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DTSTART;TZID=America/New_York:20181027T190000
DTEND;TZID=America/New_York:20181027T210000
DTSTAMP:20181026T151449Z
CREATED:20181024T152020Z
LAST-MODIFIED:20181026T151449Z
UID:10000486-1540666800-1540674000@www.howlarts.org
SUMMARY:Crosstalk on Ruminations: Notes on New Love
DESCRIPTION:Panel Discussion with Tony Whitfield\, Carlo McCormick and Sur Rodney (Sur)\n  \nHowl! Happening is pleased to present a panel discussion on Tony Whitfield’s exhibition: Ruminations: Notes on New Love. Writers\, critics\, and art historians who contributed to the catalog look at Whitfield’s particular narratives and the metaphors that run through the varied art practices he has explored. In a variety of serial works\, Whitfield embraces queer identity as mutable lifelong experience\, manifested in learned strategies for living\, fluid expressions of desire and infatuation in the context of external responses and constraints. This panel brings these writers together with Whitfield to discuss provocative aspects of his work they did not explore in their essays.  \n “Each man Whitfield interviews explains his own stumbling first steps towards queer love and queer identity\, and in outline they are almost always the same. They are unsupported\, untaught\, denied role models\, and punished for their desires\,” says Hugh Ryan in his essay about the narratives embedded in video works at the center of the exhibition. Grounded in theses experiences of queer love and identity\, this panel will explore with Whitfield how he seeks to manifest their collateral complexities in a wide range of contexts and media ranging from video\, performance\, artist books\, installations\, curating\, writing\, furniture design\, and teaching.
URL:https://www.howlarts.org/event/crosstalk-on-ruminations-notes-on-new-love/
CATEGORIES:Events
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DTSTART;TZID=America/New_York:20181104T190000
DTEND;TZID=America/New_York:20181104T210000
DTSTAMP:20181031T180045Z
CREATED:20181019T220809Z
LAST-MODIFIED:20181031T180045Z
UID:10000463-1541358000-1541365200@www.howlarts.org
SUMMARY:"Paris\, 1938" and Water Improv/Tree of Life
DESCRIPTION:Featuring Andrew Alden and Pat Irwin\n  \nHowl! Happening is pleased to present a screening and performance featuring work by composer Andrew Alden and musician Pat Irwin. Andrew will play live to the film “Paris 1938” by Tony Whitfield. Following this\, there will be an additional performance by Pat Irwin and Andrew Alden in response to footage by Tony Whitfield of Paris’s Seine river at flood stage. \n  \nAndrew Alden \nAndrew Alden is an American composer from New England. He received his BFA in Film Scoring and Composition at Berklee College of Music in Boston and is the director and composer of the Andrew Alden Ensemble\, which is dedicated to exploring new music in the tradition of Bang on a Can All-Stars\, Alloy Orchestra\, Kronos Quartet and Alarm Will Sound. Alden has performed with Evan Ziporyn and Terry Riley as a member of Gamelan Galak Tika\, has scored 20 different films\, including spots on NBC\, and has toured nationally. Andrew currently lives in Detroit where he works independently as a composer\, media producer and visual artist. In January 2018\, working as a driving force in collective of musicians and multi-media artists\, Andrew launched Obscura Broadcasting Company\, dedicated to end to end transmedia\, production and the narratives of diverse communities. In the context of that ambition\, he began what has evolved into an ongoing association with Tony Whitfield and Whitfield CoLabs\, in 2014 on the score for The Silver Rainbow\, a documentary on aging among queer people of color. \n  \nAbout Pat Irwin \nPat Irwin has been living and working in New York City since the late 70s. He was a founding member of 8-Eyed Spy (with Lydia Lunch)\, and the Raybeats. As a longtime member of The B-52s\, he performed with the band from 1989–2008. His new band is called The PI Power Trio. \nPat has written music for film and television\, including the HBO series Bored to Death and Showtime’s Nurse Jackie. He is currently composing the score for the new Netflix series The Good Cop. His composer credits include music for hundreds of cartoons\, including SpongeBob SquarePants\, Rocko’s Modern Life\, Pepper Ann\, and Class of 3000.
