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DTSTART;VALUE=DATE:20180228
DTEND;VALUE=DATE:20180326
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CREATED:20180118T230458Z
LAST-MODIFIED:20180316T161025Z
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SUMMARY:John Kelly Sideways into the Shadows
DESCRIPTION:An Exhibition in Conjunction with Kelly’s Performance Time No Line at La MaMa\nOpening Reception: February 28\, 6–8 PM\nHowl! Happening is pleased to present a rare look into the heart and art of a consummate creator: John Kelly’s Sideways into the Shadows. Resonating and in conversation with Kelly’s major new performance work Time No Line at La MaMa (February 22–March 11\, 2018)\, Sideways into the Shadows is a journey through Kelly’s creative life that exposes both the unfolding of his artistic process and the generational rupture and emotional cost of the AIDS pandemic. \nThe exhibition consists of intimate and revealing journal entries\, rendered by hand on various sized panels\, and a memorial wall of lovingly-drawn portraits of friends and loved ones Kelly lost to AIDS. “Beginning in 1982\, my friends and colleagues were dying\,” says Kelly. “AIDS has framed my story to an unavoidable degree. Their absence remains part of my work.” \nThe 70 hand-rendered transcriptions of dated journal entries are drawings on paper\, mounted on panels installed as a horizontal timeline. Alternating raw and honest\, funny\, provocative\, and deeply felt\, the drawings illuminate his artistic trajectory and reveal the intertwined worlds of clubs\, drag\, gender\, sex\, and Kelly’s own creative and personal process of navigating incomprehensible loss. Filled with ideas\, sketches\, poems\, and plans for performances\, the pages—going back to 1976—are also full of humor\, gossip\, observation\, and cultural commentary as he witnessed the world around him transform. \nThe memorial wall of portraits is comprised of 40 graphite drawings on paper mounted on panels—renderings of gifted individuals that were part of Kelly’s life and creative circles—including such cultural luminaries as Sam Wagstaff\, Hugh Steers\, Peter Hujar\, Cookie Mueller\, Charles Ludlam\, and Ethyl Eichelberger\, as well as other individuals whose legacies have received less attention. The impulse behind these portraits stems from Kelly’s habit (as a survivor of the AIDS epidemic) of pondering a scenario where his generation had not been lost to the epidemic\, a world in which they would be flourishing and in their prime. As a balm to this tantalizing but painful fantasy\, Kelly pays tribute to the men\, women\, and trans folk who held crucial and supportive roles in his life and work as it unfolded over the past 36 years. \nTogether with the performances at La MaMa\, this exhibition displays one artist’s personal journey—his choices\, doubts\, creative processes\, and triumphs—making art that consciously tells stories\, witnesses\, and demonstrates a unique activism and commitment in the face of absolute catastrophe. \nAs Kelly explains\, “From this vantage point\, it was a challenging time. It’s still hard to get my head around it. This exhibition and Time No Line are my way to process the entire range of how my personal experiences and the arc of my artistic career intertwined into a coherent whole during a time that was both exhilarating and tragic.” \nLeaving behind his early focus as a dancer\, Kelly attended the Parsons School of Design in the 70s\, eventually immersing himself in the thriving Downtown and East Village scene\, including his debut at the Anvil in 1979 and subsequent creative development in clubs such as Club 57\, the Pyramid\, 8BC\, and Danceteria. He has had an extensive career as a performance and visual artist\, musician\, and poet. His visual art has been exhibited at Alexander Gray Associates\, New York; The Arts Center at Governors Island\, New York; Institute of Contemporary Art\, Philadelphia; The Kitchen\, New York; MACRO Museo d’Arte Contemporanea di Roma\, Rome; MIT List Visual Arts Center\, Cambridge\, MA; the Museum of Modern Art\, New York; and the New Museum\, New York\, among other venues. \nThe Museum of Modern Art acquired two filmed versions of Kelly’s early performance works\, created in collaboration with filmmaker Anthony Chase\, in 2017. \nResidencies include The American Academy in Rome\, The Radcliffe Institute for Advanced Study at Harvard\, Bard College\, Lower Manhattan Cultural Council\, MacDowell Colony\, MASS MoCA\, Park Avenue Armory\, Yaddo\, Civitella Ranieri\, the Bogliasco Foundation\, and the Sundance Institute Theatre Lab. \nABOUT JOHN KELLY
URL:https://www.howlarts.org/event/john-kelly-sideways-into-the-shadows/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180322T190000
DTEND;TZID=America/New_York:20180322T210000
DTSTAMP:20260607T033805
CREATED:20180319T151113Z
LAST-MODIFIED:20180319T170910Z
UID:10000438-1521745200-1521752400@www.howlarts.org
SUMMARY:John Kelly The Dying Game
DESCRIPTION:Film sequences by Anthony Chase for live performance works by John Kelly 1984–1993\nVideo works by John Kelly 2000–2014\nThe heightened realities of life and death have consistently informed John Kelly’s performance works. Beginning his career in the clubs of New York’s East Village\, this proclivity for the grand gesture and epic consequence was exhibited in short performances such as The Martyrdom of St. Sebastian (1981)\, Orpheus and Eurydice (1981)\, Death of Marat (1984)\, Narcissus (1983)\, Death In Dallas (1983\, about the Kennedy assassination)\, St. George Killed the Dragon (1985)\, and The Forces of Destiny (1983). \nAs his career developed\, he continued to create more complex works based on similar themes. These gestures were also informed by the loss of a lover in 1982 to the AIDS epidemic. Loss and struggle affected the community in which he worked\, informing Kelly’s choice of subject matter while addressing issues of life and death both directly and metaphorically. \nKelly’s early collaborations with filmmaker Anthony Chase resulted in a significant body of work\, creating film sequences as 8mm and 16mm projections for his live performance works. Most of these have not been seen publicly since their premiere. Also included in the program are recent video works by Kelly. \nFilm sequences by Anthony Chase for live performance works by John Kelly 1984-1992 \nPASS THE BLUTWURST\, BITTE (1984) Anthony Chase and John Kelly\n‘The Death of Egon Schiele’\, 2:30 B&W Super 8mm film \nDIARY OF A SOMNAMBULIST (1985) Anthony Chase and John Kelly\n‘Party’ and ‘Transformation Scene’\, 5:30 B&W Super 8mm film \nGO WEST JUNGER MANN (1984) Anthony Chase and John Kelly\n‘East German Graffiti Artist Dreams of Rapunzel’ and ‘The Dying Swan’\, 3:30 B&W Super 8mm film \nFIND MY WAY HOME (1988) Anthony Chase and John Kelly\n‘Do Not Kill Yourself’\, 1:50 B&W Super 8mm film \nLOVE OF A POET (1990) Anthony Chase and John Kelly\n‘Dream’ and ‘Dirt’\, 5:00 B&W Super 8mm film \nMAYBE IT’S COLD OUTSIDE (1991) Anthony Chase and John Kelly\n‘Visit to the Doctor’\, 2:38 B&W Super 8mm film with hand coloring \nDIVINE PROMISCUE (1992) Anthony Chase and John Kelly\n‘Mona Lisa Visits the Graveyard’\, 2:00 B&W Super 8mm film \nLIGHT SHALL LIFT THEM (1993) Anthony Chase and John Kelly\n‘The Audition of Vander Barbette’\, 7:00 16mm B&W \nVideo works by John Kelly 2000–2014 \nBROTHER (2000) John Kelly\n‘This Solid Ground—T Cells’\, 3:05 color video with analog animation \nMUSE ASCENDING A STAIRCASE (2012) John Kelly\n‘The Dying Swan Boy’\, 5:30\, HD video\, color and sound\n‘I’m Lost to the World’\, 5:02 HD video\, color \nTHE ESCAPE ARTIST (2014) John Kelly\n‘You Only Live Twice’\, 4:00 HD video\, color \nImage: Film still from Diary of a Somnambulist (1986). L-R: George M. Carter\, Stephen Tashjian (Tabboo!)\, Philly Abe\, George Carstens\, Hapi Phace
URL:https://www.howlarts.org/event/john-kelly-the-dying-game/
LOCATION:NY
CATEGORIES:Performances
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180323T190000
DTEND;TZID=America/New_York:20180323T210000
DTSTAMP:20260607T033805
CREATED:20171020T204912Z
LAST-MODIFIED:20180316T163806Z
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SUMMARY:Tight 5
DESCRIPTION:A Comedy Series hosted by Greer Dworman \nFeaturing\nAmelia Bande\nxtian w\nLiz Charky\nJosé Rivera Jr. \nPresented by HOWL! Happening\, Tight 5 is a comedy series curated and hosted by comedian and performer Greer Dworman. A come-as-you-are comedy show billed with performers willing to try stand-up for the first time ever. Universally agreed upon as the scariest thing anyone will ever do (questionably an exaggeration)\, Tight 5 prompts performers to “Try it. Just try it!” or “Let go and let god!” \nGreer Dworman is a Chicago-born now Brooklyn-based performer and maker. Her work has been presented in venues across Chicago and now emerging within the New York performance community as part of CATCH\, Movement Research at the Judson Church\, SHELTER Talk Series\, Salonathon Chicago\, and Brink! at Dixon Place\, among others. \nDworman presently and passionately investigates comedy and pop culture in her work\, grappling with larger ideas in the world located in personal narrative\, concerning herself with the Right Now. \nShe received her BFA in Dance Making from the Dance Center of Columbia College Chicago. \n  \nPhoto: Catherine Galasso
URL:https://www.howlarts.org/event/greer-dworman-tight-5-2017-12-13-2018-01-31-2018-03-23/
LOCATION:NY
CATEGORIES:Performance
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180329
DTEND;VALUE=DATE:20180330
DTSTAMP:20260607T033805
CREATED:20180205T211025Z
LAST-MODIFIED:20180317T164815Z
UID:10000185-1522281600-1522367999@www.howlarts.org
SUMMARY:Writers Block 2018
