and black humor and Sara Driver’s “lost” debut film to a fully restored version of Tommy Turner and David Wojnarowicz’ Where Evil Dwells and films that helped define the No Wave scene by key members of Downtown No Wave Cinema\, this evening presents works by some of the most important filmmakers to come out of the East Village in the 1980s. Reflecting the cultural turmoil and explosion of creative expression of the times\, these films illuminate the groundbreaking\, sometimes shocking\, experimental ethos of the neighborhood. \n3:00 LES (Lower East Side) by Coleen Fitzgibbon\n3:20 Liberty’s Booty by Vivienne Dick\n4:15 You Are Not I  by Sara Driver\nIntermission\n5:30 Rome ’78 by James Nares  \nImage: Timothy Greenfield-Sanders & Walter Wlodarczyk
URL:https://www.howlarts.org/event/east-village-eye-showcases-the-films-of-the-1980s-2016-09-25/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Events
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DTSTART;TZID=America/New_York:20160925T150000
DTEND;TZID=America/New_York:20160925T180000
DTSTAMP:20160826T131352Z
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SUMMARY:East Village Eye Showcases the Films of the 1980s Cinema of Transgression
DESCRIPTION:September 25th / 3 PM / Free\nFrom The Cinema of Transgression known for its shocking themes and black humor and Sara Driver’s “lost” debut film to a fully restored version of Tommy Turner and David Wojnarowicz’ Where Evil Dwells and films that helped define the No Wave scene by key members of Downtown No Wave Cinema\, this evening presents works by some of the most important filmmakers to come out of the East Village in the 1980s. Reflecting the cultural turmoil and explosion of creative expression of the times\, these films illuminate the groundbreaking\, sometimes shocking\, experimental ethos of the neighborhood. \n3:00 Unannounced Shorts\n3:15 Thrust in Me by Richard Kern & Nick Zedd\n3:30 Stray Dogs by Richard Kern\n3:45 Simonland by Tommy Turner\n4:00 Where Evil Dwells by Tommy Turner  & David Wojnarowicz\nIntermission\n4:45 They Eat Scum by Nick Zedd \nImage: Timothy Greenfield-Sanders & Walter Wlodarczyk
URL:https://www.howlarts.org/event/east-village-eye-showcases-the-films-of-the-1980s/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Events
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DTSTART;TZID=America/New_York:20160926T190000
DTEND;TZID=America/New_York:20160926T210000
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SUMMARY:Writers Block 2016 PresentsDavid Caudle Visiting Hours
DESCRIPTION:Monday\, September 26th / 7 PM\nA slow-burning\, perceptive chamber drama about sacrifice and betrayal\, honesty and self-delusion . . . —Miami New Times \nPart of the 2016 Writers Block staged reading and performance festival \nMiami\, Florida. The present. A Lesbian couple’s longtime relationship is threatened when their estranged adult son resurfaces\, having been arrested for aggravated assault. Their struggle mirrors that of any couple\, gay or straight\, faced with the prospect that their child may never be “okay.” Visiting Hours will be directed by Tony Torn and presented in association with the Torn Page salon and APT 929 Theatre Company\, where early development of the play took place. \nImmensely engaging…Caudle examines the boundaries of love and acceptance\, and the sometimes manipulative competition that filial love can create…  —The Times Picayune (New Orleans) \nVoted Best New Play of 2012 by the Times-Picayune\, the New Orleans production featured local celebrity Becky Allen and was directed by Ann Mahoney who plays Olivia in The Walking Dead. About David Caudle \nTICKETS: $20 Suggested Donation\nLimited Space. To reserve a seat buy your tickets now \nThe staged readings series is a benefit for the Actors Fund’s Howl! HELP\, providing emergency financial assistance and social service support to artists who have made or continue to make their careers in New York’s East Village and Lower East Side arts communities. Howl! HELP is administered by the Actors Fund and 100% ticket sales benefit the Actors Fund.
URL:https://www.howlarts.org/event/writers-block-2016-david-caudle-visiting-hours/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2016/07/Picture1-1-4.jpg
GEO:40.7248189;-73.991658
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END:VEVENT
END:VCALENDAR