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DTSTART;VALUE=DATE:20230323
DTEND;VALUE=DATE:20230522
DTSTAMP:20260608T082559
CREATED:20230317T182952Z
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SUMMARY:HAROLD SHAPINSKY: ABSTRACT SOUL
DESCRIPTION:“There was no question with him that the talent and the dedication were real. However\, the main thing I remember about him was how terribly intense he was – a combination of extreme intensity and shyness.” – Robert Motherwell \n        \n            \n		\n\n                \n						\n						\n					\n                        ►\n                        Explore 3D Space			\n                    \n                \n                \n                	Harold Shapinsky: Abstract Soul\n				\n			\n		\n\nHowl! Arts/Howl! Archive is pleased to present Harold Shapinsky: Abstract Soul\, an exhibition of his paintings and drawings\, on view from March 23 through May 21\, 2023. The exhibition marks Shapinsky’s first solo exhibition in New York since the 90s and will showcase works spanning from the 1940s to the late 80s\, including many rarely- and never-exhibited works like early figurative paintings and the elegant\, modest-sized paper paintings for which he is best known. Together the paintings in the exhibition illuminate the remarkable story of the artist’s long-overlooked practice in New York and his late career rise to recognition as a significant Abstract Expressionist. \nA native New Yorker\, Shapinsky was born in Brooklyn in 1925 and painted for the majority of his career with little public recognition. He spent much of his life in the East Village where he studied at Mark Rothko and Robert Motherwell’s school The Subject of An Artist. Despite his proximity to celebrated Abstract Expressionists of the same generation and the recognition of his peers\, Shapinsky did not garner the attention of the art world. He possessed an intensity that was reflected both in his work and in his distaste for the politics of the commercial art world\, and so while the movement flourished around him\, Shapinsky worked in obscurity in his small Lower East Side apartment with his wife Kate. He painted in bold brush strokes on thick paper\, which was the only medium that he could both afford and find room to store. \nShapinsky’s talent would likely have continued to go unrecognized if not for Akumal Ramachander\, an English professor and arts publicist from India who encountered Shapinsky’s son David at the University of Chicago. David presented images of his father’s work to Ramachander upon learning of his work promoting under-recognized artists\, and Ramachander immediately vowed to champion Shapinsky’s work.  \nRamachander began promoting Shapinsky in New York\, but the tide of Abstract Expressionism had receded in the United States and he had limited luck. In the meantime\, he befriended the artist and began advocating for Shapinsky in London. In the Spring of 1985\, Ramachander persuaded James Mayer to give Shapinsky a show at his gallery that opened on Shapinsky’s 60th birthday to great acclaim. More exhibitions in Europe and eventually in the U.S. followed\, as well as a documentary on Channel 4 (UK)\, an article in the Observer by Salman Rushdie\, and a 16 page New Yorker feature by Lawrence Weschler. \nToday\, the art and story of Harold Shapinsky has joined the public consciousness\, and Shapinsky was awarded recognition and financial freedom in his later years of life. Still\, for Shapinsky\, the work remained central to his existence. “If none of this had happened\,” Shapinsky said in a 1985 Washington Post interview\, “I’d still paint. For the love of it.”  \n\nWatch Rear Window: The Painter and the Pest.  \nSalman Rushdie narrates the story of how Akumal Ramachander discovered the works of unknown Abstract Expressionist painter\, Harold Shapinsky\, whose vast collection of work might not otherwise have been shared with the general public. Originally produced by Bandung Productions in 1985. \n\n  \n\n  \nImage: Harold Shapinsky\, Untitled. Paint and ink on paper. 8 1/2” x 8 1/2” 1976
URL:https://www.howlarts.org/event/harold-shapinsky-abstract-soul/
LOCATION:HA/HA\, 250 Bowery\, 2nd Floor\, New York\, NY\, 10012\, United States
CATEGORIES:Exhibition,Gallery,HAHA,Happening Soon
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DTSTART;VALUE=DATE:20230427
DTEND;VALUE=DATE:20230605
DTSTAMP:20260608T082559
CREATED:20230407T175731Z
LAST-MODIFIED:20230602T181931Z
UID:10000657-1682553600-1685923199@www.howlarts.org
SUMMARY:WALTER STEDING: This is My Voice
DESCRIPTION:Closing Reception: Saturday June 3 | 3-6 PM \nJoin us at Howl! Happening Saturday\, June 3rd from 3 – 6 PM for the closing reception for WALTER STEDING: This Is My Voice. Celebrate with an afternoon of music\, poetry\, and art including special guests Penny Arcade\, Linda Kleinbub\, Stewart Meyer\, Puma Perl\, Barbara Rosenthal\, and Jeffrey Cyphers Wright. \n  \nThere is an ethereal other-worldly characteristic inherent in the images like they are trying to tell the viewer a secret. —Emma Zakarevicius \n  \n        \n            \n		\n\n                \n						\n						\n					\n                        ►\n                        Explore 3D Space			\n                    \n                \n                \n                	Walter Steding: This is My Voice\n				\n			\n		\n\n  \nHowl! Happening is pleased to present an exhibition of portraits and allegorical paintings by Walter Steding that move beyond representation to hidden and poetic unseen worlds. An artist who has worked in many mediums— acting\, writing\, filmmaking\, music\, painting—his personal lexicon creates an alchemical mix projecting these works into a deeper\, more mystical realm.  \nSteding—who was Andy Warhol’s painting assistant and is a virtuosic violinist well known for developing his own electronic instruments and performing solo and with Blondie\, Jim Carroll\, David Byrne\, Chic\, Robert Fripp and Panther Burns—has been painting since he was 5 years old. \nHis portraits go beyond Realism. They fix you with an intense focus from a purely pictorial space\, floating in a neutral background that emphasizes all the more the essence of the sitter\, whether it be the Grand Prior of the Knights Templar\, the Golem\, a jester\, a family portrait\, or a dog\, \nCapturing the essence of his subjects\, he says he is concerned with the world of “non-being” that transmutes his sitters’ physiognomy into a virtual space of pure imagination. The simplicity and straightforward gaze\, reduces the critical “noise” representing external reality and the viewer can experience these people and creatures\, as through an abstract lens of shapes\, colors\, and forms. \nIn his painting\, The Fall of Boaz\, the two pillars of Solomon’s Temple crash and burn in the background while a cast of characters and symbols create a tableau upfront that fuses his esoteric knowledge and understanding of art history. His straightforward manner allows one to by-pass the actual image and artistic style and inhabit the allegorical space of his imaginative world. \nLike an old master painting\, Storming the Capital is all metaphor and stylized emotion and relies on the observers’ interpretations of the meaning that Steding sets forth. Clearly emotional in tone\, it insists on a deeper spiritual meaning portraying issues of life\, death\, love\, virtue\, and justice.  \nIn an interview with Brainard Carey on Yale’s WYBC radio\, Steding calls himself a “recording artist\,” a description that draws upon threads of creativity woven of color and sound. “Both art and music use “harmony\,” says this the multi-talented creator\, “and the vibrations of color and sound permeate and transmute each other.”  \nLike many of the artists and people of the Lower East Side\, Steding’s generation continues to create\, “[We] have something to say about our culture\, our time\, and what’s happening today\,” he says. “There is a chance that art and music can have a voice and here is my voice.” \n  \nImage: Walter Steding “Storming The Capitol”\, Oil on Canvas.
URL:https://www.howlarts.org/event/this-is-my-voice/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Exhibition,Gallery,Happening Soon
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