DESCRIPTION:An Annual Festival of Staged Readings and Performances to Benefit the Actors Fund \nHowl! Happening: An Arturo Vega Project is pleased to present the annual Writers Block 2018 Festival. Created to showcase the vision of contemporary writers\, performers\, and artists\, many of whom got their start in the nightclubs\, seminal performance spaces\, and theaters associated with the EV/LES\, the festival showcases some of the most important playwrights and performers in theater today. New works in progress are presented at this intimate\, ultimate downtown theatrical event. Writers Block 2018 will occur throughout the year with a series of short plays and one-acts over several days\, and blocks of full-length evenings. \nThe festival is a benefit for the Howl! Emergency Life Project (Howl! HELP)\, providing emergency financial assistance and social service support to artists who have made or continue to make their careers in New York’s East Village and Lower East Side arts communities. 100% of the proceeds from ticket sales benefit the Actors Fund.  \n “Howl! HELP is an integral part of Howl Arts’ vision to provide a safe haven for artists from our neighborhood\,” says Jane Friedman\, founder of Howl! Happening. “Writers Block is both a creative outlet and a benefit to insure the health and well-being of our community.” Howl Happening also hosts free\, monthly health care and housing workshops presented by the Actors Fund. For information and updated schedule of events: howlarts.org. \nPerformances include:\nFriday\, February 23\, 2018 / 7 PM / $10\nMelba LaRose After the Wall: A Polytheatrical Extravaganza\nAfter the Wall\, a multicultural\, multidimensional\, multidisciplinary\, multimedia play about walls around the world and throughout time\, takes the stage in a one night only preview at Howl! Happening. With comedy\, drama\, song\, dance\, projections\, and soundscapes that envelop the audience\, this theatrical extravaganza aims to shake us up and start the conversation. Written and directed by avant-garde Off-Off-Broadway legend Melba LaRose\, the play is an epic wild ride through history. For Tickets to Melba LaRose \nThursday\, March 29\, 2018 / 7 PM / $20\nLa création du monde & Mahagonny Songplay\nLa création du monde by Darius Milhaud\nDowntown Chamber & Opera Players\nMimi Stern-Wolfe\, Conductor\nand\nMahagonny Songplay (1927)\nNotes from Lys Symonette of The Kurt Weill Foundation\nMusic by Kurt Weill\nText By Bertolt Brecht \nThursday – Sunday\, June 14 – 17 / $20\nWhen Lithuania Ruled the World by Kestutis Nakas
URL:https://www.howlarts.org/event/writers-block-2018/2018-03-29/
LOCATION:NY
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180329T190000
DTEND;TZID=America/New_York:20180329T210000
DTSTAMP:20260607T033805
CREATED:20180317T164409Z
LAST-MODIFIED:20180317T170209Z
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SUMMARY:Downtown Music Productions La création du mondeand Mahagonny Songplay
DESCRIPTION: Part of Howl!’s annual Writers Block staged reading and performance festival  \nFor Tickets to Downtown Music Productions \nLa création du monde by Darius Milhaud\nDowntown Chamber & Opera Players\nMimi Stern-Wolfe\, Conductor \n and \n Mahagonny Songplay (1927)\nNotes from Lys Symonette of The Kurt Weill Foundation\nMusic by Kurt Weill\nText By Bertolt Brecht \nHowl! Happening is pleased to present an evening with the Downtown Chamber & Opera Players as part of Writers Block\, a festival of staged readings and performances to benefit the Actors Fund. The festival is a benefit for the Howl! Emergency Life Project (Howl! HELP)\, which provides emergency financial assistance and social service support to artists who have made or continue to make their careers in New York’s East Village and Lower East Side arts communities. 100% of the proceeds from ticket sales benefit the Actors Fund. \nGet your tickets here. \nKurt Weill was born on March 2\, 1900 in Dessau\, Germany. He was the son of the Jewish cantor of a local synagogue. The Mahagonny Songspiel marked the beginning of Weill’s collaboration with Brecht\, whom he met in 1927 and whose poetry stirred him deeply. Lotte Lenya has described her husband Weill’s feelings of wanting to bridge the wide gap between composers and the great public. With Brecht\, he searched for new ways of accomplishing this goal. Challenging attitudes with fresh approaches\, the repertory stirred a great deal of controversy. His other collaborations with Brecht include The Threepenny Opera\, which enjoyed an overwhelming popularity in the United States when it was presented to theatre audiences after Weill had emigrated. \nMahagonny was intended by Weill and Brecht to represent a mythical place—for Germans\, it was usually a place in America. It was a sort of utopia of the petite bourgeoisie—a world where hedonistic pleasures coupled with society’s growing political turmoil led to eventual chaos and total ruin. The Mahagonny Songspiel premiered in July 1927 in Baden Baden\, last on a program of operas by Toch\, Milhaud\, and Hindermith. Part of the audience was enthusiastic; others were both shocked and disgusted by the piece. Brecht prepared the cast for the worst. Whistling in Germany is the most severe type of disapproval\, and so Brecht supplied all his cast members with whistles of their own\, so they could whistle right back—which they did! \nBy the early 30s\, political tensions in Germany had come to a full boil. Nazi demonstrations and general protests grew to great proportions\, particularly over Weill’s musical play Der Silbersee (The Silver Lake). Further performances were canceled. Both Weill and Lotte Lenya were advised to leave. They ran away to France where they stayed a short time before leaving Europe forever and coming to the United States. There\, Weill continued composing and wrote for the Broadway stage with other librettists until his death in 1950. His music in the United States was less acerbic than in Germany. He was capable of great stylistic diversity; his genius was that he adjusted musical lines\, rhythms\, and harmonies to the specific needs of every dramatic piece he created. \nThe Downtown Chamber Players in Mahagonny Songspiel include Justin Vance and Steve Lyon on clarinets\, Stephen Fillare on violin\, Robbie Harvey on alto saxophone\, Clyde Daley and Terry Szor on trumpets\, Ron Hay on trombone\, Peter J. Saleh on percussion\, and Elizabeth Rodgers on piano\, with Mimi Stern-Wolfe conducting. \nThe piece is sung by four men who intend to travel to Mahagonny—a place where things are supposed to be ideally beautiful—and two women who are disillusioned with the Old World and keep searching for material happiness. Life in Mahagonny is described—we see characters drinking; playing cards; whoring; seeking dollars\, boys and whiskey; getting bored. God\, one of the four men\, is threatened after he orders them to Hell. But they say they are already there. Protest marches are staged; the city goes up in flames. The moral of the tale is quietly spoken in the finale by Bessie. The characters have demonstrated their excesses and limitations. \nCAST\nCharlie: Charles Calotta\, tenor\nBilly: Justin Michael Austin\, baritone\nBobby: Jorell Williams\, baritone\nJim\, God: Charles D. Carter\, bass\nJessie: Karla Simmons\, soprano\nBessie: Darcy Dunn\, mezzo-soprano \nSTAFF\nMusical Direction: Mimi Stern-Wolfe\nStage Direction: Katrin Hilbe\nProjection Design: Klay James-Enos\nCostume design: Cathy Small\nLighting Design: Carter Edwards
URL:https://www.howlarts.org/event/downtown-music-productions-la-creation-du-monde-and-mahagonny-songplay/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2016/07/Picture1-1-14.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180331T160000
DTEND;TZID=America/New_York:20180331T163000
DTSTAMP:20260607T033805
CREATED:20160911T175832Z
LAST-MODIFIED:20180328T211926Z
UID:10000315-1522512000-1522513800@www.howlarts.org
SUMMARY:The PABST BLUE Full Moon Show with Aru Hanger
DESCRIPTION:Every Month on The Full Moon\n4pm Sharp\n  \n\nWe all know we live in a world that values branding. Individuals\, corporations\, the social networks are abuzz with commodification. Aru Hanger is interested in how history progresses in a material driven culture. \n\n\nOutside\, on the sidewalk in front of Howl! Happening\, he’ll disrupt the public consciousness of the assembled crowd and passersby with a performance that takes the branding of Pabst Blue Ribbon beer as its central focus and radiates out to reflect on how we view and interact with history as a concept. \n\n\nScored rather than “scripted”\, the performer is hopeful that he’ll provoke interaction and that the assembled crowd will join in. We love a performer who uses beer as metaphor! \n\n  \nAbout Tom Murrin and the Full Moon Show \nEvery Month on The Full Moon\, The Full Moon Show is held at Howl Happening: An Arturo Vega Project at 4pm Sharp \nHowl! Happening houses the archives of Tom Murrin. Murrin\, aka the Alien Comic\, is known as the Godfather of Performance Art. Every full moon\, Tom performed the Full Moon Show in honor of his moon goddess\, Luna Macaroona. When he had a club date that fell on the full moon\, he’d wrangle his friends to perform as his guests—pushing the careers of such groundbreaking performers as David Cale\, David Sedaris\, Amy Sedaris\, Blue Man Group\, Ethyl Eichelberger\, Lisa Kron and many others. If not\, he performed on the street for passersby\, transforming the pedestrian atmosphere with his madness and magic. Howl! Happening’s monthly series continues that tradition\, with performances in the gallery and surprise pop up performances on the street. \nAbout The Tom Murrin Archive \nHowl! Happening is the repository of the Tom Murrin Archive comprising masks\, costumes\, scripts\, correspondence\, photographs\, and tapes of performances going back to the early 70s. Murrin (February 8\, 1939 – March 12\, 2012) also known as The Alien Comic and Jack Bump\, was a performance pioneer whose life and work inspired both artists and audiences for over 40 years. He was a member of the first generation of La MaMa playwrights. Tom wrote four plays performed through La MaMa and produced by John Vacarro’s Play-House of the Ridiculous\, including the offbeat hit\, Cock Strong\, which toured with Ellen Stewart’s La MaMa Troupe to Paris\, Amsterdam and Brussels. \nUnder the guidance of rock manager Jane Friedman\, Tom began to perform under the name Alien Comic\, opening for acclaimed punk bands in rock clubs such as CBGBs and Max’s Kansas City. As Alien Comic he performed in such venues as The Pyramid\, 8BC\, King Tut’s Wah Wah Hut\, Performance Space 122\, Dixon Place\, La MaMa\, and more. Since the mid 80s\, he’s created\, performed\, and curated a series of variety nights at Performance Space 122\, and La Mama Experimental Theatre Club and Dixon Place\, called The Full Moon Show. His plays Sport-Fuckers and Butt-Crack Bingo were produced at Theater for the New City and La MaMa and directed by David Levine. Tom was the first performance artist to appear on stage at the original Dixon Place location at 37 East First Street in 1986. \n\nThe Full Moon Show is made possible in part with public funds from Creative Engagement / Creative Learning\, supported by New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and administered by Lower Manhattan Cultural Council. LMCC.net
