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DTSTART;TZID=America/New_York:20161014T180000
DTEND;TZID=America/New_York:20161111T180000
DTSTAMP:20170510T155922Z
CREATED:20160909T160202Z
LAST-MODIFIED:20170510T155922Z
UID:10000339-1476468000-1478887200@www.howlarts.org
SUMMARY:TABBOO! New Paintings!
DESCRIPTION:“Tabboo!’s portraits have an arresting honesty.“\n—Sean Mellyn\, Bomb\, 2013\nHowl! Happening is pleased to present a series of new paintings by Tabboo!—a creative force in the Downtown/East Village/Alphabet City worlds of art\, performance\, and nightclubs for close to 35 years. Well known as a painter\, Tabboo!’s subjects have ranged from still lifes to cityscapes—and he is renowned for his portraits. On view will be 14 portraits of Tabboo’s closest friends\, giving these new works an immediacy and potent emotional charge. \nThe portraits’ expressionist tone and vibrancy are embued with the innermost thoughts and personality of both the artist and the sitters. In these portraits of his friends\, we see Tabboo!’s own exuberant personality and his close\, personal relationship to his subjects. The portraits capture his intimates with a fresh\, emphathetic eye\, expressing their essential personality and the psychic depth beneath the painted surface of the linen. Poignant and loving\, they are a record of a cross-section of his friends—some well known in the downtown scene\, others just part of his tribe—and also a tribute to the creativity and continuum of culture that is alive and thriving—right here\, right now! \nTabboo!’s portraits recall the style of Alice Neel and Diane Arbus . . . Similar to Arbus\, there is a poignancy to Tabboo!’s portrayal of his subjects. They are shown alone and isolated in empty space. They connect directly to the viewer. Like Alice Neel\, Tabboo! foreshortens arms\, he adds vernacular details\, he brings out the warmth and domesticity of the setting\, and the networks of friendships.\n                               —Rupert Goldsworthy\, Tabboo! catalog essay \nLoaded with symbolism and emotive brushwork\, these portraits bring out magical details of the sitters’ inner and outer lives. The paintings vibrate with an uncanny life force. Clearly Tabboo! knows these people well! \nAlongside Mark Morrisroe\, Nan Goldin and Jack Pierson\, Tabboo! was a member of the so-called Boston School. Arriving at the wide open creative arena of the East Village in the 80s\, Tabboo!’s work is a riotous mixture of DIY energy and high camp. He has collaborated with countless artists\, musicians\, writers\, and performers and his distinctive style has had a profound impact on leading cultural figures of his generation. \nProlific in a way that borders on compulsivity\, [Tabboo!] was not only one of the most imaginative figures in the early-’80s East Village art scene: he also illustrated our world\, lending his hand to the cover art of era-defining records by the likes of Deee-Lite and Book of Love and producing a seemingly infinite array of flyers and ads for the most celebrated nightclubs of the day\, like the Pyramid Club and Mudd Club. He was just as likely to be found inside those clubs\, designing their interiors or commanding the stage as Tabboo! Of all that\, [Tabboo!] simply says\, ‘I worked in nightclubs when nightlife actually mattered.’\n                                    —Carlo McCormick\, Paper magazine\, 2013 \nTabboo! continues to make his mark. He recently expanded his artistic range in a collaboration with Marc Jacobs on a collection featuring his signature work. Tabboo! and the collection have been featured in an article by Tama Janowitz in August’s Harpers Bazaar and will also be featured in Le Monde in September. His work will be included in the Museum of Modern Art’s upcoming exhibition about the legendary Club 57 and his book Tabboo! was published by Damiani on the occasion of his major exhibition at Participant\, Inc. (New York). He has also had major shows at the University of Nevada\, Reno; AMP Market\, Provincetown; Vox Populi\, Philadelphia; Gallery Mitterand\, Paris; Gavlak Gallery\, Los Angeles; and The Museum of Santiago de Compostela\, Spain. \n“The great thing about being an artist is the freedom to be myself\,” he says. \nSPECIAL EVENT\nOctober 27\, 2016 / 7 PM\nFall Costume Extravaganza Produced and Directed by Tabboo!\nAn artsy\, over the top drag show in the style of classic Hollywood glamour\, the costume extravaganza will feature Agosto Machado\, Brandon Olson\, Flloyd\, Trish Astor\, Bobbie\, Soigne\, and\, of course\, Tabboo! A tribute to old-school queens\, expect tons of sequins\, yards of tulle\, and feathers galore. Check Howl! Happening’s website for updates. \nA fully illustrated catalog with texts by Rupert Goldsworthy\, Brandon Olson\, and others accompanies the show. \nVideo of Tabboo! talking about his artistic process here.
