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X-WR-CALDESC:Events for Howl! Arts
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DTSTART;VALUE=DATE:20171118
DTEND;VALUE=DATE:20171221
DTSTAMP:20260605T083340
CREATED:20171019T165527Z
LAST-MODIFIED:20171129T164833Z
UID:10000167-1510963200-1513814399@www.howlarts.org
SUMMARY:Brett De Palma Dreaming on the Bowery: Post-Apocalyptic Paintings
DESCRIPTION:Opening Reception: Saturday\, November 18 / 6 PM / Free\nHowl! Happening: An Arturo Vega Project is pleased to present Dreaming on the Bowery\, a retrospective of paintings by New York artist Brett De Palma. A representative selection of his nimble\, allegorical\, and chaotic figuration\, the works include contemporary paintings that serve as canvas for De Palma’s commentary on the current political and cultural climate\, as well as works made over the course of the last 30 years—replete with satire\, farce\, and funky humor. \nThis exhibition features a dazzling group of large-scale paintings that display a willful reticence of refinement and a handmade\, playful style. Furious scuffles of paint spawning half-smothered epic-historical subject matter synthesize a crude\, rude\, rough around the edges American brashness. Living and working in the late 70s and 80s\, he was on the downtown scene\, pulling from his experience of iconic clubs and galleries where fashion elites\, artists\, and musicians convened. This same gritty\, decaying street scene in New York was the stage for luminous friends like Jean-Michel Basquiat\, Keith Haring\, Kenny Scharf\, Julian Schnabel\, and David Salle. \nIn an early review in the New Yorker\, renowned critic Lisa Liebmann says\, “In paintings that show rare daring and a fond insubordination to painterly fashion that is healthier than mere disregard […] De Palma’s splendid\, crazed work is really wild at heart\, a lot wilder\, in fact\, than Fauve art.”\nA sharp yet playful humor and sardonic\, critical view of humankind is characteristic of De Palma’s personality and his approach to creating art—he describes his work as having no rules. As an artist\, his goal is to open possibilities rather than restrict freedom of style\, subject matter\, or technique. Through a synthesis of contradictory elements—hard edges and soft forms\, sensuality and roughness\, humor and darkness—De Palma’s art depicts the shifting quality of life in all its quirkiness. \n“For the artists who love their work and feel that it is meaningful\, productive efforts are a type of devotion\,” says De Palma. “My work flies in the face of fashion and demonstrates how the artist and poet must fight the gods of our society: the god of conformism\, as well as the gods of apathy\, material success\, and exploitative power.” \nWith each composition\, he aims to discover and express the depth of character and thought that springs from an authentic view of life\, untainted by commercial forces or the art market. In a world where the shrewd prosper and the hardworking innocents find themselves outside the system\, De Palma has resisted in solitary solidarity with his own vision—being alone\, keeping his distance\, maintaining the peace of mind necessary for listening to one’s deeper self. \nHerein lies the timeless fear that every society harbors about its artists. They are the ones who threaten the status quo that society is devoted to protecting. Such an artist is Brett De Palma. \nAbout Brett De Palma \nDe Palma worked at Sperone Westwater Fischer Gallery and was included in 1982’s Documenta 7\, curated by Dutch art historian Rudi Fuchs. He exhibited with Tony Shafrazi and Fawbush galleries. De Palma was the recipient of an NEA grant and has shown nationally and internationally. He taught advanced painting in the early 90s at Princeton and has been on the faculty of School of Visual Arts in New York for the past 28 years. From 1992 to 2005\, De Palma was also director of creative arts at VillageCare\, a Manhattan AIDS day treatment program. \n 
URL:https://www.howlarts.org/event/brett-de-palma-dreaming-on-the-bowery-post-apocalyptic-paintings/
LOCATION:NY
CATEGORIES:Exhibition,Gallery
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DTSTART;TZID=America/New_York:20171207T190000
DTEND;TZID=America/New_York:20171207T210000
DTSTAMP:20260605T083340
CREATED:20171107T193040Z
LAST-MODIFIED:20171107T225510Z
UID:10000405-1512673200-1512680400@www.howlarts.org
SUMMARY:Tomata du Plenty Coast to Coast
DESCRIPTION:Exhibition\, Panel Discussion\, and Screenings\nActor\, performer\, painter\, raconteur. Howl! Happening is pleased to present an evening celebrating the colorful coast-to-coast life of Tomata du Plenty. The show will include a one night only sale of Tomata’s watercolors from the collection of Chuck Fulton\, a slide show curated by Sandra Schulman\, and a panel discussion focusing on Tomata’s time in New York City. The panel will feature 70s era Off-Off-Broadway theater contemporaries Tish and Snooky of Manic Panic; Jack Rabid\, publisher of The Big Takeover\, who conducted one of the last interviews with Tomata; and Carlos Iglesias\, L.A. based collector and documentarian of the upcoming film on Tomata’s life. A slide show and a short film\, commissioned especially for the presentation\, will be shown. \nTomata du Plenty (1948 –2000)\, born David Xavier Harrigan\, was an artist in step with his times—careening from careers as a theater troupe founder and experimental punk band performer to multimedia artist. Born in New York and raised in California\, Tomata seized the day in San Francisco\, where he joined the Cockettes\, the legendary theater troupe in 1968. He co-founded Ze Whiz Kidz\, a lip-synch troupe\, with the late Gorilla Rose in Seattle and later performed comedy with Fayette Hauser and Gorilla at CBGB in New York\, alongside the Ramones\, and the Stilettos with a pre-Blondie Debbie Harry. \nHe made his mark with The Screamers\, a band with no guitars—just one ARP Odyssey synthesizer\, one Fender Rhodes with fuzzbox\, a minimal drum kit\, and Tomata on lead vocals. They never recorded an album but became sensations at The Masque\, the Whisky a Go Go\, and the Roxy in Los Angeles with their meticulously polished productions. \nAfter the final breakup of The Screamers in 1981\, Tomata embarked on a new career as a painter and evolved into a revered folk artist who worked the storefront gallery circuit in Seattle\, L.A.\, Miami\, New Orleans\, and San Francisco. He always said he’d sooner sell 100 of his trademark instant paintings depicting his favorite artists and other plain folks at $25 each than one at $25\,000. And that’s exactly what he did. \nPhoto: Marva Marrow
URL:https://www.howlarts.org/event/tomata-du-plenty-coast-to-coast/
LOCATION:NY
CATEGORIES:Special Event
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