URL:https://www.howlarts.org/event/paris-1938-and-the-water-improv/
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/10/Paris-1938-Water-Improv-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181108T190000
DTEND;TZID=America/New_York:20181108T210000
DTSTAMP:20180727T203148Z
CREATED:20180727T165925Z
LAST-MODIFIED:20180727T203148Z
UID:10000478-1541703600-1541710800@www.howlarts.org
SUMMARY:Martha King: "Outside/Inside" Book Publication Party and Reading
DESCRIPTION:Celebrating the publication of her memoir Outside/Inside\, Martha King will give readings from the book\, joined by Sanjay Agnihotri\, editor and publisher of Local Knowledge magazine\, as well as Geoffrey Gatza\, BlazeVOX book publisher. \nOutside/Inside—Just Outside the Art World’s Inside brings readers into a detailed view of the U.S. art world during the pivotal period of 1956–2012\, just outside of documented accounts…. Hubert Selby\, Jr. babysitting\, Jim Rosenquist scavenging\, Henry Geldzahler resisting a blackmail attempt\, and Martin Duberman using his scholarship at Black Mountain College for a personal mission are all part of this story. \nThis gossipy and unsparingly personal account of the evolution of recent American culture—within both the art and literary worlds—details realities of a bohemian life that rarely surface in reportage or academic treatments. \nThis wide-ranging memoir touches upon Black Mountain College in its final days\, life on the Lower East Side staggered by anti-war fever\, and a seedy neighborhood in Brooklyn becoming Park Slope. Pre-fame Allen Ginsberg\, John Chamberlain\, Frank O’Hara\, and LeRoi Jones are brought to light\, as well as others still remaining largely outside the historical record—John Wieners\, Bob Thompson\, Lucia Berlin…. In western Michigan\, mainstream Manhattan book publishing\, Dumbo before luxury housing\, and Memorial Sloan Kettering Cancer Center when AIDS was called GRID (gay-related immune deficiency)\, the author and her husband painter Basil King persist in their shared belief in the power of art. \nBorn Martha Winston Davis in 1937 in Charlottesville\, Virginia\, Martha King\, attended Black Mountain College for three months as a teenager\, marrying the painter and poet Basil King in 1958. They have two daughters and four grandchildren. Before retiring in 2011\, Martha worked as an editor and science writer. She edited 2+2 Press chapbooks with Susan Sherman in the late 70s and published 31 issues of the zine Giants Play Well in the Drizzle from 1983 to 1992. Currently\, she co-curates a prose reading series with Elinor Nauen at SideWalk Cafe. basilking.net
URL:https://www.howlarts.org/event/martha-king-outside-inside-book-publication-party-and-reading/
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181111T190000
DTEND;TZID=America/New_York:20181111T210000
DTSTAMP:20181024T175030Z
CREATED:20181024T174317Z
LAST-MODIFIED:20181024T175030Z
UID:10000487-1541962800-1541970000@www.howlarts.org
SUMMARY:New Love: 1910: World Out of Kilter: Reprise: In My Mind We Are Always Naked.
DESCRIPTION:A closing night screening of the film of the stage production of Tony Whitfield’s New Love: 1910: World Out of Kilter\, produced in association with La MaMa ETC.  Augmenting this screening will be performances conceived and performed by Whitfield in collaboration with famed New York vocal coach Barbara Maier Gustern\, saxophonist Kurt Hoffman\, boylesque star Matt Knife\, multitalented artist Mike Russnak and garment designer\, Mau. Topping off the evening will be the legendary spinning of deejay\, Johnny Dynell.
URL:https://www.howlarts.org/event/new-love-1910-world-out-of-kilter-reprise-in-my-mind-we-are-always-naked/
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DTSTART;TZID=America/New_York:20181118T160000
DTEND;TZID=America/New_York:20181118T163000
DTSTAMP:20181116T210216Z
CREATED:20160911T175832Z
LAST-MODIFIED:20181116T210216Z
UID:10000393-1542556800-1542558600@www.howlarts.org
SUMMARY:The Full Moon Show: Do I Live Inside a Miracle?