URL:https://www.howlarts.org/event/the-full-moon-show-2016-11-16-2017-01-14-2017-07-14-2017-08-07-2017-12-03-2018-01-31-2018-03-31/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180401
DTEND;VALUE=DATE:20180402
DTSTAMP:20260607T033805
CREATED:20180329T031128Z
LAST-MODIFIED:20210324T141930Z
UID:10000189-1522540800-1522627199@www.howlarts.org
SUMMARY:Gallery Closed
DESCRIPTION:
URL:https://www.howlarts.org/event/gallery-closed/
LOCATION:NY
CATEGORIES:#HowlAtHome
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180404
DTEND;VALUE=DATE:20180507
DTSTAMP:20260607T033805
CREATED:20180301T184027Z
LAST-MODIFIED:20180504T201311Z
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SUMMARY:Philly Abe This Side of Heaven
DESCRIPTION:Opening Reception: Wednesday April 4 / 6–8 PM / Free\n. . . a hybrid practice that has consistently harnessed both punk irreverence and graffiti transgression to channel demons. . . into the exquisite\, glowing collages. —Jenifer P Borum\, Raw Vision magazine \nArtist and performer Philly Abe (July 8\, 1949–January 30\, 2018) was a vortex of energy and core member of the Howl! Happening Tribe. Whether performing on the street outside the gallery in the impromptu and wacky Full Moon Show\, cheering on her friends at events and exhibitions\, or just being her own chaotic\, colorful self\, Philly/Kondor8 was a visionary who never stopped creating and reinventing herself through her performances\, collages\, and paintings. This Side of Heaven pays tribute to her work and life\, as we mourn her passing with a memorial exhibition. \nPhilly was born in 1949 and grew up in the suburbs of Philadelphia. She attended Penn State and received a degree in educational communications. Always a rebel rouser\, she was involved with some anarchist groups in the late 60s\, and in the 70s she moved to Toronto with her then-husband who worked for the Canadian Broadcasting Corporation. There she became involved with documentary radio\, studied dance with Lindsay Kemp\, and opened a punk store before heading West to more adventures. She made her way to San Francisco\, where she met Mike and George Kuchar\, with whom she would later make several films. Eventually\, in 1983\, she moved to the Lower East Side\, which was to be her home until her untimely death. \nOnce in New York\, Philly was fully engaged in the nightlife and cultural scene. She performed at the Pyramid\, Area\, Limbo Lounge\, 8BC\, Danceteria\, and did what it took to get by in the no holds barred atmosphere of creativity and community that reigned before the era of gentrification. It’s reputed that early on she even “slept on the stage of ABC No Rio.” \nIn January of this year\, she was the recipient of an Acker Award\, a tribute to the avant-garde arts community who praised her work and life “in defiance of convention.” Her bio from their program outlines her creative trajectory: She was part of 7 Days of Creation at ABC No Rio in 1983\, and the New Leonard Beach Hotel Project of artist-decorated rooms in Miami Beach in 1989\, both exhibitions curated by Allied Productions. She was the star of many films by director Todd Verow and his muse for more than two decades. Notable Verow films starring Philly include Once and Future Queen\, The Trouble of Perpetual Deja-Vu\, and most recently This Side of Heaven (2016). She starred in Agent of Paradise by Mary Bellis and was involved in screenings at Naked Eye Cinema. Her film credits also include appearances in the films of Jack Waters\, Carl George\, and Mike Kuchar. \nIn the 90s Philly fronted the punk band Eager Meat\, which recorded the album America is a Theme Park. In 2004\, she co-founded the noize/art collective Infinity SS (Saint Stanton) with Stanton Street artist friends Carlucci ‘The Magician’ Bencivenga\, Steve Ellis\, James Curtright\, Chris Morrow\, Craig Klein\, Kosuke Aoki\, Mayuka Nobuta\, and Dave Vulcan. They collaborated on art and their noize band performed at The Knitting Factory\, Arlene’s Grocery\, and CBGBs. \nFor the Acker Awards\, she described her work as “old style thrown against the wall of now—spray paint noize markers collage—with one foot in the Stone Age and the other in string theory.” Her work was featured on the cover of Raw Vision issue #66 in 2009\, and in exhibitions with Christina Varga in Woodstock\, New York\, and Phyllis Kind Gallery in Chelsea.
URL:https://www.howlarts.org/event/philly-abe-this-side-of-heaven/
LOCATION:NY
CATEGORIES:Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180405T190000
DTEND;TZID=America/New_York:20180405T210000
DTSTAMP:20260607T033805
CREATED:20171027T210112Z
LAST-MODIFIED:20180403T191613Z
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SUMMARY:Catalyst Quartet - CQ@Howl!
DESCRIPTION:A Performance Series by the Catalyst Quartet  \nTurbulent\, wildly colorful and exploding with life\, Strum sounded like a handful of American folk melodies tossed into a strong wind\, cascading and tumbling joyfully around one another.\n—Jessie Montgomery album review\, The Washington Post \nHowl! Happening is pleased to continue the ongoing performance series by the Catalyst Quartet—CQ@Howl! This evening CQ presents a number of meditative pieces that offer the listener an opportunity to reflect and look inward during these tumultuous times. Seeking to inspire a sense of common understanding and desire for peace\, the quartet will perform works that are contemplative and emotionally charged\, including Philip Glass 3rd String Quartet\, the Barber Adagio and Credo by Kevin Puts. The program will also include short readings by playwright\, scholar and teacher Robbie McCauley. The series brings to life the reciprocal connection and common mission between Howl! Happening and the Catalyst Quartet to explore the intersections of art\, music\, performance\, social justice\, immigrants\, equality\, and community activism. In the intimate space of the gallery\, the quartet will perform highlights from their current concert season\, special sneak peek presentations\, and collaborative works in process. The members of the quartet are Jessie Montgomery and Karla Donehew Perez\, violins; Paul Laraia\, viola; and Karlos Rodriguez\, cello. \nEach happening in the series will offer an opportunity to experience CQ and the inner workings of a string quartet through performance\, conversation\, and direct engagement with the artists. This season’s highlights include contemporary and 20th century works from their Hemispheres programs\, music of North and South America\, works in process from their spoken word project\, and much more. Future performances in the series to be announced! \nAbout The Catalyst Quartet  \nAbout Jessie Montgomery \n 
URL:https://www.howlarts.org/event/cqhowl-2018-04-05/
LOCATION:NY
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2017/10/Quartet.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180406T190000
DTEND;TZID=America/New_York:20180406T210000
DTSTAMP:20260607T033805
CREATED:20180327T122303Z
LAST-MODIFIED:20180327T122508Z
UID:10000437-1523041200-1523048400@www.howlarts.org
SUMMARY:Petrarch in Love: Poetry Reading with Penny Arcade\, Anthony Haden-Guest\, Nemo Librizzi\, and Ilka Scobie Video Projections by Luigi Cazzaniga
DESCRIPTION:Friday\, April 6\, 2018 / 7 PM / Free \nPetrarch in Love\nPoetry Reading with Penny Arcade\, Anthony Haden-Guest\, Nemo Librizzi\, and Ilka Scobie\nVideo Projections by Luigi Cazzaniga \nJoin Penny Arcade\, Anthony Haden-Guest\, Nemo Librizzi\, and Ilka Scobie in an eclectic poetry reading of their work to celebrate Spring and honor the April 6\, 1327 meeting of Italian poet Petrarch and his beloved muse Laura.  \nPetrarch composed 366 poems based on his unrequited love for Laura\, whom he saw only once on a Good Friday\, when she was illumed by the light shining through the window of the cathedral where he served as a cleric. The poet’s free and romantic spirit remains a lyrical inspiration and informs this evening’s readings. Considered one of the fathers of humanism\, Petrarch traveled widely for pleasure and is known as “the first tourist.” Video projections by Luigi Cazzaniga begin and end the event. \nPenny Arcade aka Susana Ventura occupies a rare position in America’s avant-garde\, contributing to the creation of new art forms every decade of her 50-year career. She is an internationally-respected poet\, essayist\, performance artist\, actress\, and experimental theater maker. With her longtime collaborator of 26 years\, Steve Zehentner\, she co-helms The Lower East Side Biography Project: Stemming the Tide of Cultural Amnesia\, an oral history video documentary project that has broadcast and cybercast weekly since 1999 every Monday at 11 PM via Facebook at @LowerEastSideBiographyProject \nLuigi Cazzaniga\, born in Milan\, Italy\, has lived and worked in New York for 30 years. His recent work has been exhibited in the Bronx No Commission; Greenwich Art Center\, CT; Caravaggio Art Festival\, Italy; and Shankill Arts\, Ireland. His 2017 interview with Oliver Stone was broadcast in Italy on RAI 3. His projections have been shown at the Bronx Museum of the Arts\, the Biennale di Soncino\, and the Bowery Poetry Club. \nAnthony Haden-Guest is a British writer\, reporter\, cartoonist\, curator\, and performer. He was born in Paris\, grew up in London\, and has long lived in New York. His books include True Colors: The Real Life of the Art World; The Last Party: Studio 54\, Disco\, and the Culture of the Night; and two books of cartoons and rhymes\, The Chronicles of Now: The Way We Live Now and In The Mean Time: The Other Ends of the World. \nNemo Librizzi was born in New York City in 1970. Radio DJ\, filmmaker\, and painter\, he has recently published two books: a memoir in Facebook post format titled “book”\, and Benjamin’s Silver Cup\, a fictional novella. \nIlka Scobie is a native New Yorker\, a poet who writes about contemporary art for Artlyst (London)\, The Brooklyn Rail and Whitehot. She has co-curated international art shows in Soncino\, Italy with her husband\, photographer Luigi Cazzaniga. A teaching poet\, she has worked in city public schools for many years.
