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SUMMARY:Icons\, Iconoclasts\, and Outsiders
DESCRIPTION:September 19\, 2021 – March 20\, 2022\nInaugural Exhibition at Howl! Arts/Howl! Archive (HA/HA)\nGrand Opening: Sunday\, September 19 / 11 AM–6 PM \nHowl Arts is pleased to announce the inaugural exhibition at its new space\, Howl! Arts/Howl! Archive (HA/HA). Icons\, Iconoclasts\, and Outsiders presents works by artists\, writers\, musicians\, scenesters\, performers\, icons\, iconoclasts\, outsiders and other creators from the 1960s to the present whose life and work energized the underground and are now entering mainstream cultural discourse. HA/HA is located at 250 Bowery\, just down the block from Howl! Happening. The exhibition continues through December 23\, 2021 and is co-curated by Howl executive director Jane Friedman with Sean Mellyn and Maynard Monrow. \nIcons\, Iconoclasts\, and Outsiders unveils previously undocumented aspects of downtown life and culture—the atmosphere of a wildly diverse neighborhood that has influenced successive generations. A refined collection of works of art\, cultural history\, and ephemera\, the exhibition presents the early Ramones banner Gabba Gabba Hey (1977) and the paintings by artist and founding spirit of the gallery Arturo Vega; Candy Darling’s the worst years of my life: a five year diary\, from the collection of her longtime friend Jeremiah Newton; David Wojnarowicz’s Saint Sebastian (1981)\, a portrait of Brian Butterick from his personal collection; costumes\, props\, and videos from The Alien Comic Tom Murrin’s archive; an exquisite photographic portrait by George Dureau and explosive paintings by Richard Hambleton from the Arturo Vega estate; a signature portrait by Helen Oliver Adelson; graphite portraits by John Kelly of gifted individuals who were part of his life and creative circles; cultural chronicler and photographer Marcia Resnick’s color portrait of William Burroughs (1980); and Scooter LaForge paintings that explore contemporary social issues through humor\, lavish decoration\, and exaggerated cartoon-like figures. \nAlso from the collection are works of art and archival materials from the 60s to the present including Philly Abe; Richard Bernstein; Don Herron; Mark Morrisroe; Dustin Pittman; Jamie Reid; Walter Stedding; Patti Smith; Tabboo!; Gail Thacker; Toyo Tsuchiya; Guy Woodard; as well as Mudd Club doorman extraordinaire Richard Boch’s personal papers; and materials from the estate of Clark Render\, known for his collaboration with David Ilku in The Dueling Bankheads. \nIn the new screening room\, Howl draws from its video archive of work by Merrill Aldighieri as the first VJ and early documentarian of the legendary 80s nightclub Hurrah; the archives of Efrom Allen\, host of the early public-access television show Underground TV\, featuring a range of unconventional guests including Sid Vicious\, the Ramones\, Marilyn Chambers\, Blondie\, Steve Allen\, Buddy Rich\, Stiv Bators\, Brooke Shields\, and William Shatner; and selections from the vaults of Howl TV including live performances\, readings\, panel discussions\, and happenings with artists\, writers\, musicians\, and thought-leaders who have enlivened the gallery since its inception in 2015. \nHowl’s Permanent Collection comprises over 3\,000 objects\, including art\, rare digital and analog media\, performance-art ephemera\, and personal archives from the 1960s onward. The Collection documents the origins and growth of local cultural and social movements that have had far-reaching impact—offering a myriad of opportunities for new interpretations of the punk\, new-wave\, and no-wave movements; performance art; drag; street art; public-access television; nightlife; LGBTQ activism; the AIDS epidemic; and urban gentrification. \nImage: Richard Hambleton\, Untitled (Leaping Shadowman)\, ca 2000 \nVisitation Guidelines
URL:https://www.howlarts.org/event/icons-iconoclasts-and-outsiders-exhibition/
LOCATION:HA/HA\, 250 Bowery\, 2nd Floor\, New York\, NY\, 10012\, United States
CATEGORIES:Exhibition,Gallery,HAHA,Happening Soon
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DTSTART;VALUE=DATE:20220226
DTEND;VALUE=DATE:20220411
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SUMMARY:Mark Cooper Unbounded: Angels in the Nursery
DESCRIPTION:►\n                        Explore 3D Space			\n                    \n                \n                \n                	Mark Cooper Unbounded: Angels in the Nursery\n				\n			\n		\n\nHowl! Happening is pleased to present Mark Cooper’s fantastical and ornate mixed-media installation Unbounded: Angels in the Nursery. The installation uses visual signifiers to suggest multiple subtexts—from the importance of experiencing boundless joy to addressing the many issues that challenge our present and our future.  \nThe wildly diverse elements of this immersive experiential artwork are composed of an equally colorful array of materials that create the gestalt of the installation. The component parts reference the beauty and unpredictability of nature and reflect Cooper’s diverse influences\, from art and cultural history to biology\, architecture\, and cross-cultural exchange. \nThe biomorphic wooden sculptural forms suggest curio cabinets gone wild. The same shapes and images reappear in the quirky ceramic vessels and figures\, and in the paintings and rice-paper relief forms on the wall that incorporate photographic and printed imagery tucked into their many layers. Considering this riot of shapes and colors and materials in relationship to each other\, the notion of a singular genius moment is called into question\, and the viewer experiences a series of moments and events that form the foundation for bringing new ideas to the conversation and questioning the hierarchy of value. \n“I am interested in the conversation between the parts serving as triggers for individual viewer associations rather than presenting a linear narrative\,” says Cooper. “My work is based on collaboration and the idea that ‘the whole is greater than the sum of its parts’—using collage\, assemblage\, and installation as a metaphor for working together in a complex world.” \nIn creating the individual components in collaboration with others and in collaboration with the materials themselves—responding to how they bend and fold—unexpected outcomes arise in the same way that bringing individuals from different disciplines together can lead to solutions beyond one specific approach. \n“It is like an improvisational jazz piece\,” says Cate McQuaid\, writing in the Boston Globe. The conceptual framework brings individual voices together and references cultures and philosophies that allude to unbounded possibilities\, joy\, and love. A place of wonder and humanity\, the installation is a reminder for all of us to be our best selves and to work together to heal our planet.   \nCooper is an internationally recognized artist known for large-scale and site-specific installations and public commissions. His commissions include works for the Boston Children’s Hospital\, Boston Medical Center\, and Massachusetts Cultural Council; he has received a Gund Grant\, Daynard Grant\, and an Open Society Fellowship. In July 2020\, Cooper completed three permanent large-scale marble sculptures for the Da Nang Fine Arts Museum in Vietnam. In 2006\, he authored Making Art Together through Beacon Press. \nCooper’s major exhibitions include shows at the Vietnam National Fine Arts Museum; Vietnam University of Fine Arts; Da Nang Fine Arts Museum; Rough Point Museum—Doris Duke Mansion; Yuandian Art Museum; Kemper Museum of Contemporary Art\, Kansas City; Lesley University\, Cambridge\, MA; Street Museum\, Seoul\, Korea; Whitney Museum at Philip Morris; Museum of Fine Arts\, Boston; ICA Boston; Corcoran Gallery of Art; The Butler Institute of American Art; Peabody Essex Museum; DeCordova Sculpture Park and Museum; City Museum of Paris; and WestLicht Museum\, Vienna. The artist has had more than 100 solo and group shows combined. \nVisitation Guidelines \n 
URL:https://www.howlarts.org/event/mark-cooper-unbounded-angels-in-the-nursery/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Exhibition,Gallery,Happening Soon
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