DESCRIPTION:Every Month on The Full Moon\n4pm Sharp\n  \nWith 2018 approaching her 12th house of endings and another full moon descending\, Amelia Bande offers us a brand-new show\, brand same moon. In her precise\, identifiable consciousness\, she helps us off the moving sidewalk of Scorpio season with a tender hand\, outstretched. Amelia Bande is a Taurus moon\, of course. —Greer Dworman \n  \nHi Moon\,  \nA question: How do you sustain healthy long-lasting relationships with all of us?  \n\nIt’s almost winter\, days are shorter and dark. So we get to see you up there for longer hours! I promise not to exploit your emotional labor. I keep on saying “I love my job” and then I get frustrated and say\, “It’s just a job.” Maybe it’s the same for you? —Amelia Bande \n  \nAbout Amelia Bande  \nAmelia Bande is a Brooklyn-based writer and performer from Chile. Her plays Chueca and Partir y Renunciar were staged and published in Santiago. Amelia has shown her performances at Artists Space\, The Poetry Project\, Pratt Manhattan Gallery\, Storm King Arts Center\, Tang Museum\, Abrons Arts Center\, BOFFO Performance Festival\, Participant Inc. She has been an artist in residence at WORM Filmwerkplaats\, The Shandaken Project and Yaddo. She is co-editor of Critical Correspondence\, an online publication of Movement Research. Her chapbook The Clothes We Wear was published by Belladonna in 2017. \nAbout Greer Dworman \nGreer Dworman is a Brooklyn-based performer and maker. Their work presently and passionately investigates humor and pop culture in performance\, grappling with larger ideas in the world located in personal narrative\, concerning themselves with the ever shifting Right Now. \nDworman has been presented through Movement Research at the Judson Church and the Movement Research Spring Festival\, the CATCH series\, Salonathon Chicago\, Brink! at Dixon Place\, and Brooklyn Studios for Dance. Dworman currently hosts Tight 5\, supported and produced by HOWL! Happening. Tight 5 is a come-as-you-are comedy series billed with performers willing to try stand-up for the first time ever. They received their BFA from the Dance Center of Columbia College Chicago. \n  \nAbout Tom Murrin and the Full Moon Show \nGodfather of performance art\, Tom popularized a hilarious show every full moon in honor of his moon goddess\, Luna Macaroona. Inviting friends to join him on both stage and street\, he pushed the careers of such groundbreaking performers as David Cale\, David Sedaris\, Amy Sedaris\, Blue Man Group\, Ethyl Eichelberger and Lisa Kron among many others. Transforming the atmosphere with madness and magic\, Howl! Happening’s monthly series continues the Murrin tradition with pop-up performances in the gallery and on its sidewalk.  \nAbout The Tom Murrin Archive \nHowl! Happening safeguards the Tom Murrin Archive comprising masks\, costumes\, scripts\, correspondence\, photographs\, and tapes of performances going back to the early 70s. Murrin (February 8\, 1939 – March 12\, 2012) also known as The Alien Comic and Jack Bump\, was a performance pioneer whose life and work inspired both artists and audiences for over 40 years. He was a member of the first generation of La MaMa playwrights he premiered four plays produced by John Vacarro’s Play-House of the Ridiculous\, including the offbeat hit\, Cock Strong\, which toured with Ellen Stewart’s La MaMa Troupe to Paris\, Amsterdam and Brussels. \nAbout Tom \nTom began to perform under the name Alien Comic\, opening for acclaimed punk bands in rock clubs such as CBGBs and Max’s Kansas City. As Alien Comic he performed in such venues as The Pyramid\, 8BC\, King Tut’s Wah Wah Hut\, Performance Space 122\, Dixon Place\, La MaMa\, and more. Since the mid 80s\, he’s created\, performed\, and curated a series of variety nights at Performance Space 122\, and La Mama Experimental Theatre Club and Dixon Place\, called The Full Moon Show. His plays Sport-Fuckers and Butt-Crack Bingo were produced at Theater for the New City and La MaMa and directed by David Levine. Tom was the first performance artist to appear on stage at the original Dixon Place location at 37 East First Street in 1986. \nThe Full Moon Show is made possible in part with public funds from Creative Engagement / Creative Learning\, supported by New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and administered by Lower Manhattan Cultural Council. LMCC.net