URL:https://www.howlarts.org/event/petrarch-in-love-poetry-reading-with-penny-arcade-anthony-haden-guest-nemo-librizzi-and-ilka-scobie-video-projections-by-luigi-cazzaniga/
LOCATION:NY
CATEGORIES:Special Event
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/03/unnamed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180412T190000
DTEND;TZID=America/New_York:20180412T210000
DTSTAMP:20260607T033805
CREATED:20180329T141638Z
LAST-MODIFIED:20180411T131615Z
UID:10000190-1523559600-1523566800@www.howlarts.org
SUMMARY:The Cutouts:  Keith Patchel and The Venus Orbit with Poet Bob Holman
DESCRIPTION:Thursday\, April 12\, 2018 / 7 PM Free \nA Performance \nHowl! Happening is pleased to present a very special evening with Keith Patchel\, The Venus Orbit\, and poet Bob Holman. The Venus Orbit is a multimedia instrumental ensemble founded by award-winning NYC-based film composer Patchel.  The performance at Howl! Happening will be the debut of Patchel’s The Cutouts (Matisse)\, a new music song cycle using the poetry of Bob Holman—who will be performing—and based on Henri Matisse’s cut paper works\, along with abbreviated versions of Modern Music with Electronica and other Patchel compositions. Featured performers include Sayaka Aiba\, musicians Clara Francesca and Cantata Fan\, with projections by Alexis Kandra.  \nThe Cutouts (Matisse) is Bob Holman’s third chapbook with PeKa Boo Press\, located in Woods Hole\, MA. The series is edited by poet Eric Edwards and features cover and frontispiece art by Rebecca Edwards. The 50 miniatures in the book are ekphrastics—art inspired by other art—in this case the eponymous work with scissors and colored paper that occupied Matisse for the last 14 years of his life.  \nBound by a wheelchair due to polio\, he created bold\, striking\, imagistic\, brilliantly-colored shapes that were first collected in a project called Jazz. “You see as I am obliged to remain often in bed because of the state of my health\, I have made a little garden all around me where I can walk…. There are leaves\, fruits\, a bird\,” he wrote. Matisse generally cut the shapes out freehand\, using a small pair of scissors and saving both the cut-out sheets and remaining scraps of paper.  \nHolman’s poems take Matisse’s freestyle handling of paper and sets it free to dance and form poems of tenderness and whimsicality—reminiscent of nursery rhymes\, love songs\, and fragments of jazz\, orchestral\, rock\, and folk stylings. Keith Patchel’s music moves from echoes of Messiaen and Satie to contemporary classical and rock. The resulting work is a wash of intricacy and color that conjures the sea\, the sky—and the paper they are made of. Like Matisse’s cut paper works\, Holman and Patchel’s songspiel is a vibrant\, playful bite of astonishment. “Time for lunch\, Henri/So eat your breakfast/Blue apple/Green coffee/Yellow fingers.” \nHowl! Happening: An Arturo Vega Project \n6 East First Street (Between Bowery and 2nd Ave) \nNew York\, NY 10003 \n917 475 1294 \ncontact@howlarts.org  \nGallery Hours: Wed–Sun\, 11 AM–6 PM
URL:https://www.howlarts.org/event/the-cutouts-keith-patchel-and-the-venus-orbit-with-special-guest-poet-bob-holman/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/03/unnamed-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180413T190000
DTEND;TZID=America/New_York:20180413T210000
DTSTAMP:20260607T033805
CREATED:20180409T152757Z
LAST-MODIFIED:20180425T155441Z
UID:10000195-1523646000-1523653200@www.howlarts.org
SUMMARY:Todd Verow This Side of Heaven
DESCRIPTION:Film Screening\nAs part of the tribute to Philly Abe’s life and work\, Howl! is pleased to present a screening of This Side Of Heaven\, a film by Todd Verow. Philly’s roommate\, dear friend\, and artist collaborator\, Verow describes the impetus for the movie: \nWe decided to make This Side of Heaven when our landlord was doing everything he could to try to get us evicted. Our way of coping with the harassment and absurdity of it all was to make a movie. It was cathartic and exhausting. Every day when we were shooting\, we would wake up and I would spend an hour doing Philly’s makeup and hair. We would go over the scenes while I did this\, and she would get into her character. When we were done for the day\, we would both just collapse on the floor\, exhausted physically and emotionally. It was the last movie we finished together. \nIn This Side of Heaven\, V (Philly Abe)\, an older trans woman\, is desperately trying to hold on to her rent-stabilized apartment in New York City. She has endured many tragedies involving former lovers\, friends\, \nand acquaintances over the 26 years she has lived in her rat-\, roach-\, and junkie-infested building. She has survived corrupt landlord after corrupt landlord\, but her struggles have left her agoraphobic and reclusive. As V tries to maintain her sanity\, she is visited by her friend and mentor Lili (Brandon Olson)\, who consoles her and tries to get her to work on a new cabaret show. However\, V knows those days are over; she is no longer interested in performing. \nMeanwhile\, V’s property manager\, Shawnith (Jayne Nicoletti) continues her nefarious efforts to evict her or get her to move out. In retaliation\, Alexxx (Penny Arcade)\, V’s upstairs neighbor\, tries to get her to be more active in the political fight against gentrification\, but V resigns to stay put. \nHer only connection to the outside world comes through interactions with various delivery boys who bring groceries and necessities. Most of them take advantage of V or rob her\, but one of them\, Christian (Justin Rodriguez)\, becomes her friend. He eventually agrees to move in with her\, but just as things seem to be turning around for V\, Shawnith resorts to violent means to get her out of the building once and for all. \nAlso screened will be One Last Scene\, new short film Verow made with Philly before her death.
URL:https://www.howlarts.org/event/todd-verow-this-side-of-heaven/2018-04-13/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/04/thissidephilly.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180419T190000
DTEND;TZID=America/New_York:20180419T210000
DTSTAMP:20260607T033805
CREATED:20180409T152555Z
LAST-MODIFIED:20180616T214907Z
UID:10000192-1524164400-1524171600@www.howlarts.org
SUMMARY:Eszter Balint & Stew I Hate Memory
DESCRIPTION:A musical journey through the winsome past of Eszter Balint\nThursday\, April 19\, 2018 / 7 PM / Free\nFriday\, May 18\, 2018 / 7 PM / Free\nFriday\, June 22\, 2018 / 7 PM / Free \nHowl! Happening is pleased to present an evening of songs and stories called I Hate Memory! A wistful travelogue of the winsome past of EB\, which brings together two legendary downtown creators\, Eszter Balint (The Star) and Stew (The Director). Featuring an anti-cabaret which co-stars the Streets of New York and the Late 20th Century\, and which features appearances by family\, film and fame\, immigration\, joy\, theater and shame\, dance floors\, open doors\, avant-garde life\, papaya ice cream and the Shah of Iran’s wife. A reluctant memoir served on bed of song and dirt\, with a punk aperitif and Jimmy Carter for dessert. \nEszter sings and plays guitar and violin\, while Stew does the quieter singing and plays guitar\, with Vincent Sperrazza on drums and Kato Hideki on bass. \nI hate memory\nI hate memory\nI hate memory\nMemory’s a predator \nEszter Balint is a singer-songwriter with three critically-acclaimed solo albums. She grew up as a member of the legendary avant-garde theater company Squat Theatre. She’s had featured roles in films by Jim Jarmusch\, Woody Allen\, and Steve Buscemi—including a role alongside David Bowie—and has recently starred in a six-episode arc in Season 4 of Louis CK’s TV show Louie. Jon Pareles of The New York Times has said of her work: “Miss Balint has her own film noir sensibility as a songwriter. She slips inside her characters to project their restlessness and longing.” \nSinger-songwriter Stew is a founding member of the band The Negro Problem\, and a Tony and Obie award-winning playwright and composer (Passing Strange).
