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DTSTART;TZID=America/New_York:20160618T180000
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DTSTAMP:20170510T161039Z
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UID:10000010-1466272800-1469988000@www.howlarts.org
SUMMARY:Play What You Like: Fluxus\, Music\, and More curated by Jade Dellinger
DESCRIPTION:Play What You Like: Fluxus\, Music & More\, curated by Jade Dellinger \nJohn Cage\, Giuseppe Chiari\, Philip Corner\, Dick Higgins\, Joe Jones\, Milan Knizak\, Charlotte Moorman\, Yoko Ono\, Nam June Paik\, Ben Patterson\, Laurie Anderson\, The Art Guys\, David Byrne\, Keith Edmier\, Christina Kubisch\, Christian Marclay\, Dave Muller\, Al Ruppersberg\, Stephen Vitiello\, and others… \nHowl! Happening is pleased to present Play What You Like: Fluxus\, Music & More curated by Jade Dellinger\, opening Saturday\, June 18th from 6-8 PM and running through July 31st. Drawing its title from an early work by the Italian Fluxus artist/composer Giuseppe Chiari\, Play What You Like: Fluxus Music & More highlights both historical works and the works of those influenced by those historical precedents. \nMost heavily inspired by the ideas of John Cage\, Fluxus art often relied on chance to shape the outcome and actively involved the viewer. Fluxus compositions or scores for performances and events involved simple actions\, ideas\, and objects from everyday life. Incorporating concrete poetry\, visual art and writing\, Fluxus performances were the embodiment of Dick Higgins’ idea of “intermedia”—a dialogue between two or more media to create a third\, entirely new art form. \nYet\, as many of the Fluxus artists had formal training in music\, musical composition and performance (frequently involving the alteration\, misuse or abuse of traditional instruments) became central to their activity. Beginning with a series of festivals featuring concerts of experimental music and other avant-garde performance\, Fluxus artists reacted against the commodification of art\, its commercialization in the gallery system\, and its static presentation in museums. A primary goal of most Fluxus artists was to destroy any boundary between art and life. Founder George Maciunas stated that Fluxus was “anti-art\,” to underscore the revolutionary mode of thinking about the practice and process of art while using humor to mock the elitist world of “high art” and to bring art to the widest possible audience. \nIn addition to the artists listed above\, of particular note will be the interactive installation JOHN CAGE 33 1/3 performed by Howl! gallery-goers. Conceived in 1969 as an “audience participation” work\, John Cage’s original “score” simply stipulated that the gallery be filled with about a dozen record players and two- to three-hundred vinyl records. Visitors to the gallery are encouraged to act as DJs and create a musical mix by playing records freely and thus performing the work. \nAccording to guest curator Jade Dellinger\, “when the work was first installed at the University of California in Davis\, a local record store graciously volunteered the hundreds of necessary records. However\, as Cage never discussed condition or specified titles\, the store promptly sent over the most common and undesirable\, damaged and utterly unsalable records in their inventory.” Dellinger was inspired by a line from a letter he received in the 80s from Cage in which the composer noted that “I am not interested in the names of movements but rather in seeing and making things not seen before.” \nA prominent group of visual artists and performers (even a few Rock & Roll Hall of Famers) have submitted top ten picks or album playlists to fill record bins. The participating visual and performing artists include: \nYoko Ono\, Iggy Pop\, Graham Nash\, David Byrne\, Lee Ranaldo\, Richie Ramone\, Jad Fair\, Alex James\, Meredith Monk\, Terry Allen\, Irwin Chusid\, Arto Lindsay\, Blixa Bargeld\, Mike Kelley\, S.A. Martinez\, David Harrington\, Emil Schult\, Pauline Oliveros\, The Residents\, Vito Acconci\, The Art Guys\, Martin Atkins\, John Baldessari\, Matthew Barney\, Christian Marclay\, Joan La Barbara\, James Rosenquist\, Ed Ruscha\, William Wegman. \n 
URL:https://www.howlarts.org/event/play-what-you-like-fluxus-music-and-more-curated-by-jade-dellinger/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Exhibition,Gallery
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DTSTART;TZID=America/New_York:20160630T190000
DTEND;TZID=America/New_York:20160630T210000
DTSTAMP:20160622T154136Z
CREATED:20160622T154136Z
LAST-MODIFIED:20160622T154136Z
UID:10000024-1467313200-1467320400@www.howlarts.org
SUMMARY:Godlis' History Is Made At Night Artist Talk and Slide Show
DESCRIPTION:Thursday\, June 30\, 2016 / 7 PM / FREE \n“It’s as though the particles of light are still vibrating\, as though one is still right there\, standing on the Bowery in 1976 looking into Patti Smith’s luminous eyes…”\n—excerpt from Jim Jarmusch’s introduction to History Is Made at Night  \nHowl! Happening is pleased to host a slide show for History Is Made at Night\, a book of fine art photography from David Godlis\, including 119 of his iconic black and white images. Representing 40 years of work by the artist\, the book features images of the nighttime world of CBGB and life on the street between 1976 and 1979. In the style of Brassaï and Robert Frank\, Godlis uses a hand held Leica and TRI-X film to capture the outsider essence of his subjects in the gritty heyday of the New York City Punk scene. Pictured under the Bowery street lights in their glory days are The Ramones\, Blondie\, Richard Hell\, Patti Smith\, Television\, Talking Heads\, and Suicide\, among others. \nWith an Introduction by noted film director Jim Jarmusch\, this 168 page duotone monograph is published and distributed by Matte Editions. Available in June 2016. \nDavid Godlis is a photographer and artist who captured iconic images of the original punk rock era. Starting as a street photographer inspired by mid-20th century figures like Diane Arbus\, Robert Frank and Weegee\, he was particularly influenced by Brassaï’s \nParis by Night (1933)—taking photographs at night using only natural light. This technique distinguishes his work and focus on the now-historic photographs he took of 70s punk bands at CBGB\, including The Ramones\, Television\, Blondie\, Richard Hell\, and Patti Smith.
URL:https://www.howlarts.org/event/godlis-artist-talk-and-slide-show/
LOCATION:Howl! Happening\, 6 East 1st Street\, New York City\, NY\, 10003\, United States
CATEGORIES:Book Signing
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