URL:https://www.howlarts.org/event/the-full-moon-show-2016-11-16-2017-01-14-2017-07-14-2017-08-07-2017-12-03-2018-01-31-2018-11-23/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181128T190000
DTEND;TZID=America/New_York:20181128T210000
DTSTAMP:20181119T174136Z
CREATED:20181119T174136Z
LAST-MODIFIED:20181119T174136Z
UID:10000470-1543431600-1543438800@www.howlarts.org
SUMMARY:HURRAH! NYC: Night One
DESCRIPTION:Two Evenings Salute the Seminal Nightclub Hurrah \nHosted by John Phillips \nA flashpoint of the “downtown” music scene—though located on 62nd Street—Hurrah was the first large dance club to feature punk\, new wave\, and industrial music. With his finger on the pulse of the behind the scenes action as the longtime Doorman/Greeter of Hurrah from its genesis in the late 70s to its closing in 1981\, John Phillips hosts two evenings that launch an ongoing series paying tribute to the legendary club’s history.  \nOf particular note\, it was the first club to regularly feature music videos\, positioning monitors throughout the club (see Merrill Aldighieri’s world premiere videos screening below). Mixing it up as a showcase for bands from England—many at the earliest stages of their careers—the club was notorious for nurturing talent like the B-52s\, The Cure\, Johnny Thunders\, Klaus Nomi\, Tuxedomoon\, 8-Eyed Spy with Lydia Lunch\, Mission to Burma\, The Ramones\, Bauhaus and many others.  \n  \nPhotographer George Dubose \nGeorge DuBose would often go out after his workday apprenticeship for two Manhattan fashion photographers and document the scene at various nightclubs. Hurrah’s\, Max’s Kansas City\, the Mudd Club and Studio 54 were all his turf. Photographing the B52s debut concert at Max’s led DuBose to a career as an art director and photographer for over 300 covers of music packaging. His clients ranged from the Ramones (12 years and dozens of covers) to the Notorious B.I.G.’s first professional photo shoot. \nFor Howl!\, Dubose presents video projections of color and black and white images taken by George DuBose at the legendary nightclub. The images include performance images of Klaus Nomi\, Chris Spedding\, Richard Strange and Pylon from Athens\, Georgia. Also included are photos of celebrities and soon-to-become celebrities. \n I never take it as an insult when people say they don’t like an idea\, says Dubose. I take pictures for the artists and I don’t forget that. It’s a poignant truth that has defined Dubose’s career and his success as one of music’s best-known photographers\, a man who captured new wave\, punk\, and hip-hop with an uncanny eye. —Fact Magazine
URL:https://www.howlarts.org/event/hurrah-nyc-night-one/
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/11/klaus_hurrahs-004.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181129T180000
DTEND;TZID=America/New_York:20181129T200000
DTSTAMP:20181124T200405Z
CREATED:20181119T175224Z
LAST-MODIFIED:20181124T200405Z
UID:10000471-1543514400-1543521600@www.howlarts.org
SUMMARY:HURRAH! NYC: Night Two