URL:https://www.howlarts.org/event/eszter-balint-stew-i-hate-memory/2018-04-19/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/04/ezter.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180420T190000
DTEND;TZID=America/New_York:20180420T210000
DTSTAMP:20260607T033805
CREATED:20180207T205153Z
LAST-MODIFIED:20180307T222328Z
UID:10000188-1524250800-1524258000@www.howlarts.org
SUMMARY:Pat Irwin  Music for Electric Guitar and Piano
DESCRIPTION:Pat Irwin has been living and working in New York City since the late 70s. He was a founding member of 8-Eyed Spy (with Lydia Lunch)\, and the Raybeats. As a longtime member of The B-52s\, he performed with the band from 1989–2008. His new band is called The PI Power Trio. \nPat has written music for film and television\, including the HBO series Bored to Death and Showtime’s Nurse Jackie. He is currently composing the score for the new Netflix series The Good Cop. His composer credits include music for hundreds of cartoons\, including SpongeBob SquarePants\, Rocko’s Modern Life\, Pepper Ann\, and Class of 3000. \nMusic for Electric Guitar and Piano will feature new compositions\, as well as several pieces composed for film and television. \nAbout Pat Irwin
URL:https://www.howlarts.org/event/pat-irwin-music-for-electric-guitar-and-piano-2018-04-20/
LOCATION:NY
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/02/PastedGraphic-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180421T190000
DTEND;TZID=America/New_York:20180421T210000
DTSTAMP:20260607T033805
CREATED:20180416T222356Z
LAST-MODIFIED:20180425T154111Z
UID:10000198-1524337200-1524344400@www.howlarts.org
SUMMARY:Once & Future Queen A film by Todd Verow starring Philly Abe
DESCRIPTION:An entertainingly appalling\, cheerfully nihilistic portrait…comically bodacious actress Philly may remind viewers of the Divine of the early John Waters films\, but her performance here is tougher. —THE TENNESSEAN \nHowl! Happening is pleased to present Todd Verow’s award-winning film Once & Future Queen starring Philly Abe. The screening is part of the events celebrating her life and memorial exhibition This Side of Heaven. \nAnti-Matter (Philly) is the queen of nothing\, the ruler of nowhere\, the monarch of cyphers—in other words\, she’s too cool for you—but can you put her up for the night? Drifting through the Lower East Side like the death rattle echoes of rock and roll\, she’s on a desperate\, desolate mission to get her band together and finally conquer something…anything. Her manic manipulations and chaotic philosophies never seem to gel in the present—she’s either a step behind or two steps ahead. Her therapist (Brenda Velez) can’t help her. Anti-Matter just wants to get drunk with her A.A. buddy (Eric Sapp). \nOld friends (Jennifer Blowdryer\, Kid Congo Powers) don’t want anything to do with her. New “friends” (Lee Whittier\, Tia Sprocket) simply don’t know what to do with her. Bored with the dangling fly striptease of fame that has eluded her whole life\, she’s nevertheless only alive onstage—dreaming of a place where no one will unplug that amp\, threaten her life\, or shove her out the door in the morning. Of course\, her rampant drug and alcohol use and frequent homelessness don’t help—plus she isn’t getting any younger and has been married more times than Liz Taylor. As her connections to reality slip away in the haze of her traveling sideshow lifestyle\, the inferno of celebrity and self-destruction seductively beckon. \nYou may leave this latest Todd Verow feature feeling vaguely unclean\, but if you haven’t been entertained\, it won’t be for the lack of effort of Verow and New York scene queen Philly. If you’re not glued to your seat as Anti-Matter drinks\, f**** and pill-pops her way across the Lower East Side\, you’ll be running for the door. —LA WEEKLY \nTodd Verow’s Once & Future Queen is a woman destined to be at the wrong place at the wrong time\, somehow turning that into a fashion statement. If you’ve ever felt used and abused\, underappreciated\, scraped off the sidewalk\, or simply horny\, Anti-Matter has some advice for you. She’s been there\, done that\, and doesn’t give a shit. Or so she says. \nWhat the press is saying: \n…DV filmmaking icon Todd Verow’s Once & Future Queen stars Philly as a down-and-out rocker seeking fame and friendship. The film’s episodic structure and dense sound design\, as well as Verow’s visual acumen\, make this one of his strongest films to date. —RES MAGAZINE \nWhether she’s draining the booze from an alcoholic friend’s pad (“to remove all temptation for you”) or sullenly raiding the refrigerator of one of her three ex-husbands (“he’s just pissed because I pulled a knife on him”)\, Anti-Matter is the pitch-perfect intersection of where narcissism crosses arrested ability. —THE DALLAS OBSERVER \n…Vivid and unpredictable…a fascinating bundle of contradictions. —THE CHICAGO READER \nAbout PHILLY ABE\nPhilly Abe (1949-2018) was a multifaceted artist living in NYC. Her acting credits include many films with the Kuchar Brothers (George and Mike Kuchar) and Todd Verow. She was an intuitive performer. While working on a CBC radio documentary on Lindsay Kemp\, she was offered a scholarship with the troop and never looked back. Ritual and trance are an important part of her work\, in an unending chain from political street theater in the 60s to underground film. Her mercurial androgynous performances have gained her a cult following around the world. \nAbout TODD VEROW \nTodd Verow was born in Bangor\, Maine\, on November 11\, 1966. He started acting and directing plays as a child\, and making movies while attending Rhode Island School of Design. He made short experimental films and worked as a cinematographer before making his feature film debut with Frisk\, which had its European premiere at the Berlin Film Festival in the Forum 20 years ago. Starting his own production company Bangor Films\, Todd has directed over 20 features and numerous shorts\, establishing himself as the most prolific auteur emeritus of the New Queer Cinema. He is fiercely independent\, and chooses to finance\, write\, produce\, direct\, photograph\, and edit his own movies.
URL:https://www.howlarts.org/event/once-future-queen-a-film-by-todd-verow-starring-philly-abe/
LOCATION:NY
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/04/queenposterHD.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180424T140000
DTEND;TZID=America/New_York:20180424T160000
DTSTAMP:20260607T033805
CREATED:20160706T170122Z
LAST-MODIFIED:20200118T174033Z
UID:10000037-1524578400-1524585600@www.howlarts.org
SUMMARY:Actors Fund Affordable Housing Workshop
DESCRIPTION:Did you know that New York City is planning to build or preserve 300\,000 units of affordable housing by 2026? This two-hour seminar for performing-arts and entertainment professionals provides an overview of government-subsidized housing in New York City\, which is available for both low- and middle-income households. Complex information is broken down into simple\, straightforward steps. While the applicant pool for these affordable units is highly competitive\, this seminar will help you avoid common mistakes and get organized and prepared to apply. The following questions will be addressed: \nHow do you find and apply for affordable housing? \nWhat are the eligibility requirements? (Income\, household size\, credit\, housing history\, etc.) \nHow does a housing lottery work? \nCan you get on a waiting list? \nHow do you document your income if it fluctuates year to year? \nHow can you best prepare yourself for an interview? \nWhat are your options if you are denied? \n 
URL:https://www.howlarts.org/event/2565-2016-12-20-2017-06-06-2017-12-12-2018-02-20/2018-04-24/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2016/02/12604881_1563039503987253_7380893755487607748_o-14.jpg
GEO:40.7248189;-73.991658
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Howl! Happening 6 East 1st Street New York City NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=6 East 1st Street:geo:-73.991658,40.7248189
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180424T160000
DTEND;TZID=America/New_York:20180424T180000
DTSTAMP:20260607T033805
CREATED:20160706T170758Z
LAST-MODIFIED:20180530T201325Z
UID:10000244-1524585600-1524592800@www.howlarts.org
SUMMARY:Actors Fund Insurance Drop In Workshop
DESCRIPTION:  \nThe Insurance Doctor Is In! \nQuestions about a health insurance bill? \nDon’t understand your insurance and can’t get a straight answer? \nNeed some advice on how to negotiate medical debt? \nOur insurance expert will answer your questions during a one-on-one consultation. Vincent Musolino\, Health Benefits Specialist at the Artists Health Insurance Resource Center\, is an unbiased Navigator with the NY State of Health Marketplace and has over 12 years of medical billing and insurance experience. \nConsultations are about 20 minutes and by appointment only. \nPlease RSVP to vmusolino@actorsfund.org with Subject: Insurance Doctor Is In \nAlso\, bring any documents in question (bills\, explanations of benefits\, your insurance policy)! \n 
URL:https://www.howlarts.org/event/actors-fund-insurance-drop-in-workshop-3-2016-12-19-2017-07-05-2017-12-11/2018-04-24/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2016/02/12604881_1563039503987253_7380893755487607748_o-14.jpg
GEO:40.7248189;-73.991658
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Howl! Happening 6 East 1st Street New York City NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=6 East 1st Street:geo:-73.991658,40.7248189
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180425T190000
DTEND;TZID=America/New_York:20180425T210000
DTSTAMP:20260607T033805
CREATED:20180322T210553Z
LAST-MODIFIED:20180322T210553Z
UID:10000439-1524682800-1524690000@www.howlarts.org
SUMMARY:Michael Lally's Another Way to Play: Poems 1960-2017
DESCRIPTION:Book Launch\nHowl! Happening is pleased to celebrate the publication of Michael Lally’s “Another Way to Play: Poems 1960-2017\, the definitive collection of verse from a poet who bridges the rhythms and message of the Beats\, the disarming frankness of the New York School\, and the fierce temerity of activist authors throughout the ages. \nThe event will feature a short reading by Michael Lally and a few words from Eileen Myles\, who wrote the introduction to the book. Published by Seven Stories Press. \nA former jazz musician\, Hollywood actor\, and radical organizer\, New Jersey-born Michael Lally has worn many hats over the course of his life. But throughout it all\, he has written accessible\, deeply-felt poetry. Themes of identity\, love\, success\, and failure pervade through his body of work\, but always with wry humor and the simple grace that is the mark of deep thought. Lally is the recipient of the PEN/Oakland Josephine Miles Literary Award and grants from the National Endowment for the Arts\, among others. He is the author of 30 books of poetry and prose\, including Stupid Rabbits (1971)\, White Life (1980)\, It’s Not Nostalgia (1999)\, and Swing Theory (2015). \nEileen Myles is a poet\, novelist\, performer\, and art journalist. Their 20 books include Afterglow (a dog memoir)\, a 2017 reissue of Cool for You and I Must Be Living Twice/new and selected poems\, and Chelsea Girls. Eileen is the recipient of a Guggenheim Fellowship\, a Creative Capital/Andy Warhol Foundation Arts Writers Grant\, four Lambda Literary Awards\, and the Shelley Memorial Award from the Poetry Society of America. In 2016\, Myles received a Creative Capital grant and the Clark Prize for Excellence in Art Writing. Currently\, they teach at NYU and Naropa University and live in Marfa\, TX and New York. \nPhoto: Gus Van Sant\, edited by Stewart Cauley.