URL:https://www.howlarts.org/event/tabboo-new-paintings/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Exhibition,Gallery
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DTSTART;TZID=America/New_York:20161107T140000
DTEND;TZID=America/New_York:20161107T170000
DTSTAMP:20160706T170758Z
CREATED:20160706T170758Z
LAST-MODIFIED:20160706T170758Z
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SUMMARY:Actors Fund Insurance Drop In Workshop
DESCRIPTION:The Insurance Doctor Is In! \nMonday\, November 7th\, 2-4pm\nQuestions about a health insurance bill? \nDon’t understand your insurance and can’t get a straight answer? \nNeed some advice on how to negotiate medical debt? \n Our insurance expert will answer your questions during a one-on-one consultation.  Renata Marinaro\, LMSW\, Director of the Artists Health Insurance Resource Center\, is an unbiased Navigator with 10 years of experience counseling consumers on insurance. \nConsultations by appointment only. \nPlease RSVP to rmarinaro@actorsfund.org . \nAlso\, bring any documents in question (bills\, explanations of benefits\, your insurance policy)! \n 
URL:https://www.howlarts.org/event/actors-fund-insurance-drop-in-workshop-3-2016-11-19/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Workshop
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DTSTART;TZID=America/New_York:20161107T190000
DTEND;TZID=America/New_York:20161107T210000
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SUMMARY:Writers Block 2016 Presents Kestutis Nakas Remembrance of Things Pontiac
DESCRIPTION:Monday\, November 7th\, 2016 / 7 PM \nPart of the 2016 Writers Block staged reading and performance festival\n[Nakas] lets both his age and chops show to powerful effect in this solo about a Michigan teen\, class of ’71\, who’s tormented by delayed puberty even as he engages the universe through LSD and the MC5. —Chicago Reader \nAs 1969 turns into 1970\, little Tony longs for love\, drugs and puberty. Caddying by day and partying by night\, his dream of joining Michigan’s counterculture comes true at the Goose Lake Music Festival. But then some weird shit happens. \nNakas is artistic director of The Bridge\, a new theatre in Chicago’s Bridgeport neighborhood. The Bridge presents original\, eclectic performance and theatre. In February of 2016\, The Bridge joined with the School of the Art Institute of Chicago\, MCA\, Defibrillator Gallery and a host of other venues to host the citywide IN TIME>16 performance art festival. \nNakas is a writer\, performer\, director\, and teacher whose work has been presented at the New York Shakespeare Festival\, Yale Rep\, La MaMa\, Dixon Place\, PS122\, St. Mark’s Church in-the-Bowery\, 8BC\, The Kitchen\, Highways Performance Space & Gallery\, Prop Thtr and numerous other national venues. Performance works and plays include RIP\, No Bees for Bridgeport\, Railroad Backward\, Remembrance of Things Pontiac\, My Heart\, My President\, Hunger and Lightning\, The Andrew Carnegie Story\, and the critically acclaimed tragi-farce cycle: When Lithuania Ruled The World\, Parts I\, II\, III. & IV. In the 1980’s\, he was active in New York’s East Village performance scene and was Artistic Director of Gates of Dawn\, which showcased New York performers. He has taught at NYU\, UCLA\, CUNY\, and the University of New Mexico. He is a Professor of Theatre at the Chicago College of Performing Arts at Roosevelt University. His performance text about urban beekeeping\, No Bees for Bridgeport\, was published in Animal Acts: Performing Species Today\, an anthology of new performance edited by Una Chaudhuri and Holly Hughes\, University of Michigan Press. \nTICKETS: $20 Suggested Donation\nLimited Space. To reserve a seat buy your tickets now \nThe staged readings series is a benefit for the Actors Fund’s Howl! HELP\, providing emergency financial assistance and social service support to artists who have made or continue to make their careers in New York’s East Village and Lower East Side arts communities. Howl! HELP is administered by the Actors Fund and 100% ticket sales benefit the Actors Fund.
URL:https://www.howlarts.org/event/writers-block-2016-kestutis-nakas-remembrance-of-things-pontiac/
LOCATION:NY
CATEGORIES:Special Event
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