DESCRIPTION:HURRAH! NYC \nTwo Evenings Salute the Seminal Nightclub Hurrah \nHosted by John Phillips \nA flashpoint of the “downtown” music scene—though located on 62nd Street—Hurrah was the first large dance club to feature punk\, new wave\, and industrial music. With his finger on the pulse of the behind the scenes action as the longtime Doorman/Greeter of Hurrah from its genesis in the late 70s to its closing in 1981\, John Phillips hosts two evenings that launch an ongoing series paying tribute to the legendary club’s history.  \nOf particular note\, it was the first club to regularly feature music videos\, positioning monitors throughout the club (see Merrill Aldighieri’s world premiere videos screening below). Mixing it up as a showcase for bands from England—many at the earliest stages of their careers—the club was notorious for nurturing talent like the B-52s\, The Cure\, Johnny Thunders\, Klaus Nomi\, Tuxedomoon\, 8-Eyed Spy with Lydia Lunch\, Mission to Burma\, The Ramones\, Bauhaus and many others.  \n  \nMerrill Aldighieri World Premiere Screening \nWith Ebet Roberts and special guest Barbara Lackey Clifford Finch \nMerrill Aldighieri debuts her two latest films from her Hurrah Archive of 200 hours of live performances at the club. Paying tribute to all the great doormen at the height of the nighclubbing craze\, the opening film\, Getting In (33 minutes)\, is a mash-up of true stories from Hurrah doormen and screen tests by iconic 80s actors. Included in the casting call are Steve Buscemi\, Barbara Gogin\, Illeana Douglas\, May Pang\, Howie Montaug\, and George Wrage\, who all auditioned for a fictional film about nightlife through the eyes of doormen.  \nThe second film\, Mission in Burmaland (60 minutes) features highlights from 4 concerts of the Boston band Mission of Burma. Interviews of the trio are interwoven in a visually embellished musical tapestry. The brilliant atonal abrasive feedback\, clever sound effect loops\, cultured lyrics and pop riffs make this band original and timeless. \nOpening the show will be a photographic “Happening” with images shot and presented by Ebet Roberts\, and a slow-motion mosaic study of flash frames of bands on the Hurrah stage\, including New Order\, Tuxedomoon\, Richard Hell & the Raybeats\, The Modettes and Strange Party. Adding to the evening will be a mixed DJ tape of a set by Geoff Brown\, digitally remastered by invited guest and co-owner of Hurrah\, Barbara Lackey Clifford Finch.  \nWatch more of Aldighieri’s VJ Diaries
URL:https://www.howlarts.org/event/hurrah-nyc-night-two/
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/11/FLASHFRAMES-by-Merrill-copy.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181130T180000
DTEND;TZID=America/New_York:20181130T210000
DTSTAMP:20181120T233627Z
CREATED:20181119T172209Z
LAST-MODIFIED:20181120T233627Z
UID:10000469-1543600800-1543611600@www.howlarts.org
SUMMARY:Thomas Lanigan-Schmidt Catalogue Launch and Panel Discussion
DESCRIPTION:Howl! Happening invites you to join culture critics\, art historians and curators for the publication of the catalogue for Thomas Lanigan-Schmidt’s Tenemental (With Sighs Too Deep for Words). A compendium of wide ranging essays and criticism\, the 106-page catalogue is Howl!’s most ambitious publication to date. Meet the artist and writers to celebrate Tommy’s multivalent work and life including contributors Dan Cameron; David Carter; Carlo McCormick; Roger S. Wieck; Jonathan Weinberg; and Agosto Machado. Published in association with Pavel Zoubok Fine Art. \n  \nRoger S. Wieck\, Melvin R. Seiden Curator and Department Head of Medieval and Renaissance Manuscripts\, Morgan Library & Museum\, discusses the dual themes that appear and reappear throughout Lanigan-Schmidt’s work: religion and childhood in his Essay Thomas Lanigan-Schmidt: The Art of Transubstantiation. \n  \nDan Cameron looks at the shifting perspectives of art historical perceptions and placement of the work in the context of Pattern and Decoration and AIDS in The Least Shall be Greatest. Art historian Jonathan Weinberg provides a penetrating interview with Lanigan Schmidt—who was a veteran of the Stonewall Riots and was present in the Stonewall Inn on June 28\, 1969—about his work in Art after Stonewall\, 1969-89. Timed to celebrate the 50th Anniversary of the Stonewall Riots\, the exhibition opens at the Grey Art Gallery and The Leslie Lohman Museum of Gay and Lesbian Art in April 2019. \n  \nDavid Carter’s insightful essay provides a deeper look at Tommy’s roots and family\, and offers biographical clues into Tommy’s psyche and creative process; and Carlo McCormick brings his perspective as a commentator and curator spanning decades of lived experience in the shifting downtown art and cultural scenes to understanding Lanigan-Schmidt’s layered work and his place inside and outside of fluctuating art and social movements.  \n 