URL:https://www.howlarts.org/event/michael-lallys-another-way-to-play-poems-1960-2017/
LOCATION:NY
CATEGORIES:Book Signing
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/03/29570751_10155174086781123_6706457159141425152_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180427T190000
DTEND;TZID=America/New_York:20180427T210000
DTSTAMP:20260607T033805
CREATED:20180424T184111Z
LAST-MODIFIED:20180427T213419Z
UID:10000199-1524855600-1524862800@www.howlarts.org
SUMMARY:We Remember Philly
DESCRIPTION:In our own madcap way\, Howl! Happening salutes Philly Abe in a series of candid film clips\, remembrances\, and performances. In the clips by Elizabeth Nichols\, Philly expounds on lipstick\, landlords\, laughter and more while close friends like Hapi Phace\, Miss Joan Marie Moossy\, Hattie Hathaway\, Salley May\, Todd Verow\, Steve Ellis and others take off from these moving images to spotlight an aspect of her over the top personality and big heart. The evening begins with a ritual by Gail Thacker invoking her irrepressible spirit. \nimage: Todd Verow
URL:https://www.howlarts.org/event/we-remember-philly/
LOCATION:NY
CATEGORIES:Exhibition,Performances
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/04/skyphilly1v2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180429T160000
DTEND;TZID=America/New_York:20180429T163000
DTSTAMP:20260607T033805
CREATED:20160911T175832Z
LAST-MODIFIED:20180421T161136Z
UID:10000332-1525017600-1525019400@www.howlarts.org
SUMMARY:Disconnected Touch A Full Moon Show
DESCRIPTION:A Full Moon Show Hosted by Rani O’Brien\nThe Full Moon Show: A Tom Murrin/Alien Comic Invention\nMissed Connections\nI was sitting on the BDFM train heading down to the East Village toward my favorite coffee spot\, Blue Bottle\, when I saw you delicately bolstering your chiffon scarf (which matched the natural rouge of your cheeks). You sat next to me\, crossing your legs\, sporting the hip displacement of Fosse himself. You wore a velvet blazer with a button that read “East Village Evictee: I Made Noise!” with a City Lore book bag featuring a painting of the Can Man. We caught eyes\, awkwardly over our shoulders. You glanced down at my Patagonia vest—your eyes rocketed to my REI backpack\, then to my Lulus—as if to tell me I was emblematic of everything you stood against. I was the problem. Only then did you give me the deepest look I have ever been graced with. Our thighs touched. For a moment I thought our entire beings would too. An alert popped up on my phone—it was a live pic of my friend’s baby dancing naked at Coachella. I laughed. When I looked back to you\, you flew off the subway car faster than I could ask for your Instagram handle. Yet\, you looked back with that soul piercing gaze. \nDon’t miss the connection: Join Rani O’Brien and Jazmine Corneille\, Sophia Gutchinov and Dana Stern on the sidewalk outside Howl! Happening\, so we can slide into each other’s Direct Messages. \nDisconnected Touch\nDirected by Rani O’Brien\nDevised by and featuring Jazmine Cornielle\, Sophia Gutchinov\, and Dana Stern\nAdditional sound by Matthew Sells \nAbout Tom Murrin and the Full Moon Show \n Howl! Happening houses the archives of Tom Murrin. Murrin\, aka the Alien Comic\, is known as the Godfather of Performance Art. Every full moon\, Tom performed the Full Moon Show in honor of his moon goddess\, Luna Macaroona. When he had a club date that fell on the full moon\, he’d wrangle his friends to perform as his guests—pushing the careers of such groundbreaking performers as David Cale\, David Sedaris\, Amy Sedaris\, Blue Man Group\, Ethyl Eichelberger\, Lisa Kron\, and many others. If not\, he performed on the street for passersby\, transforming the pedestrian atmosphere with his madness and magic. Howl! Happening’s monthly series continues that tradition\, with performances in the gallery and surprise pop-up performances on the street. \nAbout the Tom Murrin Archive \nHowl! Happening is the repository of the Tom Murrin Archive\, comprising masks\, costumes\, scripts\, correspondence\, photographs\, and tapes of performances going back to the early 70s. Murrin (February 8\, 1939 – March 12\, 2012)\, also known as The Alien Comic and Jack Bump\, was a performance pioneer whose life and work inspired both artists and audiences for over 40 years. He was a member of the first generation of La MaMa playwrights. Tom wrote four plays performed through La MaMa and produced by John Vacarro’s Play-House of the Ridiculous\, including the offbeat hit Cock Strong\, which toured with Ellen Stewart’s La MaMa Troupe to Paris\, Amsterdam\, and Brussels. \nUnder the guidance of rock manager Jane Friedman\, Tom began to perform under the name Alien Comic\, opening for acclaimed punk bands in rock clubs such as CBGBs and Max’s Kansas City. As Alien Comic he performed in such venues as The Pyramid\, 8BC\, King Tut’s Wah Wah Hut\, Performance Space 122\, Dixon Place\, La MaMa\, and more. Starting in the mid 80s\, he created\, performed\, and curated a series of variety nights at Performance Space 122\, La Mama Experimental Theatre Club\, and Dixon Place called The Full Moon Show. His plays Sport-Fuckers and Butt-Crack Bingo were produced at Theater for the New City and La MaMa and directed by David Levine. Tom was the first performance artist to appear onstage at the original Dixon Place location at 37 East First Street\, in 1986. \nThe Full Moon Show is made possible in part with public funds from Creative Engagement/Creative Learning\, supported by New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature\, and administered by Lower Manhattan Cultural Council. LMCC.net
URL:https://www.howlarts.org/event/the-full-moon-show-2016-11-16-2017-01-14-2017-07-14-2017-08-07-2017-12-03-2018-01-31-2018-04-29/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Howl! Happening 6 East 1st Street New York City NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=6 East 1st Street:geo:-73.991658,40.7248189
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180429T191800
DTEND;TZID=America/New_York:20180429T200000
DTSTAMP:20260607T033805
CREATED:20180416T180256Z
LAST-MODIFIED:20180427T202001Z
UID:10000197-1525029480-1525032000@www.howlarts.org
SUMMARY:Cream-Pie-In-The-Phace Full Moon
DESCRIPTION:Hosted by Hapi Phace in Praise of Philly \nWhen the moon hits your eye like a banana cream pie it’s…\nThe Full Moon Show: A Tom Murrin/Alien Comic Invention\nStarting at 7.18 Sharp\nCalling all dimensions! Join Hapi Phace for a moonrise non-linear performance pie-in-the-face ritual inspired by the memory of Philly Abe—his longtime art and life collaborator and neo-shamanistic a-go-go dance partner—to celebrate the Cream-Pie-In-The-Phace Full Moon\, in conjunction with the exhibit Philly Abe: This Side of Heaven (April 4–May 6\, 2018) at Howl! Happening: An Arturo Vega Project. \nHapi Phace is a performance personality and tapR-mâché™—his proprietary “dry papier-mâché” method that employs cardboard and duct tape—sculptor from Queens. (Well\, actually\, he is from normal parents.) Hapi and Philly co-wrote and performed together—and in—each other’s pieces\, primarily during the 80s downtown nightclub scene. Later\, Hapi ventured into Way-Off-Broadway theater\, while Philly wove through multiple creative circles\, most prolifically with experimental and independent filmmakers\, especially The Kuchar brothers—George and Mike—and Todd Verow. \nPhilly Abe (1949-2018) was an iconic downtown personality\, artist\, tenants’ rights activist\, and decades-long Ridge Street neighbor of Tom Murrin\, the originator and omphalos of The Full Moon Show. Like Tom\, Philly’s artistic energies and output found outlet in the discarded and unnoticed. Both artists imagined rags\, remnants\, and refuse into an art form that spanned a universe from the slapstick to the shamanistic. \nDress Code: spontaneously-combustible color combinations; fairy wings\, demon horns and petroglyphic face paint; Tibetan skull anything; fun-fur ass-less leotards; black turtleneck sweater\, skull-and-crossbones-print ski pants\, and a Breton top; 80s 14th Street off-the-rack rubber chickens; non-binary mismatched socks and roadkill; come-as-you-are and leave-as-you-weren’t; rhinestones\, bustier\, and cat-eyed glasses. \nAbout Tom Murrin and the Full Moon Show \nHowl! Happening houses the archives of Tom Murrin. Murrin\, aka the Alien Comic\, is known as the Godfather of Performance Art. Every full moon\, Tom performed the Full Moon Show in honor of his moon goddess\, Luna Macaroona. When he had a club date that fell on the full moon\, he’d wrangle his friends to perform as his guests—pushing the careers of such groundbreaking performers as David Cale\, David Sedaris\, Amy Sedaris\, Blue Man Group\, Ethyl Eichelberger\, Lisa Kron and many others. If not\, he performed on the street for passersby\, transforming the pedestrian atmosphere with his madness and magic. Howl! Happening’s monthly series continues that tradition\, with performances in the gallery and surprise pop up performances on the street. \nAbout the Tom Murrin Archive \nHowl! Happening is the repository of the Tom Murrin Archive comprising masks\, costumes\, scripts\, correspondence\, photographs\, and tapes of performances going back to the early 70s. Murrin (February 8\, 1939 – March 12\, 2012) also known as The Alien Comic and Jack Bump\, was a performance pioneer whose life and work inspired both artists and audiences for over 40 years. He was a member of the first generation of La MaMa playwrights. Tom wrote four plays performed through La MaMa and produced by John Vacarro’s Play-House of the Ridiculous\, including the offbeat hit\, Cock Strong\, which toured with Ellen Stewart’s La MaMa Troupe to Paris\, Amsterdam and Brussels. \nUnder the guidance of rock manager Jane Friedman\, Tom began to perform under the name Alien Comic\, opening for acclaimed punk bands in rock clubs such as CBGBs and Max’s Kansas City. As Alien Comic he performed in such venues as The Pyramid\, 8BC\, King Tut’s Wah Wah Hut\, Performance Space 122\, Dixon Place\, La MaMa\, and more. Since the mid 80s\, he’s created\, performed\, and curated a series of variety nights at Performance Space 122\, and La Mama Experimental Theatre Club and Dixon Place\, called The Full Moon Show. His plays Sport-Fuckers and Butt-Crack Bingo were produced at Theater for the New City and La MaMa and directed by David Levine. Tom was the first performance artist to appear on stage at the original Dixon Place location at 37 East First Street in 1986. \nThe Full Moon Show is made possible in part with public funds from Creative Engagement / Creative Learning\, supported by New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and administered by Lower Manhattan Cultural Council. LMCC.net \n 
