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DTSTART;VALUE=DATE:20171118
DTEND;VALUE=DATE:20171221
DTSTAMP:20171129T164833Z
CREATED:20171019T165527Z
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UID:10000167-1510963200-1513814399@www.howlarts.org
SUMMARY:Brett De Palma Dreaming on the Bowery: Post-Apocalyptic Paintings
DESCRIPTION:Opening Reception: Saturday\, November 18 / 6 PM / Free\nHowl! Happening: An Arturo Vega Project is pleased to present Dreaming on the Bowery\, a retrospective of paintings by New York artist Brett De Palma. A representative selection of his nimble\, allegorical\, and chaotic figuration\, the works include contemporary paintings that serve as canvas for De Palma’s commentary on the current political and cultural climate\, as well as works made over the course of the last 30 years—replete with satire\, farce\, and funky humor. \nThis exhibition features a dazzling group of large-scale paintings that display a willful reticence of refinement and a handmade\, playful style. Furious scuffles of paint spawning half-smothered epic-historical subject matter synthesize a crude\, rude\, rough around the edges American brashness. Living and working in the late 70s and 80s\, he was on the downtown scene\, pulling from his experience of iconic clubs and galleries where fashion elites\, artists\, and musicians convened. This same gritty\, decaying street scene in New York was the stage for luminous friends like Jean-Michel Basquiat\, Keith Haring\, Kenny Scharf\, Julian Schnabel\, and David Salle. \nIn an early review in the New Yorker\, renowned critic Lisa Liebmann says\, “In paintings that show rare daring and a fond insubordination to painterly fashion that is healthier than mere disregard […] De Palma’s splendid\, crazed work is really wild at heart\, a lot wilder\, in fact\, than Fauve art.”\nA sharp yet playful humor and sardonic\, critical view of humankind is characteristic of De Palma’s personality and his approach to creating art—he describes his work as having no rules. As an artist\, his goal is to open possibilities rather than restrict freedom of style\, subject matter\, or technique. Through a synthesis of contradictory elements—hard edges and soft forms\, sensuality and roughness\, humor and darkness—De Palma’s art depicts the shifting quality of life in all its quirkiness. \n“For the artists who love their work and feel that it is meaningful\, productive efforts are a type of devotion\,” says De Palma. “My work flies in the face of fashion and demonstrates how the artist and poet must fight the gods of our society: the god of conformism\, as well as the gods of apathy\, material success\, and exploitative power.” \nWith each composition\, he aims to discover and express the depth of character and thought that springs from an authentic view of life\, untainted by commercial forces or the art market. In a world where the shrewd prosper and the hardworking innocents find themselves outside the system\, De Palma has resisted in solitary solidarity with his own vision—being alone\, keeping his distance\, maintaining the peace of mind necessary for listening to one’s deeper self. \nHerein lies the timeless fear that every society harbors about its artists. They are the ones who threaten the status quo that society is devoted to protecting. Such an artist is Brett De Palma. \nAbout Brett De Palma \nDe Palma worked at Sperone Westwater Fischer Gallery and was included in 1982’s Documenta 7\, curated by Dutch art historian Rudi Fuchs. He exhibited with Tony Shafrazi and Fawbush galleries. De Palma was the recipient of an NEA grant and has shown nationally and internationally. He taught advanced painting in the early 90s at Princeton and has been on the faculty of School of Visual Arts in New York for the past 28 years. From 1992 to 2005\, De Palma was also director of creative arts at VillageCare\, a Manhattan AIDS day treatment program. \n 
URL:https://www.howlarts.org/event/brett-de-palma-dreaming-on-the-bowery-post-apocalyptic-paintings/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
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DTSTART;TZID=America/New_York:20171208T190000
DTEND;TZID=America/New_York:20171208T210000
DTSTAMP:20171114T174759Z
CREATED:20171114T174759Z
LAST-MODIFIED:20171114T174759Z
UID:10000448-1512759600-1512766800@www.howlarts.org
SUMMARY:Robbie O. Leaver and Jim Coleman This Wilderness
DESCRIPTION:A Musical Performance \nRobbie O. Leaver and Jim Coleman return to Howl! Happening as This Wilderness. Originally performing as Birdthrower\, they played a memorable show alongside Lydia Lunch in conjunction with Voyeur\, Beth B’s exhibition at the gallery. \nFusing darkness and humor\, intimacy and expansion\, disrupted circuitry and the whisper of breath\, the music and personality of This Wilderness is uniquely seductive and disquieting. The raw emotional quality of Leaver’s vocals combined with the ethereal and intense atmosphere of Coleman’s music create a connection with the psyche that is both profound and touching. \nAbout the Performers\nJim Coleman has a deep history in the NYC music scene. He was an integral member of the seminal post-industrial band Cop Shoot Cop. Coleman recorded and performed solo as Phylr and released Trees\, a solo album of electroacoustic ambient music. In July 2017\, he released a techno album\, No More Fear\, as J-CO on Italian house label Defora. He has scored music for independent films and television\, working with directors including Hal Hartley\, Beth B\, Todd Philips\, and Richard Kern. Music collaborations include Lydia Lunch\, J.G. Thirlwell\, and noted Italian composer Teho Teardo. Coleman currently splits his time between This Wilderness and his other band\, The Children\, a collective of musicians centered around a core collaboration with Michael Weiner and Phil Puleo. \nRobert O. Leaver is a musician\, writer\, and performance artist. He is currently recording an album of his solo acoustic project\, Birdthrower\, produced by Grammy-winner Ben Harper. He has also written for television and film\, collaborating with author Sebastian Junger as well as producer/filmmaker Larry Fessenden\, with whom he co-wrote the critically acclaimed film The Last Winter. Leaver has also written for Esquire\, Sports Afield\, Tin House\, and High Times magazines\, among others. Leaver’s performance art piece Crawling Home found him crawling the length of Manhattan on his hands and knees\, wearing his father’s vintage business suit. Another performance piece\, Hole Earth\, involved him digging and occupying holes in various locations around the world while wearing said suit. Leaver writes about his experiences. He grew up down the road from Walden Pond and is a longtime resident of Washington Heights.
URL:https://www.howlarts.org/event/robbie-o-leaver-and-jim-coleman-this-wilderness/
LOCATION:NY
CATEGORIES:Performance
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