URL:https://www.howlarts.org/event/thomas-lanigan-schmidt-catalogue-launch-and-panel-discussion/
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/11/ToLS_CoverV2.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181204T203000
DTEND;TZID=America/New_York:20181204T233000
DTSTAMP:20210309T005002Z
CREATED:20181116T161523Z
LAST-MODIFIED:20210309T005002Z
UID:10000468-1543955400-1543966200@www.howlarts.org
SUMMARY:Howl! Arts Presents: Jackie Factory's Low Life 8
DESCRIPTION:Low Life 8: Fairytale of New York at the Pyramid\n  \nThe much-missed Jackie Factory spectacular Low Life returns this holiday season for its eighth edition\, newly at the iconic Pyramid Club on Avenue A. Presented by East Village Arts instigator Howl! Arts\, Low Life 8 imagines the holidays in a century of East Village/Bowery dives and clubs\, from McGurk’s Suicide Hall to the Pyramid itself.\n\nProducers Chi Chi Valenti and Johnny Dynell promise a star-studded bill spanning generations and performance cults: Pyramid and Jackie 60 eminence Hattie Hathaway aka Brian Butterick\, butoh stars Vangeline Theater as Klaus Nomi and company\, queens of burlesque Dirty Martini and Cassandra Rosebeetle saluting Bowery vaudeville and vipers\, drag icon Sherry Vine\, choreographer/dancer Danielle Marie Fusco creating the title number\, thesbian Heather Litteer\, rising EV performance star Bobbie\, dark diva Poison Eve imagining Tanya Ransom as Nina Hagen\, and more. Jackie MC Paul Alexander will preside with Valenti\, and Pyramid/Jackie DJ Johnny Dynell spins between show sets and for a Jackie 60-style dance party afterwards.\n\nThe Jackie Factory created Low Life in 2007 as the closing show for the annual Howl! Festival in Tompkins Square Park. Inspired by the seminal Luc Sante book Low Life: The Lures and Snares of Old New York\, these big stage extravaganzas at Howl! Festival (2007-2013) continued a body of work born at the seminal Meatpacking District nightclub Jackie 60 @ Mother in 1997. For this indoor revamp\, two show sets will celebrate the Bowery haunts from the 1880s to the Roaring Twenties (Act One\, 9:30 PM) and The East Village Eighties/Pyramid Club (Act Two\, 11:30 PM).\n\nThe time travel quotient will be high—in some cases a performer will be recreating a moment that actually happened on the same stage three decades earlier! Veteran visitors will experience a Pyramid Club that is hauntingly familiar—virtually unchanged from the 1980s and still cash only—but with new bathrooms and excellent sound. For the show’s producers Valenti and Dynell\, East Village residents for three decades\, this holiday spectacular is a true present to and by the neighborhood’s past\, present and future stars.\n\n25% of door proceeds will benefit Howl! HELP (Howl! Emergency Life Project)\, a safety net for artists that provides emergency financial assistance and social service support in partnership with The Actors Fund. \nThe Pyramid\n101 Avenue A\, NYC\nDoors open at 8:30 PM\, show starts at 9:30 PM \nTickets: $15 in advance\, $20 at door\nTickets from dance party only (starts at midnight): $10\nBuy tickets: https://www.brownpapertickets.com/event/3899390 \n \n  \n 
URL:https://www.howlarts.org/event/howl-arts-presents-jackie-factorys-low-life-8-fairytale-of-new-york/
LOCATION:Pyramid\, 101 Avenue A\, New York\, NY\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/11/LOW-LIFE-8-INSTA-BLACK-final.jpeg
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