URL:https://www.howlarts.org/event/cream-pie-in-the-phace-full-moon/
LOCATION:NY
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/04/fms-creampi8227-e1523901679576.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180501T160000
DTEND;TZID=America/New_York:20180501T163000
DTSTAMP:20260607T033805
CREATED:20160911T175832Z
LAST-MODIFIED:20181011T172753Z
UID:10000313-1525190400-1525192200@www.howlarts.org
SUMMARY:Full Moon Show
DESCRIPTION:Every Month on The Full Moon\n4pm Sharp\n  \nAbout Tom Murrin and the Full Moon Show \nHowl! Happening houses the archives of the late Tom Murrin. Murrin\, aka the Alien Comic\, is known as the Godfather of Performance Art. Every full moon\, Tom performed the Full Moon Show in honor of his moon goddess\, Luna Macaroona. When he had a club date that fell on the full moon\, he’d wrangle his friends to perform as his guests—pushing the careers of such groundbreaking performers as David Cale\, David Sedaris\, Amy Sedaris\, Blue Man Group\, Ethyl Eichelberger\, Lisa Kron and many others. When dateless and unbooked\, he’d perform on the street for passersby\, transforming the pedestrian atmosphere with his madness and magic. Howl! Happening’s monthly series continues that tradition\, with performances in the gallery and surprise pop up performances on the street. \nAbout The Tom Murrin Archive \nHowl! Happening is the repository of the Tom Murrin Archive comprising masks\, costumes\, scripts\, correspondence\, photographs\, and tapes of performances going back to the early 70s. Murrin (February 8\, 1939 – March 12\, 2012) also known as The Alien Comic and Jack Bump\, was a performance pioneer whose life and work inspired both artists and audiences for over 40 years. He was a member of the first generation of La MaMa playwrights. Tom wrote four plays performed through La MaMa and produced by John Vacarro’s Playhouse of the Ridiculous\, including the offbeat hit\, Cock Strong\, which toured with Ellen Stewart’s La MaMa Troupe to Paris\, Amsterdam and Brussels. \nTom began to perform under the name Alien Comic\, opening for acclaimed punk bands in rock clubs such as CBGBs and Max’s Kansas City. As Alien Comic he performed in such venues as The Pyramid\, 8BC\, King Tut’s Wah Wah Hut\, Performance Space 122\, Dixon Place\, La MaMa\, and more. From the mid 80’s on\, he created\, performed\, and curated a series of variety nights at Performance Space 122\, La Mama Experimental Theatre Club and Dixon Place\, called The Full Moon Show. His plays Sport-Fuckers and Butt-Crack Bingo were produced at Theater for the New City and La MaMa and directed by David Levine. Tom was the first performance artist to appear on stage at the original Dixon Place location at 37 East First Street in 1986. \nThe Full Moon Show is made possible in part with public funds from Creative Engagement / Creative Learning\, supported by New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and administered by Lower Manhattan Cultural Council. LMCC.net \nPhoto copyright Jim R Moore (www.vaudevisuals.com)
URL:https://www.howlarts.org/event/the-full-moon-show-2016-11-16-2017-01-14-2017-07-14-2017-08-07-2017-12-03-2018-01-31/2018-05-01/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Performance
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2016/02/Luna-Macaroons_Howl-Happening.jpg
GEO:40.7248189;-73.991658
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180503
DTEND;VALUE=DATE:20180506
DTSTAMP:20260607T033805
CREATED:20180412T155830Z
LAST-MODIFIED:20191211T172828Z
UID:10000196-1525305600-1525564799@www.howlarts.org
SUMMARY:The Poetry Project: The Inaugural Allen Ginsberg Symposium
DESCRIPTION:The Poetry Project\, Howl! Arts\, and the Allen Ginsberg Estate are proud to announce the inaugural Allen Ginsberg Symposium. \nFrom the mid-80s to the mid-90s\, The Poetry Project held an annual symposium that featured readings\, talks\, panels and workshops. This spring\, the Project is thrilled to reinvent this three-day event and expand its mission to provide a forum and network for our literary community. Allen Ginsberg saw the Project as a place where people could articulate their relationship to the most important national and global problems of the time\, and believed that the planet needed imagination and the avant-garde spirit of poetry to survive. \n“After the thrill of the 50th Anniversary celebration last year and another energetic New Year’s Day Marathon\, The Poetry Project looks forward to making the symposium an annual opportunity to bring poets together at the church\,” says executive director Stacy Szymaszek. \nFeaturing readings\, panel presentations\, and workshops by Anselm Berrigan\, Ken Chen\, Samuel R. Delany\, Adjua Gargi Nzinga Greaves\, Erica Hunt\, Rin Johnson\, Filip Marinovich\, Sharon Mesmer\, Lara Mimosa Montes\, Alice Notley\, Julie Ezelle Patton\, Trace Peterson\, Ed Sanders\, sam sax\, Patricia Spears Jones\, Anne Waldman\, and Rachel Zucker. \nAll events take place at St. Mark’s Church. Readings and panel are free. Workshops are sliding scale $20–$50. Space is limited in the workshops and pre-registration is required; please visit The Poetry Project website to register. \nThe Poetry Project\, Ltd.\nSt. Mark’s Church | 131 E. 10th Street\nNew York\, NY 10003\nP: 212.674.0910 | F: 212.529.2318\nwww.poetryproject.org | info@poetryproject.org \n  \n 
URL:https://www.howlarts.org/event/the-poetry-project-the-inaugural-allen-ginsberg-symposium/
LOCATION:Poetry Project\, 131 East 10th Street\, New York\, NY\, United States
CATEGORIES:Special Event
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GEO:40.7303559;-73.9870893
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Poetry Project 131 East 10th Street New York NY United States;X-APPLE-RADIUS=500;X-TITLE=131 East 10th Street:geo:-73.9870893,40.7303559
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180506T170000
DTEND;TZID=America/New_York:20180506T200000
DTSTAMP:20260607T033805
CREATED:20180430T015909Z
LAST-MODIFIED:20180430T123450Z
UID:10000457-1525626000-1525636800@www.howlarts.org
SUMMARY:Verbolia Historika Phylissima Eternia
DESCRIPTION:A Public Potlatch of Philly Memories\nAs Philly Abe’s memorial exhibition This Side of Heaven draws to a close at Howl! Happening\, the public is invited to bring and share a treasured Philly story\, and to take a new one home. The evening ends with Philly’s last wish: her wonderful collection of trinkets and oddities will be distributed in the gallery as mementos to her friends and admirers. \nMingling\, gossiping\, merry making 5–7 PM\nHot mike at 7 PM
URL:https://www.howlarts.org/event/verbolia-historika-phylissima-eternia/
LOCATION:NY
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/04/philly-cobras.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180513
DTEND;VALUE=DATE:20180730
DTSTAMP:20260607T033805
CREATED:20180403T164741Z
LAST-MODIFIED:20191208T190529Z
UID:10000191-1526169600-1532908799@www.howlarts.org
SUMMARY:Zeitgeist: The Art Scene of Teenage Basquiat
DESCRIPTION:An Exhibition and Special Events\nCurated by Sara Driver\, Carlo McCormick\, Mary-Ann Monforton and Howl! Happening \nOpening Sunday\, May 13\, 2018 / 6–8 PM / Free \nHowl! Happening: An Arturo Vega Project is pleased to announce Zeitgeist: The Art Scene of Teenage Basquiat\, a group exhibition focusing on the artists and scene around Jean-Michel Basquiat’s teen-aged\, pre-fame years. Curated by Howl! Happening\, Sara Driver\, Carlo McCormick\, and Mary-Ann Monforton\, Zeitgeist complements and amplifies the theatrical release of Sara Driver’s film BOOM FOR REAL The Late Teenage Years of Jean-Michel Basquiat from Magnolia Pictures. The film premieres on May 11th at IFC\, New York. \nThe period covered in the exhibition and film tells the story of Jean-Michel’s early work\, peers\, and creative community in gritty\, pre-AIDS\, downtown New York—before the rise of the 80s art and real estate juggernaut. It was a time when decay\, drugs\, and dissolution fueled a boom in creativity where the definition of fame\, success\, and power was not based on money\, Facebook likes\, and self-promotion. For these creators\, to be a penniless published poet or a musician gigging at CBs was the height of success. In the rawness of the work\, the focus on street art and graffiti\, and the experimentation and cross-pollination of styles and disciplines\, the era has become a flash point for younger generations seeking to learn about and understand the authenticity\, closeness\, and community expressed in the work of the artists in Zeitgeist. \nThe exhibition—and a series of special events—illuminate Basquiat’s work and that of his friends and other artists\, writers\, filmmakers\, and musicians who emerged from that scene\, including: \nAlexis Adler\, Charlie Ahearn\, Ted Barron\, Jean-Michel Basquiat\, Philippe Bordaz\, Robert Carrithers\, Henry Chalfant\, Brett De Palma\, Vivienne Dick\, Jane Dickson\, Al Diaz\, Barbara Ess\, Coleen Fitzgibbon\, Fab 5 Freddy\, Futura\, Robert Goldman aka Bobby G\, Godlis\, Nan Goldin\, Richard\, Hambleton\, Michael Holman\, Becky Howland\, Tessa Hughes-Freeland\, Jim Jarmusch\, Justen\, Ladda\, Ann Messner\, Mary-Ann Monforton\, James Nares\, Glenn O’Brien\, Franc Palaia\, Lee Quiñones\, Walter Robinson\, Christy Rupp\, Luc Sante\, Kenny Scharf\, Paul Tschinkel\, Robin Winters\, and Bob Gruen. \nSpecial events will include: \n\nA panel discussion featuring Alexis Adler\, Felice Rosser\, Lee Quiñones\, Al Diaz\, and more\nA screening of Howard Brookner’s 1983 documentary Burroughs: The Movie from the Criterion Collection\nAn evening of films featuring an experimental film by Basquiat’s bandmate Michael Holman\, and Paul Tschinkel’s film about New York/New Wave\, curator Diego Cortez’s groundbreaking exhibition at PS1 in 1981\nA night performance and readings by Felice Rosser and Luc Sante.\nReadings\n\nFilm Series in collaboration with Anthology Film Archives. Anthology Film Archives will present a special\, 2-part film series to celebrate the Zeitgeist exhibition at Howl! and the release of Boom for Real. Part 1 (May 4-14) brings together a selection of films about or involving Basquiat\, as well as works that came out of the same era and milieu. For Part 2 (May 17-29)\, various participants in Boom for Real will guest-select films from the period that they feel have been overlooked\, or simply films that influenced their own work. Curators include Sara Driver\, Charlie Ahearn\, Coleen Fitzgibbon\, Fab 5 Freddy\, Tessa Hughes-Freeland\, Jim Jarmusch\, James Nares\, Lee Quinones\, Felice Rosser\, and Luc Sante. For more visit: anthologyfilmarchives.org. \n\n\nAbout BOOM FOR REAL \nphoto credit: Robert Carrithers\, 1979
URL:https://www.howlarts.org/event/zeitgeist-the-art-scene-of-teenage-basquiat-2/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/03/unnamed-1-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180516T190000
DTEND;TZID=America/New_York:20180516T210000
DTSTAMP:20260607T033805
CREATED:20180425T160134Z
LAST-MODIFIED:20180426T212112Z
UID:10000456-1526497200-1526504400@www.howlarts.org
SUMMARY:The Downtown Luminaries and Universal Interaction #3
DESCRIPTION:A Book Release by Robert Carrithers and Happening by Ammo with DJ Dany Johnson\nJoin Howl! Happening for a happening with Ammo (aka Shawn McQuate) featuring Berlin artist Magdalena Wysocka\, in honor of the New York book publication party for The Downtown Luminaries by Robert Carrithers (Pogo Books\,Berlin) \nThe book is a compendium of Carrithers’ photographs of 1980’s New York and the cultural luminaries who continue to shape our consciousness. It was a time of enormous creativity and decay\, when anything was possible on the streets\, in the tenements\, and in brilliant nightclubs. One-night art shows\, wild theme parties\, nightlife and musical happenings of every kind reigned supreme\, in a spirit of collaboration and community. Long gone but not forgotten\, in these vibrant images of New York Carrithers captures the spirit of the times. The author will sign books and present a slide show and commentary about the journey from then to now. \nExperience a Club 57 happening! Carrithers is joined by Ammo\, aka Shawn McQuate the Great\, infamous for creating unique happenings at Club 57 from 1979 to 1982. Participants include former Club 57 members\, surprise guests\, and audience members! \nA happening is all about chance\, the unexpected\, and surprise. Planned by Ammo\, the outcome of his Universal Interaction happenings is unknown—constantly changing\, funny\, entertaining\, and thought-provoking. Inspired by the city and the noise; humanity; and moments of joy\, hilarity\, and tragedy; the event is participatory\, chaotic\, unpredictable…just like life in the Big Apple. \nClub 57 alum DJ Dany Johnson provides the sound effects and music\, and the audience is the star.
URL:https://www.howlarts.org/event/the-downtown-luminaries-and-universal-interaction-3/
LOCATION:NY
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/04/A3.-Ammoengeng-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180517T190000
DTEND;TZID=America/New_York:20180517T210000
DTSTAMP:20260607T033805
CREATED:20180510T175244Z
LAST-MODIFIED:20180510T175244Z
UID:10000455-1526583600-1526590800@www.howlarts.org
SUMMARY:Burroughs: The Movie
DESCRIPTION:A screening of Howard Brookner’s 1983 documentary from The Criterion Collection\nMade up of intimate\, revelatory footage of the singular author and poet—filmed over the course of five years—Howard Brookner’s 1983 documentary about William S. Burroughs was for decades mainly the stuff of legend. That changed when Aaron Brookner\, the late director’s nephew\, discovered a print of it in 2011 and spearheaded a restoration. Now viewers can enjoy the invigorating candidness of Burroughs: The Movie\, a one-of-a-kind nonfiction portrait that was brought to life with the help of a remarkable crew of friends\, including Jim Jarmusch and Tom DiCillo. The film features on-screen appearances by artist friends of Burroughs including Allen Ginsberg\, Herbert Huncke\, Patti Smith\, and Terry Southern. \nNovelist Stewart Meyer\, a protégé of William S. Burroughs\, will read from his classic Lotus Crew – tales from the early 80’s heroin street trade on the Lower East Side – accompanied by the photographer / filmmaker David Schmidlapp’s projections.
URL:https://www.howlarts.org/event/burroughs-the-movie/
LOCATION:NY
CATEGORIES:Events
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/05/Burroughs-event.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180518T190000
DTEND;TZID=America/New_York:20180518T210000
DTSTAMP:20260607T033805
CREATED:20180409T152555Z
LAST-MODIFIED:20180616T214907Z
UID:10000193-1526670000-1526677200@www.howlarts.org
SUMMARY:Eszter Balint & Stew I Hate Memory
DESCRIPTION:A musical journey through the winsome past of Eszter Balint\nThursday\, April 19\, 2018 / 7 PM / Free\nFriday\, May 18\, 2018 / 7 PM / Free\nFriday\, June 22\, 2018 / 7 PM / Free \nHowl! Happening is pleased to present an evening of songs and stories called I Hate Memory! A wistful travelogue of the winsome past of EB\, which brings together two legendary downtown creators\, Eszter Balint (The Star) and Stew (The Director). Featuring an anti-cabaret which co-stars the Streets of New York and the Late 20th Century\, and which features appearances by family\, film and fame\, immigration\, joy\, theater and shame\, dance floors\, open doors\, avant-garde life\, papaya ice cream and the Shah of Iran’s wife. A reluctant memoir served on bed of song and dirt\, with a punk aperitif and Jimmy Carter for dessert. \nEszter sings and plays guitar and violin\, while Stew does the quieter singing and plays guitar\, with Vincent Sperrazza on drums and Kato Hideki on bass. \nI hate memory\nI hate memory\nI hate memory\nMemory’s a predator \nEszter Balint is a singer-songwriter with three critically-acclaimed solo albums. She grew up as a member of the legendary avant-garde theater company Squat Theatre. She’s had featured roles in films by Jim Jarmusch\, Woody Allen\, and Steve Buscemi—including a role alongside David Bowie—and has recently starred in a six-episode arc in Season 4 of Louis CK’s TV show Louie. Jon Pareles of The New York Times has said of her work: “Miss Balint has her own film noir sensibility as a songwriter. She slips inside her characters to project their restlessness and longing.” \nSinger-songwriter Stew is a founding member of the band The Negro Problem\, and a Tony and Obie award-winning playwright and composer (Passing Strange).
URL:https://www.howlarts.org/event/eszter-balint-stew-i-hate-memory/2018-05-18/
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://www.howlarts.org/wp-content/uploads/2018/04/ezter.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180522T140000
DTEND;TZID=America/New_York:20180522T160000
DTSTAMP:20260607T033805
CREATED:20160706T170122Z
LAST-MODIFIED:20200118T174033Z
UID:10000038-1526997600-1527004800@www.howlarts.org
SUMMARY:Actors Fund Affordable Housing Workshop
DESCRIPTION:Did you know that New York City is planning to build or preserve 300\,000 units of affordable housing by 2026? This two-hour seminar for performing-arts and entertainment professionals provides an overview of government-subsidized housing in New York City\, which is available for both low- and middle-income households. Complex information is broken down into simple\, straightforward steps. While the applicant pool for these affordable units is highly competitive\, this seminar will help you avoid common mistakes and get organized and prepared to apply. The following questions will be addressed: \nHow do you find and apply for affordable housing? \nWhat are the eligibility requirements? (Income\, household size\, credit\, housing history\, etc.) \nHow does a housing lottery work? \nCan you get on a waiting list? \nHow do you document your income if it fluctuates year to year? \nHow can you best prepare yourself for an interview? \nWhat are your options if you are denied? \n 
URL:https://www.howlarts.org/event/2565-2016-12-20-2017-06-06-2017-12-12-2018-02-20/2018-05-22/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
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GEO:40.7248189;-73.991658
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Howl! Happening 6 East 1st Street New York City NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=6 East 1st Street:geo:-73.991658,40.7248189
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180522T160000
DTEND;TZID=America/New_York:20180522T180000
DTSTAMP:20260607T033805
CREATED:20160706T170758Z
LAST-MODIFIED:20180530T201325Z
UID:10000245-1527004800-1527012000@www.howlarts.org
SUMMARY:Actors Fund Insurance Drop In Workshop
DESCRIPTION:  \nThe Insurance Doctor Is In! \nQuestions about a health insurance bill? \nDon’t understand your insurance and can’t get a straight answer? \nNeed some advice on how to negotiate medical debt? \nOur insurance expert will answer your questions during a one-on-one consultation. Vincent Musolino\, Health Benefits Specialist at the Artists Health Insurance Resource Center\, is an unbiased Navigator with the NY State of Health Marketplace and has over 12 years of medical billing and insurance experience. \nConsultations are about 20 minutes and by appointment only. \nPlease RSVP to vmusolino@actorsfund.org with Subject: Insurance Doctor Is In \nAlso\, bring any documents in question (bills\, explanations of benefits\, your insurance policy)! \n 
URL:https://www.howlarts.org/event/actors-fund-insurance-drop-in-workshop-3-2016-12-19-2017-07-05-2017-12-11/2018-05-22/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
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GEO:40.7248189;-73.991658
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Howl! Happening 6 East 1st Street New York City NY 10003 United States;X-APPLE-RADIUS=500;X-TITLE=6 East 1st Street:geo:-73.991658,40.7248189
END:VEVENT
END:VCALENDAR